Rough Draft: In Kate Chopin’s “Désirée’s Baby,” Désirée a former orphan meets and falls in love with Armand, having a child the couple start to notice the child’s pigment is very different than a normal white person.
Thesis: In both Kate Chopin's “Désirée’s Baby” and Nathaniel Hawthorne’s “The Minister’s Black Veil,” the contrast between black and white imagery symbolizes how the man-made force of evil overcomes the natural force of innocence, tainting the white images into dark.
In both short stories, the dark images produced by man represent alienation and sin. In “Désirée’s Baby”, after Désirée notices the distinct resemblance between the “mulatto” and her baby, she goes to Armand to discover the reason behind this: “It means,” he answered
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The child’s “not white” skin represents the harsh alienation that comes with Armand’s belief that Désirée is black. Loving her before finding out about her assumed ‘flaw’, Armand turns his affection into cruelty immediately once he finds out: “Moreover he no longer loved her, because of the unconscious injury she had brought upon his home and his name”(Chopin,2). The “Unconscious injury” represents her assumed race and because he is so ashamed, he later kicks her out. By using ‘unconscious’ Chopin shows that Désirée’s race is out of her control, therefore, Armand is alienating her for something she cannot change. Similarly, In “The Minister’s Black Veil,” Hawthorne uses dark images . Hawthorne uses other people’s reactions to the black veil during certain events to show just how sinister it truly is: “..the first thing that …show more content…
In “Désirée’s Baby,” when Madame Valmondé visited Désirée and the baby, she noticed the baby looked a lot different then when she first saw him: “Madame Valmondé had never removed her eyes from the child. She lifted it and walked with it over to the window that was lightest. She scanned the baby narrowly,then looked as searchingly at Zandrine.”(Chopin,2). Chopin uses the imagery of the “window that was the lightest” to show how only the light can reveal the truth. By looking at Zandrine, Madame Valmondé is confirming her ideas comparing the baby to Zandrine, one of Désirée and Armand’s slaves. In “The Minister’s Black Veil,” white images are shown when describing the innocent. Hawthorns writes “But the bride's cold fingers quivered in the tremulous hand of the bridegroom, and her deathlike paleness caused a whisper that the maiden who had been buried a few hours before was come from her grave to
On the surface, a beautiful, poisonous girl and a preacher shadowed by a black veil share no similar characteristics. However, in the works of Nathaniel Hawthorne, these characters share two remarkably comparable stories. The Minister’s Black Veil and Rappaccini's Daughter both share the symbolic use of colors, yet the characters’ relation to the outside world deviates. Hawthorne expertly contrasts colors to illustrate the battle of good against evil. In The Minister’s Black Veil, Mr. Hooper’s black veil contrasts sharply against the pale-faced congregation, just as Beatrice’s likeness to the purple flowers, described as being able to, “...illuminate the garden,” contrasts the darkness of Dr Rappaccini’s black clothing. These clashes of colors
Armand feels like he is the victim of betrayal by his wife Désirée. As the baby gets older it is clear that the baby is not white. Armand’s attitude quickly makes him assume that Désirée is not white giving Armand a feeling of deception. He denounces his love for Désirée and the child and casts them out of the house and his life. Désirée is stricken with grief about her treatment by Armand. She cannot believe how a man who loves her so much could treat her with such hostility and cruelty. Désirée develops a negative attitude towards herself and her baby. She is upset that she cannot change how Armand thinks of her because of her baby. This attitude causes Désirée to walk out of Armand’s life forever to her demise. Core beliefs also give to human behavior in “Samuel” and “Desiree’s
Nathaniel Hawthorne's "The Minister's Black Veil" illustrates the dangers of secret sin. Allowing guilt from things done in the past, things that cannot be changed, can ruin lives. The life of the secret-carrier will be devastated, along with the lives of that person's most loved ones. Hawthorne uses various types of figurative language in his works to portray his message. "The Minister's Black Veil” is no exception; Hawthorne uses symbolism and suggestion to add depth and mystery.
“Desiree’s Baby” can represent a timeframe status of how slavery and race were a factor that defined people. Armand was very ambiguous by the tone he would had towards Desiree and by his action. Desiree was faithful to her husband, in the other hand we are able to understand or presumed that La Blanche’s boy looked very alike as Desiree’s baby, which most likely Armand might be the father of both kids. Armand was in love at first, but then his pride and ambiguous.
Armand knew that Desiree’s decent was questionable and that she would be a perfect scapegoat if color were to show up in a child. When Monsieur Valmonde wanted Armand to fully consider Desiree’s unknown origin, he acted like it did not matter which is very peculiar during that time:
In “Désirée’s Baby,” La Blanche never actually appears nor does she speak a line of dialogue. Her concrete presence in the story is limited to only being mentioned in passing by either Désirée or Armand. However, each instance of La Blanche’s mentioning lead to an effect and/or an implication on the story and on the way it is told. La Blanche specifically affects the portrayal of Désirée’s and Armand’s relationship. Désirée’s remark about Armand being able to hear the baby’s cries from La Blanche’s cabin indicates Armand’s affair as well as his immorality and dual nature. The similarity between the appearances of La Blanche’s light-skinned child and Désirée’s own son is what reveals the truth of the baby’s ethnicity to Désirée. Armand cites La Blanche’s name as a way to insult Désirée and to divulge the extent of the prejudice that fuels the main conflict of the story. In all of these events, La Blanche’s mere existence hints towards the underlying dysfunction and resentment that is present in the marriage of Désirée and Armand; however, it is her non appearance that expands this even further. La Blanche’s effect on the story is similar to the environmental racism that is also present: she is a silent
Imagine finding out that your entire life was a lie, and that every single thing you knew about your identity and your family was completely false! Armand Aubigny, one of the main characters in Desiree’s Baby by Kate Chopin, experiences this exact dilemma throughout this short story. Desiree’s Baby is a story about a young man and woman, who fall in love, but Desiree, who does not know her birth parents, is considered nameless. When she and Armand have a child, they are both very surprised because the child’s skin color is not white as expected. It is obvious that the child is biracial, and immediately, Desiree is blamed for the color of the child’s skin because of her uncertain background. The truth, however, is that it is Armand who has lived his entire life as a biracial person without even knowing his true heritage! This problem frames the rest of the events in the story, and the ultimate demise of both of these characters.
In 'Desiree?s Baby,' Chopin illustrates her idea of the relationship between men and women by portraying Desiree as vulnerable and easily affected, whereas Armand is presented as superior and oppressive. Throughout ?Desiree?s Baby,? Kate Chopin investigates the concept of Armand's immense power over Desiree. At first, Desiree tries to conform to the traditional female role by striving to be an obedient wife. Later in the story, this conformity changes after Desiree gives birth to her part-black son.
The corruption of hidden sin and guilt is exemplified by the late Gilbert Parker who once said, “In all secrets there is a kind of guilt… Secrecy means evasion, and evasion means a problem to the mortal mind.” Nathaniel Hawthorne, one of America’s major authors, often wrote about the harsh realities of human existence such as sin, redemption, and morality. In “Minister’s Black Veil,” the main character, Reverend Hooper, wears a veil over his face during his sermons. Though his sermons are very powerful, a feeling of fear and mystery is evoked in the congregation and often in everyday life due to the strange veil that he refuses to remove. On his deathbed, miraculously, Hooper still has enough strength to resist his veil being lifted; his eyes forever covered, he dies with the veil. Hawthorne uses symbols of the black veil to portray hidden sin, guilt, and peculiar shame attaching to sin in Puritan beliefs.
“Desiree Baby” by Kate Chopin is a very thought provoking short story that deals with racism, prejudice, and love. The story takes place in southern Louisiana, where Armand, a prominent landowner, marries a girl of unknown origin named Desiree. The story has a twist when their baby is born and is discovered to be of mixed race. Armand knew all along that he was OF mixed race, and I will prove it by analyzing characterization, diction, and imagery.
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
In “Desiree’s Baby,” Kate Chopin writes about the life of a young lady and her new family. In this short story, the fond couple lived in Louisiana before the American Civil War. Chopin illustrates the romantic atmosphere between Armand and Desiree. Chopin also describes the emotion of the parents for their new born. When the baby was born, Armand’s heart had softened on behalf of others. One afternoon, Desiree and the baby were relaxing in a room with a young boy fanning them with peacock feathers. As they were relaxing, Desiree had sniffed a threatening scent. Desiree desired Armand’s assistance as she felt faint from the odor that she could not comprehend. Armand had denied the request his wife sent. Therefore, he cried out that she nor the baby were white. Thus, Desiree took the baby and herself and walked into the bayou and they were never seen again. In this short story, Chopin illustrates the psychological abuse Desiree faces from her husband.
Gothic writing is related to a style of fiction that deals with the mysterious or grotesque; Nathaniel Hawthorne’s “The Ministers Black Veil” is classified as a dark romantic work because it contains the themes of sin, guilt, and looking at the darker side of human life. He had trouble from his early life, his dreary adulthood, and his fascinations with common man. His early and more unsuccessful work is from his silent and productive years.
In her story, Desiree’s Baby, Kate Chopin underlined the contrast between lust and love, exploring the problem of a man’s pride that exceeded the love he has for his wife. Armand, the main character of the story, is a slave owner who lived in Louisiana during the era of slavery. He married an adopted young woman, Desiree, and together they have a son who eventually became an obstacle in the way of his father’s happiness, thus removing out the true character of Armand. Desiree’s Baby, by Kate Chopin is a love story, love that ultimately proved to be a superficial love, a story that shed light on the ugly relationships between people. “Lust is temporary, romance can be nice,
Throughout time, humans struggled with issues of conformity and individuality. In the modern world, individuality is idealized, as it is associated with strength. Weak individuals are usually portrayed as conforming to society and having almost no personal ideas. In “Desiree’s Baby”, a short story, the author Kate Chopin deals with the struggles of African descendants in the French colonies during the time of slave labor. The protagonist is a white woman named Desiree who is of unknown origin and birth as she was found abandoned as an infant at an aristocrat’s doorstep. Eighteen years after her discovery, she and a fellow aristocrat, Armand Aubigny, fall in love and get married. They soon have a child, yet conflict arises when the child is discovered to be black. The young family is destroyed when the baby’s father, Armand, refuses to accept the child. In “Desiree’s Baby”, Chopin demonstrates through Armand’s conflicts how weak humans conform to environmental norms.