Paula Scher Essay

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American graphic designer, painter, and art educator Paula Scher has been active and well know in the art scene for four decades. She worked in the recorded business, creating icon album covers. Some of which can still be found today, in recorded stores and on iTunes. She also co founded Koppel & Scher, which they produced identities, packaging, book jackets, and advertising designs. A large portion of her career she has spent as a partner at Pentagram’s New York office. She is also an educator at the School of Visual Art in New York. Among all that Paula Scher has received countless awards and recognition for her work.

She was born in 1948 in Virginia, but grew up in Washington DC and Philadelphia. As a teenager she took class at Corcoran [College of Art and Design] in Washington DC. She later studied Illustration at the Tyler School of Art, in Philadelphia. In 1970 she received her Bachelor of Fine Art degree from Tyler. Though she received training as an illustrator she redirected her constrained on design and typography. In an interview for Eye Magazine John L. Walter asked Paula Scher, “ Did you understand what a designer did?” She said, “No, I was there for drawing and painting. I liked printmaking, but …show more content…

She was the first designer to create a new identity and promotional graphic system for The Public Theater. Her work influenced graphic design for theatrical promotion, and cultural institutions. In 1995 Scher and her Pentagram team work on The Public Theater’s production of Savion Glover’s Bring in’Da Noise, Bring in ‘Da Funk. Their goal was to raise public awareness and attendance, as well as appeal to a more diverse crowd. Scher created a “graphic language” using type that reflected street graffiti. She also used a limited color palette. Through 1993 to 2005 Paula Scher worked closely with George C. Wolfe The Public Theater’s producer developing posters, ads, and

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