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Indian mythology and dance
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Bharata Natyam
Didactic stories are more influential and prevalent in society than people realize. The story of Christ’s birth keeps the world celebrating His birth every year on Dec. 25th. Attention-grabbing stories written about certain celebrities in tabloid newspapers often draw a huge following. But interesting stories like these are not just communicated orally or by paper. In a form of classical Indian dance called Bharata Natyam, performers can convey beliefs, legends, and ideas through movements, gestures, and expressions put to song. Bharata Natyam is an alternative form of storytelling, which conveys similar and important ideas to that which students concentrate on when studying literature of the world. These ideas are particularly evident in the dance, “Shabda (Khanda Muruga)”.
Bharata Natyam originated in a manuscript called the Natya Shastra. This manuscript was written by Sage Bharata around 4000 B.C. This dance form was first conceived in order to express one’s energy and emotions and is one of the oldest of the eight other forms of classical Indian dance. Above all other purposes, it is a form of religious expression or prayer, which also incorporates another important form of storytelling. Bharata Natyam was initially performed in temples by women who were dedicated to God since birth. However, it eventually made its way to the stage and is now taught and performed worldwide.
In relation to literature that most are familiar with throughout the world, Bharata Natyam fulfills all the same important purposes. It gives a sense of history and culture by the nature of the myths the performers convey. Many of the dances pay tribute to a certain god and for this reason ...
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...yam. Homepage for India allied an performing arts. 25 Nov. 2002. <http://www.artindia.net/bharata.html>.
Bharatanatyam. Hindu Student Council at University of Michigan. 25 Nov. 2002. <http://www.umich.edu/~hindu/dance/bharatanatyam.htm>.
Bharata-Natyam: Shiva Nataraja, the God of Dance. Bharata-Natyam: Sacred South Indian Dance by Chandikusum. 25 Nov. 2002. <http://www.geocites.com/vienna/2861/Bharaeng.html>.
Mishek, Chrysanthi. Personal Interview. 27 Nov. 2002.
“Shabda (Khanda Muruga).” Rangapravesh: Classical Indian Dance Performance.
Perf. Chrysanthi Mishek. 5 Aug. 2001.
Shiva Nataraja: Lord of the Dance. Radiant Planet Home Page. 24 Nov. 2002.
<http://radiant.org/shiva/index3.html>.
Thirumalai, Kavita. Bharata Natyam. Rhada Ganesan’s Home Page. 24 Nov.
2002. <http://users.erols.com/gayatri/bnatyam.htm>.
When someone is characterized as a hero they are often someone, who is very selfless, brave and is of distinguished valor. They challenge people to some how or another follow in their footsteps, and are often models to our society. Often inspiring and showing them that no matter what they should reach for the stars. Hero's strive to find the best in people and not just in them.
Origins are a blur, but evidence points to the ancient Egyptians. However, the use of this dance form is most commonly paired with the Middle Easterners.
Dance has been a part of human history since the earliest records of human life. Cave paintings found in Spain and France dating from 30,000 -10,000 BC. have vivid drawings of dancing figures in association with ritual illustrating the pesents of dance in early human society. Many people around the world see life as a dance from the movements of the heavens and the turn of the seasons to the unique dance of every creature. The history of dance reflects the changes in the way people see the world, relate to their bodies and experience the cycles of life. In India among the Hindus, the Creator is a dancer who dances the world through the cycles of birth, death and rebirth. In the early churches of Europe, Christian worship included dance while at other times in western history dancing was outlawed and banned. In Ancient Egypt, ceremonial dances were enacted by the pharaohs as a dancing priest- king representing his people. These dances, culminating in ceremonies representing the death and rebirth of the god Osiris became more and more complex until ultimately they could only be performed by a highly valued professional class of dancers. In Ancient Greece, Egyptian dance influences were carried over by Greek philosophers who went to Egypt for general study. The dance rituals of the Gods and Goddesses of ...
Due to racial profiling and stereotypes given to specific races, minorities face unfair treatment. revealing , America does not ensure equal rights for every citizen. The term “racial profiling” refers to the use of race or ethnicity as grounds for suspecting someone
Kathak (Sanskrit translation: ‘Katha’- story; ‘Katthaka’- story-teller) can be traced to as far back as the 3rd century and is one of the eight Classical dances in India. It originated in Northern India -Rajasthan, Delhi and Uttar-Pradesh. It was originally performed in temples to narrate mythological stories presented in the Ramayana and Mahabharata with mimetic gestures and singing. ‘Katthakas’ were mostly high-caste, educated Brahmins. Nowadays, class division is less intruding in one’s pursuit of becoming a ‘Katthaka’.
Kanodia, Shahana Basu. "'Jugaad' culture's hollow innards." 3 March 2013. IndiaToday. Web. 1 April 2014.
Racial profiling and the various problems that arise as a result of it bring up many controversial issues. Racial profiling is a topic that weighs heavy on the minds and opinions of many in this country. It has been the subject of many disagreements as to whether or not it actually exists. Some argue that certain races can’t see it because they never experience it, but a case can be made that all races experience it at some point. One of the most controversial is the debate of whether or not racial profiling is justified. One of the hindrances to finding an answer to this question is the fact that many agencies and departments in law enforcement refuse to cooperate with studies to
Since the 1990’s there have been great efforts to stop drug distribution and an effort to prevent crime. Also there have been concerns about illegal immigration. Profiling is one tool being used to aid the law enforcement in catching the criminals involved in these crimes. This practice, profiling, has turned into racial profiling and has generated controversy (Welch, 2007, p. 277). Even though it has been realized that profiling has changed, the motivation for its use has not. More reasons for profiling have come about from the 2001 September 11th terrorist attacks. This has led to other forms of profiling that relate more to race and national origin (Pampel, 2004, p. 3-4).
Racial profiling had swept our nation it is the most conservation challenge in this new era. Though it has many forms of this practice, in law enforcement it is commonly associated with thinking a particular group or race are more likely to commit a crime than others. It has been depicted by its critics as discriminatory,
When one thinks of different dance forms, one would tend to look at the beauty of it and how it makes people feel. But understanding the origin of some of the dances should help one to appreciate the importance the art form of dance has made in history. Through both of the dance forms there would be a discussion between the origins as well as the similarities and contrast of ballet and classical Chinese dance.
Throughout history, dance has served as a form that performs and embodies the cultural values of the society it is in. The idea of dance varies within intellectual traditions and develops to a wider concept of movement practices within individual cultures. Dance can be looked upon as a culturally formed activity that offers information about human behavior in a certain society. Dance has also served to disrupt the cultural values in a society due to cultural evolution and cultural migration. The discipline in cultures function with a receptive approach to the exploitation of Western values. The West judges other cultures according to the standard of their own culture. Because of people’s ignorance regarding another culture’s traditions, religious beliefs and political status, divergent interpretations are formed about a dance that holds an indigenous meaning. Two styles of dance that reside in cultures are capoeira and belly dance.
When we were kids, we all had that one person we looked up to. Whether it was a princess, a celebrity, a fictional superhero, or a family member, we gave this person the title “hero.” We selected these people to be our heroes because they had specific qualities like bravery, strength, and intelligence, but not all heroes are required to have these qualities. A hero is someone who, based on perspective, can be found almost anywhere because they make sacrifices and do actions for the better of others.
Like many Indian arts, Indian dance also has its root in religion. Without the religious and cultural background of India, the growth and beauty of Indian dance is not possible. In ‘Natya Shastra’, there is a small story about the origin of Indian dance. According to Hindu mythology, dance first existed in heaven. There was always a constant conflict between the Asuras and the Devas for wealth and power. The Devas were tired of the Asuras’ greediness and jealousy.
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By
Another example equally as potent and yet sadly overlooked by many particularly those outside India is that of Kathak. A classical Indian dance, today held in great esteem among the 6 great classical dances of India, 21st century Kathak combines incredibly complex technique and elegant, slow abhinaya (or story telling) and owes almost the entirety of its current day form to the Mughals. The transformation that Kathak underwent from its original form to how we see it today that occurred during Mughal Era is perhaps the most underestimated and truest remaining symbol of the vibrant Indo-Islamic cultural melding that occurred under the patronage of the Mughals, and to...