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Billie Holiday “If I’m going to sing like someone else, then I don’t need to sing at all.” -Billie Holiday Born on April 7th, 1915, was a African American girl named Billie Holiday. Little did anyone know she would grown up to be a women with a huge impact in the world of jazz music. Miss Billie Holiday was born in Philadelphia, Pennsylvania. She’s the daughter of Sarah Julia, and Clarence Holiday. Her father was a musician, and he left her mother when Billie was born to follow his dreams as a jazz guitarist. Billie Holiday didn’t have the easiest childhood. For the first ten years of her life she really struggled with the fact that her mom often left because of her job, leaving Billie to be raised by her grandmother Martha Miller. Billie …show more content…
didn’t have the support a mother normally offers as a child is growing up. As Billie’s life grew tougher she began skipping school. It got to the point where she was brought to Juvenile court when she was only nine years old. She was sent to The House of the Good Shepherd, a Catholic reform school. She got out of the reform school that year and got released back to her mother who had opened a restaurant called East Side Grill. Billie and her mother worked long hours there in hopes to keep living a stable life. By age eleven Billie dropped out of school. One day Billie’s mother returned home from work to find Wilbur Rich, their neighbour, attempting to rape Billie but he failed. Billie fought back and Wilbur Rich was arrested shortly after. As Billie grew older she started singing around various night clubs in Harlem. She decided to team up with one of her neighbours who played a tenor sax player named Kenneth Hollan. From 1929 to 1931 they played around night clubs. Their reputation grew bigger and bigger. She came across many other musicians who to this day recall hearing her sing for the first time, including her father. When Billie was 17 a producer named John Hammond heard her singing at a club. He set up a recording debut for Billie once she turned 18. In November 1933 Billie released two songs, “Your Mother’s Son In Law” and “Riffin’ the Scotch,” which later turned into her first hit “Son-In-Law” and sold 300 copies. “Riffin’ the Scotch” was even more popular, selling 5,000 copies. John Hammond said, “Her singing almost changed my music and my musical life, because she was the first girl singer I’d come across who actually sang like an improvising jazz genius.” Billie was later signed to Brunswick Records to record pop tunes with Teddy Wilson.
Billie Holiday’s career was sky rocketing. In this time it wasn’t common for women to be successful in this genre of music. It was mainly men who played or sang jazz songs, but Billie Holiday changed this. She had people who supported her and took a stand. She didn’t care who or what she sounded like, she knew it was her voice and she wanted to be a singer. It didn’t matter if she was a girl or boy. Holiday was even hired by Artie Shaw to work with an all white orchestra. She was the first black women to ever do this. This was also the first full time full-time job for a black female singer to tour the Southern US with a white bandleader. She faced a lot of problems being put into these tense racial situations. While touring in the south many members of the audience would give Billie a hard time. In Louisville, Kentucky one man called her a “nigger wench” and demanded she sing another song. Billie lost her temper at this and had to be escorted off the stage. So many odds were fighting against Billie Holiday during the time she was working towards her music career and even before. She was African American and a female in the 1930s. People were not excepting during these times. Its awful to think that people judged and discriminated against others just based off of what they looked like. Billie rarely let this slow her down. She fought against it and gained her reputation in the jazz world. People always overlook the fact that it is not easy to get your name out there. Especially if you’re a black female in the
1930s. In 1947 Billie Holiday was arrested for possessing narcotics in her apartment located in New York. She was then sent to Alderson Federal Prison Camp in West Virginia. Billie was released early in 1948 for good behavior. When she returned home she was asked to sing at Carnegie Hall. At first she wasn’t so sure if she wanted to accept the offer not sure if people would still support her after her arrest, but eventually she gave in. She sold out the show. 2,700 tickets were sold in advance which was a new record at the time. During this show someone sent her a box of gardenias which was her old “trademark”. She said she used to take them out of the box and fasten them to the side of her head. So of course, without thinking twice this is was Billie did. There was a hatpin in them and before she knew it she had blood running down her face. That was the end of this show. Billie admitted to using drugs in 1940. In 1941 she married a trombonist named Jimmy Monroe, but shortly after the marriage she became involved with another man who was actually her drug dealer. Billie Holiday and Jimmy soon got divorced. Eventually Billie’s career started to deteriorate, as well did she. Her drug abuse, drinking problems, and recurring relationships with abusive men really broke her. She passed away on May 31, 1959. It honestly disappoints me that Billie Holiday got so hooked on drugs and alcohol. She was such an amazing singer and a huge impact on jazz music. She lacked a good musical education but she was amazing at improvisation. She was an idol to many. I wish she could’ve broke through the abuse of drugs and alcohol. Billie Holiday was very successful in the jazz world and I look up to her very much. Works Cited http://www.billieholiday.com http://en.wikipedia.org/wiki/Billie_Holiday http://www.biography.com/people/billie-holiday-9341902
Ella was born in Newport News, Virginia on April 25, 1917. When alled “The First Lady of Song” by some fans. She was known for having beautiful tone, extended range, and great intonation, and famous for her improvisational scat singing. Ella sang during the her most famous song was “A-tiscket A-tasket”. Fitzgerald sang in the period of swing, ballads, and bebop; she made some great albums with other great jazz artists such as Duke Ellington, Count Basie, and Louis Armstrong. She influenced countless American popular singers of the post-swing period and also international performers such as the singer Miriam Makeba. She didn’t really write any of her own songs. Instead she sang songs by other people in a new and great way. The main exception
A dancer, singer, activist and spy, Josephine Baker was a star and a hero. Baker grew up poor, but her rocky start did not hold her back from success. Baker had major achievements for a black woman in her time; she was the first African-American to star in a major film. Baker was first to integrate a concert in Las Vegas. Even though Baker got her start during the Harlem Renaissance, her true claim to fame was her success in France. She was the first black woman to receive military honor in France. Since Baker was so successful in Europe, she was able to spy for the French resistance during World War II. Although Baker was very successful in France and had found success during the Harlem Renaissance, she was not welcomed in the United States due to segregation and racism. Racism did not stop Baker from being a part of the Harlem Renaissance.
Josephine Baker was an exceptional woman who never depended on a man. She never hesitated to leave a man when she felt good and ready. In her lifetime she accomplished many great things. She adopted 12 children, served France during World War II, and was an honorable correspondent for the French Resistance. She fought against fascism in Europe during World War II and racism in the United States. She grew up poor and left home at an early age and worked her way onto the stage. Baker was more popular in France than in the states. Audiences in America were racist towards Baker and that’s when she vowed she wouldn’t perform in a place that wasn’t integrated.
...ng to this day, she is one of few who could compete with the men of hip-hop, but she never pretended to be anything but a woman. She not only sang about female empowerment, but she wrote about being a woman from the insecurities that we as women sometimes feel to the nirvana of being in love. Sensuality and femininity were always as important to her which was her strength, and message to get out to women especially those of color.
In 1933 Billie audition as a dancer when she was 18, but the judges said she was not good enough so they asked her if she could sing-she could. In 1939 Billy sang at a café called Café Society and the song was “Strange Fruit”. Holiday wanted the song to be recorded but it was forbidden because it was “too inflammatory” Strange Fruit is a song about racism. She did not want to sing it on many radio stations because they banned all the intense words in the song. She could have been killed by the Koo Klucks Klan if she sang that song. Promoters objected Billie Holiday because of her race. The style of her voice-often tries to sound like a horn instrument because she likes the sliding sound. She refused to sing like other singers. Billie slyly said on a radio interview,”I always wanted to sound like an instrument.” She changed her name to Billie Holiday because her favorite film star, Billie Dove. In 1944 Billie Holiday received the Esquire Magazine Gold Award for Best Leading Female Vocalist. She would then receive some more awards in the following years to come. She got the nickname “Lady Day”. She was discovered by John Hammond, a young producer at Monette’s, a Harlem night club. When he heard Billie’s voice he was
Singer/actress Lena Horne's primary occupation was nightclub entertaining, a profession she pursued successfully around the world for more than 60 years, from the 1930s to the 1990s. In conjunction with her club work, she also maintained a recording career that stretched from 1936 to 2000 and brought her three Grammys, including a Lifetime Achievement Award in 1989; she appeared in 16 feature films and several shorts between 1938 and 1978; she performed occasionally on Broadway, including in her own Tony-winning one-woman show, Lena Horne: The Lady and Her Music in 1981-1982; and she sang and acted on radio and television. Adding to the challenge of maintaining such a career was her position as an African-American facing discrimination personally and in her profession during a period of enormous social change in the U.S. Her first job in the 1930s was at the Cotton Club, where blacks could perform, but not be admitted as customers; by 1969, when she acted in the film Death of a Gunfighter, her character's marriage to a white man went unremarked in the script. Horne herself was a pivotal figure in the changing attitudes about race in the 20th century; her middle-class upbringing and musical training predisposed her to the popular music of her day, rather than the blues and jazz genres more commonly associated with African-Americans, and her photogenic looks were sufficiently close to Caucasian that frequently she was encouraged to try to "pass" for white, something she consistently refused to do. But her position in the middle of a social struggle enabled her to become a leader in that struggle, speaking out in favor of racial integration and raising money for civil rights causes. By the end of the century, she could look back at a life that was never short on conflict, but that could be seen ultimately as a triumph.
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Bessie Smith impacted Billie Holiday because Holiday learned a lot through Smith’s records by thinking that Smith was kind of a teacher. Even though Billie Holiday did not have a voice as powerful as Bessie Smith, Billie Holiday’s musical interpretations and phrasing were similar to Bessie Smith. Frank Sinatra was impacted by Bessie Smith because he believed that she was an early blues genius. Sinatra’s voice was more polished than Smith’s voice, but he did find inspiration in the emotions she sang with in the records. Bessie Smith was a highly influential artist that had the power to help people with their music even after her death proving that she truly is “The Empress of Blues” ("Bessie Smith"
Ella Fitzgerald and Billie Holiday were both prominent jazz singer-songwriters during the same time and masters in their own right, but their worlds could not have been further apart. In 1939, while they were both in the midst of experiencing mainstream success, Ella was touring with Ella and her Famous Orchestra and showcasing her perfect pitch and tone to the world while singing songs that would soon become standards to fellow singers and musicians. Billie was singing solo, comfortable with her limited range, and gaining the adoration of audiences nationwide who loved her soulful voice. Both of these historic singers made contributions to the art of jazz, with vocalists and instrumentalists still using elements of their style today. Ella
According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than many other African American entertainers.” Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences over those of her past contemporaries.
Aretha Franklin is a well known pop, R&B, and gospel singer. She has been nicknamed “The Queen of Soul” and is an internationally known artist and a symbol of pride in the African American community. Her popularity soared in 1967 when she released an album containing songs “I Never Loved a Man”, “Respect”, and “Baby I Love You.” Throughout her career she has achieved fifteen Grammy Awards, Lifetime Achievement Award, National Academy of Recording Arts and Sciences Legend Awards, and many Grammy Hall of Fame Awards. In 1987 she became the first woman inducted into the Rock & Roll Hall of Fame. Time magazine chose her as one of the most influential artists and entertainers of the 20th century. She sang at Dr. Martin Luther King’s funeral and at former President Bill Clinton’s inaugural party. Although she has all these accomplishments and awards there are other reasons that have driven Franklin to fame and landed her on the front cover of Time magazine on June 28, 1968. The reasons I believe allowed Aretha Franklin to become so successful are the following: Her family’s involvement with religion, the inspiring people that surrounded her, and the pain she suffered.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Billie Holiday was known for being an awesome Jazz singer. She was born April 7th, 1915, in Philadelphia, Pennsylvania to a teenage Sadie Fagan.1