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Edgar Allan Poe literature
Edgar Allan Poe five short stories
Essay On The Topic Suffering
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Recommended: Edgar Allan Poe literature
Humans have a tendency to shy away from their sufferings. People are known to reach for stimulants in desperation, overriding the prudence of good judgment. Resorting to alcohol, Edgar Allan Poe himself escaped from painful recollections of his loved ones. “It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.” This quotation written by Edgar Allen Poe, explains the very heart of human behaviour. Humans are notorious for their ability to focus on the negative aspects of life and those who do not acknowledge the bleakness of the world are often caught in the trap of distracting themselves from the agony that surrounds them. The hopelessness within …show more content…
Poe’s words goes to the very core of the literary works of Shepherd. Megan Shepherd uses her novel The Cage, to illustrate that in a captive environment, the necessity to escape the failings of humankind intensifies, overpowering the rationality of human intelligence.
She begins to illuminate the effects of this environment through the characters inclination to isolate themselves. As the hope of escape begins to dwindle, so does the ability to make wise decisions. Shepherd then moves onto the characters weakness of trusting one another. This shows how a bleak environment leads to numerous arguments which ultimately determine the fate of the characters. As a final point, Shepherd solidifies that humans living in captivity can lose their sanity, leading them to act animalistic. These characters each uniquely demonstrate the loss of humanity and how they are forever jaded by this world. The Cage, written by Megan Shepherd demonstrates that humans will succumb to their weaknesses over their better judgement when held …show more content…
captive. As the characters fall deeper into a state of utter desperation, a sense of hopelessness overwhelms them.
This leads them to isolate themselves from what is left of civilization. The characters thoughtless actions begin as Cora flees from Lucky in complete devastation. After Lucky reveals his true identity, “[Cora] plunged into the shadows of the forest…Running, running, running. She felt like [a] rat. Running endlessly, going nowhere (Shepherd 194-195). The desperation Cora feels to escape the truth dominates her sensibility as a human. Her impulsive actions put her in a grave situation with the possibility of facing incurring danger in a dark forest. The intensity of the situation affects her rational behaviour leading her to act on instinct. Cora acts immaturely as she runs away from her problems. The fact that she compares herself to a rat shows how utterly lost and confused she feels as she runs, trying to escape the horrors of this seemingly perfect world. This provokes her inability to think in a sensible manner resulting in her reckless decision to isolate herself. These actions reflect upon Cora’s hopelessness to remain sane as her once known world crumbles around her. Building on this idea, as Cora encounters Leon in the forest, his deranged behaviour arouses when he is reminded of his sister. Seeing Cora right afore, Leon mistakes her for his sister. In his lost mind, fantasy becomes reality, confirming his bizarre thoughts. As Cora approaches Leon, “He cocked his
head, taking a step towards her. You grew your hair out. Mom always wanted you to have long hair” (Shepherd 259). Leon’s voice holds a sense of recognition and comfort. This reflects upon his identity from a hurtful bully to one who expresses his feelings in a caring manner. The reader can see how humans lose themselves through isolation and captivity. The narrator shows Leon’s multiple painting of humans’ eyes. This is an indication of pure loneliness and torture, the sign that he has reached the point of complete insanity. The image of Leon’s struggle to distinguish the realities of life is a true representation of a human in desolation. As a final point, when Lucky tries to kill Leon he realizes the irrationality of his thoughtless behaviour. When Cora leaves Lucky, his state of insanity starts to emerge as he thinks Leon was the cause of her immediate departure. The overwhelming idea of murder appeals to his distressed mind. As Lucky rushes out of Leon’s hut, “He’d felt such hatred in his veins, such certainty that Leon had been the one to twist Cora, but the truth was, all of them were twisted…He would isolate himself, for his own safety (Shepherd 326). At this point, Lucky’s character can be deemed as selfish as he only thinks about how he can better his chances of keeping a sane mind if he lives in isolation. The hatred he feels is an expression of his embarrassment because Lucky knows that his intentions to kill Leon were misguided. The venom in his voice shows the anguish he experiences as he drifts further away from human rationality. Through the use of the characters’ isolation, the reader can see how a bleak environment slowly consumes and destroys the individuals. Furthering the idea that humans submit to hopelessness within their surrounding environment, the inability to trust one another leads the characters to numerous complications. This pushes them to act uncivilized as they let insensible behaviour cloud their true judgment. The senseless arguments that are created by one’s stubbornness is a true example of foolishness. When Rolf enters the diner he immediately storms out in fury yelling, “You! [He] jabbed a finger at Cora. What, breakfast and lunch wasn’t enough? You had to steal dinner too? I didn’t steal anything! Cora yelled” (Shepherd 175). The level of anger Rolf’s voice upholds, gives the idea that he is losing his sensibility as a human. His aggressive and accusing tone clearly shows that he no longer trusts Cora and is willingly to fight against her. The fact that Cora denies his accusation does not change his opinion and one may see how the intensity of the situation leads the characters to fall into a deeper pit of hysteria. This conflict only furthers the breakup between the characters’ relationships as they lose trust within one another. In addition, as Lucky reveals his secret, Cora becomes enraged with the fact that he did not trust her enough to tell her the truth in the first place. As Lucky reveals his true identity, “[Cora] doubled over, struggling to breathe. Your mother? My dad killed your mom? You said she died when you were a little boy! I…lied. I [did not] want you to know” (Shepherd 184). Cora’s despair is accented through her lingering questions as she struggles to understand Lucky. Her ragged breathing symbolizes the betrayal and pain she feels as the truth about her past is brought to light. The guilt Lucky’s voice holds implies the feeling one may experience when they hurt someone they deeply care about. His betrayal unleashes the raw emotion within Cora, which provokes the uncivil state of her mind in desolation. This shows how the trust that built up between them is instantly shattered. Thus, clarifying the thoughtlessness one may possess under the conditions of harsh existence. In addition, as Mali admits the true fate of Earth, Cora reacts irrationally. She refuses to believe that Earth has been destroyed and retaliates by trying to convince the others that Mali is lying. As Cora dawns on the idea of Earth being annihilated, “Her eyes [fall] upon Mali, standing cryptically silent…How do we know you aren’t lying? If you were working with the Kindred, this would be the perfect thing to say to make us give up hope” (Shepherd 245). Cora lacks trust in Mali and, as a result, has doubts when she is forced to believe her. At this point, the others are against Cora and favour Mali’s theory. Cora is convincing herself that Mali should not be trusted and forces herself to be in opposition to Mali’s statement. Cora’s hope for a better world is slowly fading leaving her to act irrationally. As the characters begin to argue against Cora she starts to lose her voice of reason. This concludes the extensive arguments the characters endure as a result of their inability to trust each other.
The very beginning of the article, Dr. Khullar appeals to the emotions of a reader, reminiscing about an interaction between himself and a dying patient. He explains how the patient had no one to call and would die alone, causing himself to think that “the sadness of his death was surpassed only by the sadness of his solitude” (Khullar). The feeling of sadness and loneliness is continued using other scenarios that one likely is familiar with, such as “a young man abandoned by friends as he struggles with opioid addiction” or “an older woman getting by on tea and toast, living in filth, no longer able to clean her cluttered apartment” (Khullar). Dr. Khullar also uses this strategy through the use of various phrases such as “barren rooms devoid of family or friends,” or a quote from a senior: “Your world dies before you do” (Khullar). These scenarios and terminology evoke a feeling within a reader that results in acknowledgement of the material and what is being
Suffering is apart of life, just like joy and love is. We can never choose how life treats us but we can always choose how we react and get back up again. Through Fever 1793 we see up close and personal how suffering can affect us, and how sometimes it can affect us in positive ways. How suffering can help turn the page to the next chapter in our lives. How suffering doesn’t always mean losing but also gaining.
Most times, the lasting result becomes increasingly sweet with realization, metamorphosis, and helpful action. As each individual experiences despair, resulting action varies. Yet no matter how minuscule or substantial the problem at large is, the presence of acting accordingly to cease the problem remains perpetual. With collaboration of ideas and seeking guidance from groups, one comes to find assurance and advice that of which unveil the truth and the knowing it takes to remove any problem all together. An immediate chain like response occurs, almost like a wake up call, sounding loudly and abruptly, even after snooze was set, to clearly dictate that action needs to be taken. When proper action is taken, then miraculous life will
The creation of a stressful psychological state of mind is prevalent in the story “The Yellow Wall-Paper” by Charlotte Perkins Gilman, as well as, Edgar Allen Poe’s “The Tell-Tale Heart”, Ophelia’s struggles in William Shakespeare’s “Hamlet”, and the self-inflicted sickness seen in William Blake’s “Mad Song”. All the characters, in these stories and poems, are subjected to external forces that plant the seed of irrationality into their minds; thus, creating an adverse intellectual reaction, that from an outsider’s point of view, could be misconstrued as being in an altered state due to the introduction of a drug, prescribed or otherwise, furthering the percep...
By, using “Young Goodman Brown”, and “The Masque of Red Death”, Hawthorne and Poe develop the common theme that denial of societal imperfection leads to isolation from society. Both authors use their short stories to illustrate that one must accept imperfections, as a normality of life. They teach this lesson in order to present to the reader that the avoidance of the problems one faces in life, will not make life easier, one only loses the chance to gain knowledge from overcoming the obstacle. The knowledge an individual gains from overcoming a problem can then be used to the conquering of future obstacles.
Despite its prevalence, suffering is always seen an intrusion, a personal attack on its victims. However, without its presence, there would never be anyway to differentiate between happiness and sadness, nor good and evil. It is encoded into the daily lives people lead, and cannot be avoided, much like the prophecies described in Antigone. Upon finding out that he’d murdered his father and married his mother,
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
The pain from the childhood, the betraying of lover, countless secrets are settling during the period of life, which can absolutely not be shared and understood by others. Are we gradually becoming the dead man? To be kind of people who are rather sensitive especially, the only way to encourage them remain on the world is to kill some of their nerve and pretend to be as happy as others. Nevertheless, when the secret sorrows are so many to hide, the sea of sorrow will drown them, but they always pretend to be happy.
Humans have always struggled against confinement and toward freedom. However, they choose not to recognize that history has proved time and again that too much freedom incites anarchy and too much confinement invites tyranny. It’s the nature of all animals to desire freedom and resist confinement. Many times the animal struggles so blindly it does not recognize it is destroying itself or condemning itself to further confinement. In “The Cask of Amontillado” Fortunato and Montresor are symbols of how human nature manifests differently in different people in varying combinations of psychological and physical freedom and confinement.
The life of Edgar Allan Poe, was stuffed with tragedies that all affected his art. From the very start of his writing career, he adored writing poems for the ladies in his life. When he reached adulthood and came to the realization of how harsh life could be, his writing grew to be darker and more disturbing, possibly as a result of his intense experimenting with opium and alcohol. His stories continue to be some of the most frightening stories ever composed, because of this, some have considered this to be the reason behind these themes. Many historians and literature enthusiasts have presumed his volatile love life as the source while others have credited it to his substance abuse. The influence of his one-of-a-kind writing is more than likely a combination of both theories; but the main factor is the death of many of his loved ones and the abuse which he endured. This, not surprisingly, darkened his perspective considerably.
Death is unavoidable no matter the circumstances. However, how one dies, that is a subject of the unknown. In the end, if one had the choice of how to die, the decisions could fluctuate between countless possibilities. It is a natural human instinct to fear death because of the unknown and Edgar Allan Poe does not deny this claim. In Poe’s The Pit and the Pendulum, the narrator of the story is tormented in a prison during the Spanish Inquisition; this fear of death is created from natural human instincts. The fear of the narrator creates a raw, psychological human reaction that, by natural instinct generates a confrontation with the unconscious Self.
What is point of view? Point of view is “the speaker, voice, narrator, or persona of a work; the position from details are perceived and related; a centralizing mind or intelligence; not to be confused with opinion or belief “(Roberts, 119). Edgar Allen Poe’s writings use point of view to change the reader’s viewpoint of the reading. “An objective narrator is telling a terrible story objectively might be frightening, but even more frightening is a man telling without emotion the story of his own terrible crime”(Gargano, 52). In Edgar Allen Poe’s collections: The Cask of Amontillado, Black Cat, The Fall of the House of Usher, and The Tell Tale heart he uses the point of view to influence the readers understanding of the selections.
“Cause baby now we got bad blood you know it used to be mad love so take a look at what you've done.” Lyrics or even writings commonly tell a true story like these by Taylor Swift are telling a story about Taylor’s love life failing. The same thing Taylor does could be found in Edgar Allen Poe’s work. Edgar’s work is autobiographical because it shows his love life with different women, it also portrays his psychological loss throughout time, and it shows his recurrence of sorrow from the many deaths and people straying away around him. Edgar Allen Poe’s had many great love’s. His first love was his 13 year old cousin, Virginia Clemm.
The Barrier of Actions Humans aren’t made perfectly as they all have something they hold dear which they never wish to forfeit based on their rationality(the entity that limits oneself); as a result, those same naive lunatics pretend, hide the truth, and lie. When they ponder losing that companion, they fall victim to anxiety while others bury their apprehensions in the deepest of dark caves never to be heard from again. Furthermore, those that obey their instinct and believe in the divinity of fear are limiting themselves and others with their true capabilities. Specifically, those that neglect their anguish are at the height of their longevity. Correspondingly, the 18th-century German author Richter regards misery as a phase: at first one
Throughout time, death has been viewed in a negative light. In general, it is an event to be mourned and is seen by some as the end to existence. People do not usually seek death as an answer to their problems. In various pieces of literature, however, suicide is contemplated by the characters as the only solution to the pain and grief that they experience.