In all the novels provided throughout the history of man are aspects which they must follow. These aspects include characters, symbols, central themes, subthemes etc. Rodolfo Anaya’s novel “Bless Me, Ultima,” is one of the many novels that includes these characteristics. While reading this novel, one is able to put forth the depth and significance of these literary features.
The structure of this novel can be divided in two types- internal and external. The external view of the novel can be seen by the composure of twenty-two chapters. The internal structure of this novel can be seen with a first person narrative; the narrator being Antonio. The italics in the novel represent Antonio’s dreams which are also narrated through first person.
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style of Anaya through this novel is very chronological and linear. It does not jump around much but the story flows nicely and is easy to follow. Anaya throws in some Spanish words but not many which gives the main language of English. Some techniques that Anaya uses is the insight to Antonio’s dreams. It is italicized and it gives insight to the reader about what Tony is thinking and it foreshadows many moments in the book, from the arrival of his brothers to Ultima’s owl and what it symbolizes to him. The main characters of the novel, for the most part is one of the most critical parts of this novel. First there’s Maria Luna, the mother of Antonio. She is a devoted catholic, a very caring mother, and strives to live in a well civilized town, like that of her families. Secondly, there’s Gabriel, the husband of Maria and the father of Antonio. He is from the llano, a vaquero who wishes he could live on the llano once again. Gabriel put aside his pride and moved to a town where he is on the edge of the llano and yet close to town to make his wife happy. He finds himself drinking every Saturday in order to remember the good days that he spent in the llano with his brothers. Then there’s Antonio who is six years old. He is a very curious yet wise little boy. Tony feels like he is between a tug of war with his own blood. His mother’s blood which is the Luna’s blood, moon blood. It is described to be a very caring, peaceful, religious and blood of the farmers. Meanwhile, his father’s blood is of the Marez, the blood of the ocean. This blood is described to be relentless as the ocean, conquistadores, free and most of all, the blood of vaqueros. He is constantly trying to figure out his identity and contemplating which road to follow, his mother’s dream of him being a priest, or the dream of his fathers of being the one who becomes a vaquero. As he is stuck in between his two blood which runs through his veins, Ultima, a curandera also known as a folk healer, arrives in his town and this eases Antonio to understand where his destiny truly stands. Lastly, Ultima arrives in the picture. She is an old, wise, unfearful, old woman. She uses her wisdom of the plants that she has worked with her entire life for the good. Ultima, or la Grande as Maria refers to her as, is a very spiritual being who has been able to help many lives throughout the vicinity of the town. She never says no and accepts any challenge that is brought to her. Antonio’s mother takes her in as she is growing old and it’s only right to take care of someone who took care of her throughout all of the bearing of her children. Although many people in the town refer to her as a witch, one can be able to realize that she is not in fact a witch of bad witchcraft, instead he uses white magic. White magic can be defined as using supernatural powers for selfless reasons and for the good of the people. Ultima’s presence is able to bring a sense of wisdom and comfort zone for Antonio as he struggles finding his identity. There is a variety of symbols that are seen throughout the book, but there are three main symbols that further increase the symbolism within the text.
One of these symbols is Ultima’s owl. The owl is seen to be taking care of Tony and of Ultima throughout the novel. Ultima’s owl can be seen not only as her own spirit but more of the wicked side of Ultima. When Ultima was trying to cure the soul of Tony’s uncle, the owl scratches and tears into the flesh of the wolves which are also the witches that casted the spell on the uncle. Another instance is when Tenorio is outside the house of the Marez and he mentions that the owl is the spirit of Ultima, the owl then proceeds to attack Tenorio and scratch his eye. Lastly, towards the end of the book, when the owl passes away and shortly after, so does Ultima; this further reassures the idea that Ultima’s owl is in fact her own spirit. The second major symbol in this novel is the Golden Carp. The Golden Carp is said to be a God who was transformed into a fish. When Samuel began to tell Tony about thus mythical creature, Tony began to become very curious about it. Finally, he is able to see the Golden Carp when Cico, Tony’s friend, takes him to the river where it is said to be seen. After this occurrence, Tony has a dream about it. He sees the Golden Carp and all the lives it has been said that it saved from the crying mermaid, in the middle of the hidden lakes up in the mountains. Tony had seen two men die and his close friend and …show more content…
God was nowhere to be found, meanwhile the Golden Carp had saved the lives of many. With this being said, the Golden Carp symbolizes an alternative to God. Lastly, dreams is also seen as a symbol throughout the novel. Through dreams, Tony is able to see many insights that he may have never been able to see in real life. For instance, in the beginning of the novel Tony dreams about his own birth and who was present during that specific moment. He was able to see Ultima who helped his mother through his own birth, his uncles from both families and even what they fought about. After this dream, he went ahead and asked his mother about this moment. His mother confirmed his dream and dreams for Antonio never were the same. He found a new insight within his dream. His dreams throughout the novel only reassured his idea that his dreams weren’t actually dreams, but insights into the past, present and future. Later in the novel as Tony matures, his dreams also mature with him. Tony’s dream help him understand his own worth, life and culture. The influence of culture on identity can be found as one of the many themes within this novel.
Antonio is in a constant battle of finding his identity due to the opposing cultures within his blood. The blood of the Marez and the blood of the Luna’s run through his veins yet he finds himself unlike any of them. He is able to find his identity through learning Ultima’s ways and truly knowing what he loves to do and what he aspires to be. Next is the conflict within his town between its religious and native cultures. There is evidence of this conflict in the distinct tension between Ultima’s mystical witchcraft and the Catholic Church. This can be seen when Maria’s brother was in his deathbed due to the curse that was put on him by the sister witches in the novel. In the beginning Antonio’s grandfather asked the church to lift the curse but the priest was not able to do such a thing because he did not want to fight against their witchcraft. The last resort was Ultima, which ultimately was able to lift the curse and save the life of Antonio’s uncle. As seen above, the Catholic Church is prejudice against the use of witchcraft even when it includes a life of a devoted catholic. After the work of Ultima, many people in town called her a “bruja” in a negative context but one of Antonio’s aunt’s defended her. The tension of the Catholic Church and witchcraft is seen throughout the novel, whether the witch has evil intensions or has good intensions. Another theme that is seen
throughout the novel is the importance of being independent. Through the novel, Antonio finds himself abiding by both of his parents cultures although this makes him more confused of who and what he is meant to be and what pathway is meant to be his destiny. As he grows, he learns that in order to find himself and his true identity he must make his own decisions. He begins to question the power of God versus the power of Ultima’s magic. One example can be the moment of the book when Antonio’s uncle is under the curse of the bad witches; “Would the magic of Ultima than all the powers of the saints and the Holy Mother Church? I wondered,” (97). Through this, Antonio becomes discouraged of the Catholic Church and his faith. Ultima begins to be his vehicle through the understanding of life’s most vital values. One being the importance of being independent. Antonio once believed in his religion and faith, but once that starts to fade, Ultima begins to show him how to think for himself and find his own solutions to his various questions about life. Lastly the last theme a reader can see is the loss of innocence. In the beginning of the novel, this is brought up continuously. Antonio’s mother, Maria, mentions that all boys lose their innocence as they grow up to be men; “’and what a sin it is for a boy to grow into a man-,” (31). This part of the novel explains how boys lose their innocence just by growing into men. His mother says that growing up to be a man is a sin but yet, it is a part of life. Maria goes on to say that life destroys the pureness that God gives in the beginning of life. Partially this is true. As Antonio grows up and the book goes on, Antonio is presented to good and evil. This can be seen through the various deaths that he witnessed. The first moment where he is presented to evil is the death of Lupito, the man who was killed because he shot a sheriff at point blank. Antonio was able to see the evil and insanity that lurked within Lupito through his eyes. Before Lupito passed away, he asked Antonio to “bless him” but Antonio is so frozen with fear that he could not do such a thing. The second death was the death of Narciso. Narciso was known to be the drunk of the town but yet he put forth a lot of wisdom for being an alcoholic. He was said to only drink in the spring because of the bad blood that stirs during that time. As Narciso laid dying on the dirt, Narciso asked Antonio to hear his last confession. In both of these deaths, Antonio is asked to play the role of a priest. Lastly, the last death which Antonio witnessed was the death of his very close friend, Florence. Florence died drowning, it was an accident but his drove Antonio to further lose his faith in hid religion and in God. After these deaths, when Antonio does his first communion, he sought the presence of God, but when this was happening, God remained silent to him. Through these significant moments in the novel, Antonio is able to realize that the loss of innocence is one of the most important consequences of growing up. Through these themes in the novel, one is able to figure out the central theme lurking within the text; spirituality. This spirituality, through the novel becomes the most important factor of his personal and cultural self. Antonio is constantly overwhelmed by, what is described at first, the mystical powers of Ultima. “She took my hand, and the silent magic powers she possessed made beauty from the raw, sunbaked llano, the green river valley, and the blue bowl which was the white sun’s home,” (1). Although Tony finds himself losing his faith in his religion, he quickly is able to turn to the mystical powers of white magic through Ultima. To Tony, it seems like Ultima has all the answers and in contrast, the Catholic Church did not. Ultima put forth her knowledge of the earth and what it holds within it. She shares her insight and her wisdom with Tony which leads Tony to start feeling the inner peace within himself. She is able to share her insight and wisdom by taking Tony to the llano and pulling various weeds from the earth’s ground. Not only does she include him in her findings of weeds but she also includes him in her practices; making remedies, helping lost souls and even dying people. Soaking in all the knowledge Ultima puts forth, Tony is able to find is own spirituality and finally feel at peace knowing who he is and his identity. Through all these aspects of the novel, one can see how important they are and how one can be able to analyze a novel in depth through these characteristics. These characteristics of the novel tie the entire novel together and allows the novel that much gratifying to the reader.
In Rudolfo Anaya’s Bless Me, Ultima, the author uses Tony’s dreams as a way of displaying various symbols. Three symbols that are used often are weather, water, and the Golden Carp. Weather is used to represent conflict. Water represents cleansing, and rejuvenation. The Golden Carp symbolizes religion and Tony’s beliefs. Because dreams are not an exact mirror of reality, they become the perfect tool for introducing symbolism. The author uses the dream as a way to access the recurring themes of the book.
In the novel, Bless me, Ultima by Rudolfo Anaya, a boy goes through many more experiences than any child in the hot summer days in Santa Rosa, New Mexico. He witnesses the deaths of his close friends and family. This boy expresses his emotions and grief through his dreams, only to wake up with fear and confusion in his mind. Antonio’s life is filled with dreams that foreshadow future incidents, as well as influences Antonio’s beliefs of religion and ideas of innocence.
In Rodolfo Anaya's novel, Bless Me, Ultima the author uses different settings in order to develop Antonio's sense of good and evil.
With these two concepts of religion, Antonio battles and organizes his thoughts through questions and observation. At certain points he believes that he will be sent to hell for believing in the stories of the King of the Fish. After all, the golden carp is a natural, pagan deity compared to the Christian God Antonio is used to worshipping. But in the end, that too is the teachings of Ultima’s wisdom, Antonio realizes he must learn to live in a world in which Catholicism and the golden carp can coexist, and he must grow to impart knowledge and enlightenment from all the spiritual forces in his life.
Throughout the novel Bless Me,Ultima by Rudolfo Anaya, Antonio’s Parents had an adamant ideal of how they wanted their children to live their lives. Maria, his mother, wanted her children to follow the way of her Luna family. Gabriel, his father, wanted his children to travel to California with him. Maria wanted Antonio to become a priest. “Her own dream was that I should grow up and become a priest” (Anaya 5). His father had a dream to move to California. “My father’s dream was to gather his sons around him and move westward to the land of the the setting sun, to the vineyards of California”(Anaya 14). His parents had two different ideas on what they wanted their children to do which stirred up the pot in the house because of it. As a young child growing up he was very conflicted on how he wanted to live his life especially because he didn't want to disappoint his parents. This made a confliction within Antonio’s Identity. Another dream of his mother is that Antonio gets
The novel is nurtured with a very soft but sophisticated diction. The essay itself portrays the author’s style of sarcasm and explains his points in a very clear manner. In addition, the author has used vocabulary that is very easy to understand and manages to relate the readers with his simplistic words. The author is able to convey a strong and provoc...
Bless Me, Ultima is a story about the maturation of a young Mexican-American boy, Antonio M’arez, struggling with many questions about his destiny, life and death, and good and evil. Ultima who comes to live with Antonio becomes his caretaker and his teacher. Antonio learns there are powers in the world that differ from his beliefs in the Catholic faith. Ultima teaches Antonio “that the tragic consequences of life can be overcome by the magical strength that resides in the human heart”. Ultima shows Antonio how to experience the magic of life with his heart and not with his eyes. For the first time, he sees the river not as something to be feared but as a source of life, “I had been afraid of the awful presence of the river, which was the soul of the river, but through her I learned that my spirit shared in the spirit of all things”. The river is both creative and destructive in nature. It is this new magical way of seeing the river that will help Antonio understand many of the events that occur in the novel.
Antonio Márez, the main character of Bless Me, Ultima by Rudolfo Anaya, begins the Departure element of Joseph Campbell’s Hero Cycle when he initiates his journey to adulthood. He questions whether he belongs to his mother’s family, the Lunas, who live as farmers, or his father’s family, the Márezes, who freely wander the land. His care for his family demonstrates his maturity at attempting to always do the best he can for everyone. Although his parents each want him to follow their families’ paths, they remain absent from Antonio’s true journey of understanding his own thoughts and beliefs, leaving him “frightened to be alone” (Anaya 7); the lack of parental support through his personal conflict leads him to have trouble knowing how to address
In the novel, Bless Me Ultima, written by Rudolfo Anaya, two different religions are introduced. The religion of Catholicism is the religion originally practiced by the novel’s main character, Antonio. Throughout the novel, the religion of the Golden Carp is introduced and causes a crisis of faith for Antonio. Antonio must learn to choose between the conventional values of the Church and the modern beliefs of the Golden Carp by comparing and contrasting the two religions.
On two separate occasions, the magic of Ultima prevailed where God’s power failed. Once when Antonio’s Uncle Lucas was under the curse of the Trementina sisters’ and a second time when brujas from a long time ago put a curse on a bulto, a ghost, and forces it to haunt the Tellez house. This further causes Antonio to question the Christian God. “Why can’t the power of God work against the evils that beset the family of Tellez…” (226).
Bless Me, Ultima by Rudolfo Anaya is a coming of age story about a young boy named Antonio Marez. The novel takes place in New Mexico where Antonio tries to fulfill his parent’s expectations while struggling with religion. Through Antonio, Anaya defies the some of the principles in religion and expresses her interpretation on the system of beliefs. Antonio’s religious confusion suggests that man should be able to choose his own religion and destiny. In the Bless me, Ultima, Antonio experiences conflict in his religious beliefs because of the deaths he witnesses, the new ideas that he learns, and his open-minded mentality.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Throughout all works of world literature, certain passages will have special significance to the plot progression of that novel. This key passage must provide insight upon the overall theme of that work through characterization, symbolism, and imagery. In Gabriel García Márquez's novel One Hundred Years of Solitude, the passage selected for commentary uses the literary techniques of archetype, foreshadow, and symbolism to inform characterization. The concept of consanguineous love affairs is also reinforced in this passage along with the idea of the necessity of outside influence on a family. These concepts inform the characterization of all of the characters presented and provides insight on the cyclic nature of the Buendía family history.
As Antonio struggles with the confusion of his own persona, one of his overall struggle is choosing an identity of one of either of his parents, Marez or Luna. As the novel, Bless Me, Ultima, by Rudolfo Anaya, portrays this character going through many internal conflicts and stress, he fails to realize sooner that he is both and will always be a part of both identities. By the end Antonio decides to embrace both identities for they are both a contribution and aspect to his character. it is important because it depicts the sense that that one's identity may be difficult to decipher; however, in the end you cannot deny the fact the both sides run through your veins.
A young boy of Hispanic decent is torn between two worlds. Both his adventures and experiences serving to be guides for interpersonal awareness. This boy is the star of a bildungsroman themed novel entitled Bless Me, Ultima. As the reader follows Antonio Juan Marez y Luna on his journey for existential understanding, they witness him transition from a young carefree adolescent to a self-content child.