Back before World War II, there was a time where occult practices and individual sacrifices were not too far between. Small towns participated in mass hangings and families were stoned to death all in the name of one God or another in order to produce mass crops or prevent withering among other reasons. Townspeople were blinded by tradition and ritualistic practices as opposed to the values of family and modern Christianity that are embraced today. In a short story called “The Lottery”, author Shirley Jackson walks her readers through a time when such things where not only allowed, but practiced on a regular basis.
“The village lottery culminates in a violent murder each year, a bizarre ritual that suggests how dangerous tradition can be when people follow it blindly.” (SparkNote, par. 1) Jackson uses suspense and history to taunt her readers as she explores an evening in a small town that ends in disbelief. Jackson perfects the art of surprise endings in her short story about a town Lottery taking place in what is described as the seventeenth-century where housewives “wore faded house dresses and sweaters” (Jackson, 24) and spent their days at home caring for the children as their husbands went off to labor on farms and mines to provide for their families. Shirley Jackson uses symbolic references and historical details to show how blindly following tradition can lead to disaster in this fictional story.
Originally published in the New Yorker magazine in 1948, “’The Lottery’ describes average citizens of an average village all taking part in an annual sacrifice of one of their own residents” (Hicks, par. 2). According to various reviews found in the Gale Databases, the responses to Jackson’s fictional tale were overwhelmin...
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...story, 12 Feb. 2013. Web. 19 Feb. 2014.
Hicks, Jennifer. “Overview of ‘The Lottery’.” Short Stories for Students. Detroit: Gale, 2002. Literature Resource Center. Web. 19 Feb. 2014.
Hrebik, Dale. "Shirley Jackson." American Short-Story Writers Since World War II: 3rd Series. Ed. Patrick Meanor and Richard E. Lee. Detroit: Gale Group, 2001. Dictionary of Literary Biography Vol. 234. Literature Resource Center. Web. 18 Feb. 2014.
Ragland, Martha. "Shirley Jackson." American Novelists Since World War II: 2nd Series. Ed. James E. Kibler. Detroit: Gale Research, 1980. Dictionary of Literary Biography Vol. 6. Literature Resource Center. Web. 20 Feb. 2014.
Skwire, David, and Sarah E. Skwire. Writing with a Thesis: A Rhetoric and Reader. 7th ed. Fort Worth: Harcourt Brace, 1998.
"SparkNote on The Lottery." SparkNotes. Ed. SparkNotes. SparkNotes LLC, 2007. Web. 22 Feb. 2014.
Screaming, yelling, and screeching emerge from Tessi Hutchinson, but the town remains hushed as they continue to cast their stones. Reasonably Tessi appears as the victim, but the definite victim is the town. This town, populated by rational people, stones an innocent woman because of a lottery. To make matters worse, no one in the town fathoms why they exterminate a guiltless citizen every June. The town’s inexplicable behavior derives from following an ancient, ludicrous tradition. With the omission of one man, no one in the community comprehends the tradition. In the case of “The Lottery,” the town slays an irreproachable victim each year because of a ritual. Shirley Jackson exposes the dangers of aimlessly following a tradition in “The Lottery.” Jackson not only questions the problem, but through thorough evaluation she an deciphers the problem as well.
In Contemporary Fiction Writers of the South, edited by Joseph M. Flora and Robert Bain. Westport, Conn.: Greenwood Press, 1993. An appreciative summary of the work. 28 Apr. 2011 Magill, Frank N. Magill's Survey of American Literature, Volume 5. New York: Marshall Cavendish Corporation, 1991.
“Lottery in June, corn be heavy soon” (142), the well-known quote by Old Man Warner that is familiar to Shirley Jackson’s readers is an expression that has a lot of value in the short story, “The Lottery.” This story’s title does not exactly mean what first comes to ones mind when thinking of the word “lottery”, but as the story slowly unfolds it becomes more clear of what once seemed good natured turns out to be inhumane. We learn that winning the lottery in this story means to actually win death by stoning. A tradition that only makes the protagonist Tessie Hutchinson a loser that is given as a sacrifice for the unnamed and unearthly spirit. This awful wickedness of the ordinary towns people is visible; however, Tessie Hutchinson is the
Attention Getter: Shirley Jacksons, The Lottery, without a doubt expresses her thoughts regarding traditional rituals throughout her story. It opens the eyes of us readers to suitably organize and question some of the today's traditions as malicious and it allows foretelling the conclusion of these odd traditions. The Lottery is a short story that records the annual sacrifice ceremony of an unreal small town. It is a comprehensive story of the selection of the person to be sacrificed, a procedure known to the villagers as the lottery. This selection is enormously rich in symbolism.
Tradition is huge in small towns and families and allows for unity through shared values, stories, and goals from one generation to the next. Shirley Jackson’s “The Lottery” carries that theme of tradition. The story follows a small town that performs the tradition of holding an annual lottery in which the winner gets stoned to death. It (tradition) is valued amongst human societies around the world, but the refusal of the villagers in “The Lottery” to let go of a terrifying long-lasting tradition suggests the negative consequences of blindly following these traditions such as violence and hypocrisy.
There are regions in parts of the globe that take part in normal activities that, here in the United States, would be considered completely abnormal, even inhumane. Yet, traditional ties sewn into a cultural realm deems certain events, such as “the lottery”, to be well within the bounds of socially acceptable. Old Man Warner epitomizes the relevance of the power of tradition in this short story, and the symbol that takes shape from it. A veteran of seventy-seven years in the lottery, he snorts at the idea of giving it up. “Nothing but trouble in that… Pack of young fools,” he says when it is mentioned that some towns have given it up. “Listening to the young folks, nothing’s good enough for them. Next thing you know they’ll be wanting to go back to living in caves, nobody work anymore…” he spouts off, illogically. The lottery was so steeped in the town’s traditional makeup that even the barbaric physical act of killing someone with stones was not the least bit
Shirley Jackson's “The Lottery” is a short story about the annual gathering of the villagers to conduct an ancient ritual. The ritual ends in the stoning of one of the residents of this small village. This murder functions under the guise of a sacrament that, at one time, served the purpose of ensuring a bountiful harvest. This original meaning, however, is lost over the years and generations of villagers. The loss of meaning has changed the nature and overall purpose of the lottery. This ritual is no longer a humble sacrifice that serves the purpose of securing the harvest but instead is a ceremony of violence and murder only existing for the pleasure found in this violence.
Shirley Jackson’s “The Lottery” is a chilling tale of a harsh ritualistic gathering conducted by people of a small village. The word lottery would typically remind someone of a drawing to win a cash prize. A better comparison to the story would be the lottery used to select troops for the Vietnam War; a lottery of death. Another would be the human sacrifices the Aztecs willingly made long ago.
The Lottery, and Christianity Shirley Jackson’s short story “The Lottery”, if left at face value, is a perverse tale of a small village sacrificial ceremony, which leaves a lasting impression upon the reader. However to take the story at face value would nearly be an exercise in futility, for then the reader would be missing the deeper meanings found in the delicate symbolism that Jackson places throughout the tale.
Did you know that Merle and Patricia Butler from Red Bud, Illinois and three teachers from Baltimore Maryland won the biggest lottery in American history at $656 million dollars? That means every person acquired $218.6 million dollars each from the lottery (Carlyle). Unfortunately, the citizens of Shirley Jacksons’ fantasy short story “The Lottery” were not imbursed with money, but were stoned to death by their peers. “The Lottery” is a lottery of death in which the town uses to keep the population down (Voth). The story consist of many subjects to analyze which include: irony, imagery, and pathos.
In Shirley Jackson’s "The Lottery," what appears to be an ordinary day in a small town takes an evil turn when a woman is stoned to death after "winning" the town lottery. The lottery in this story reflects an old tradition of sacrificing a scapegoat in order to encourage the growth of crops. But this story is not about the past, for through the actions of the town, Jackson shows us many of the social ills that exist in our own lives.
Jackson, Shirley. “The Lottery.” A Portable Anthology. Ed. Janet E. Gardner. Boston: New York: Bedford/St Martin’s, 2013. 242-249. Print.
What thoughts come to mind when you think of "The Lottery?" Positive thoughts including money, a new home, excitement, and happiness are all associated with the lottery in most cases. However, this is not the case in Shirley Jackson’s short story, "The Lottery." Here, the characters in the story are not gambling for money, instead they are gambling for their life. A shock that surprises the reader as she unveils this horrifying tradition in the village on this beautiful summer day. This gamble for their life is a result of tradition, a tradition that is cruel and inhumane, yet upheld in this town. Shirley Jackson provides the reader’s with a graphic description of violence, cruelty, and inhumane treatment which leads to the unexpected meaning of "The Lottery." Born in San Francisco, Jackson began writing early in her life. She won a poetry prize at age twelve and continued writing through high school. In 1937 she entered Syracuse University, where she published stories in the student literary magazine. After marriage to Stanley Edgar Hyman, a notable literary critic, she continued to write. Her first national publication “My Life with R.H. Macy” was published in The New Republic in 1941but her best-known work is “The Lottery.”(Lit Links or Reagan). Jackson uses characterization and symbolism to portray a story with rising action that surprises the reader with the unexpected odd ritual in the village. While one would expect “The Lottery” to be a positive event, the reader’s are surprised with a ritual that has been around for seventy-seven years , demonstrating how unwilling people are to make changes in their everyday life despite the unjust and cruel treatment that is associated with this tradi...
Leyshon, Cressida. "This Week in Fiction: Shirley Jackson." The New Yorker. JULY 29, 2013, 29 July 2013. Web. 1 Dec. 2013. .
“The Lottery”, by Shirley Jackson is a short story about a disturbing social practice in a village. Besides, there were about three hundred citizens in the small village where the setting took place. The introduction of “the lottery” is about an event that takes place every year on 27th in the month of June, where the community members of this tradition organize a lottery. Everyone in the village including small children to adults is expected to participate. Besides, when this story was introduced at the very first in 1948 by Shirley Jackson, many people were upset. This is because this story was so strange to undertake in modern enlightened times.