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Indian mythology and dance
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Bharata Natyam
Didactic stories are more influential and prevalent in society than people realize. The story of Christ’s birth keeps the world celebrating His birth every year on Dec. 25th. Attention-grabbing stories written about certain celebrities in tabloid newspapers often draw a huge following. But interesting stories like these are not just communicated orally or by paper. In a form of classical Indian dance called Bharata Natyam, performers can convey beliefs, legends, and ideas through movements, gestures, and expressions put to song. Bharata Natyam is an alternative form of storytelling, which conveys similar and important ideas to that which students concentrate on when studying literature of the world. These ideas are particularly evident in the dance, “Shabda (Khanda Muruga)”.
Bharata Natyam originated in a manuscript called the Natya Shastra. This manuscript was written by Sage Bharata around 4000 B.C. This dance form was first conceived in order to express one’s energy and emotions and is one of the oldest of the eight other forms of classical Indian dance. Above all other purposes, it is a form of religious expression or prayer, which also incorporates another important form of storytelling. Bharata Natyam was initially performed in temples by women who were dedicated to God since birth. However, it eventually made its way to the stage and is now taught and performed worldwide.
In relation to literature that most are familiar with throughout the world, Bharata Natyam fulfills all the same important purposes. It gives a sense of history and culture by the nature of the myths the performers convey. Many of the dances pay tribute to a certain god and for this reason ...
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...yam. Homepage for India allied an performing arts. 25 Nov. 2002. <http://www.artindia.net/bharata.html>.
Bharatanatyam. Hindu Student Council at University of Michigan. 25 Nov. 2002. <http://www.umich.edu/~hindu/dance/bharatanatyam.htm>.
Bharata-Natyam: Shiva Nataraja, the God of Dance. Bharata-Natyam: Sacred South Indian Dance by Chandikusum. 25 Nov. 2002. <http://www.geocites.com/vienna/2861/Bharaeng.html>.
Mishek, Chrysanthi. Personal Interview. 27 Nov. 2002.
“Shabda (Khanda Muruga).” Rangapravesh: Classical Indian Dance Performance.
Perf. Chrysanthi Mishek. 5 Aug. 2001.
Shiva Nataraja: Lord of the Dance. Radiant Planet Home Page. 24 Nov. 2002.
<http://radiant.org/shiva/index3.html>.
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2002. <http://users.erols.com/gayatri/bnatyam.htm>.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Origins are a blur, but evidence points to the ancient Egyptians. However, the use of this dance form is most commonly paired with the Middle Easterners.
Due to racial profiling and stereotypes given to specific races, minorities face unfair treatment. revealing , America does not ensure equal rights for every citizen. The term “racial profiling” refers to the use of race or ethnicity as grounds for suspecting someone
Kathak (Sanskrit translation: ‘Katha’- story; ‘Katthaka’- story-teller) can be traced to as far back as the 3rd century and is one of the eight Classical dances in India. It originated in Northern India -Rajasthan, Delhi and Uttar-Pradesh. It was originally performed in temples to narrate mythological stories presented in the Ramayana and Mahabharata with mimetic gestures and singing. ‘Katthakas’ were mostly high-caste, educated Brahmins. Nowadays, class division is less intruding in one’s pursuit of becoming a ‘Katthaka’.
Kanodia, Shahana Basu. "'Jugaad' culture's hollow innards." 3 March 2013. IndiaToday. Web. 1 April 2014.
When someone is characterized as a hero they are often someone, who is very selfless, brave and is of distinguished valor. They challenge people to some how or another follow in their footsteps, and are often models to our society. Often inspiring and showing them that no matter what they should reach for the stars. Hero's strive to find the best in people and not just in them.
Racial profiling and the various problems that arise as a result of it bring up many controversial issues. Racial profiling is a topic that weighs heavy on the minds and opinions of many in this country. It has been the subject of many disagreements as to whether or not it actually exists. Some argue that certain races can’t see it because they never experience it, but a case can be made that all races experience it at some point. One of the most controversial is the debate of whether or not racial profiling is justified. One of the hindrances to finding an answer to this question is the fact that many agencies and departments in law enforcement refuse to cooperate with studies to
Since the 1990’s there have been great efforts to stop drug distribution and an effort to prevent crime. Also there have been concerns about illegal immigration. Profiling is one tool being used to aid the law enforcement in catching the criminals involved in these crimes. This practice, profiling, has turned into racial profiling and has generated controversy (Welch, 2007, p. 277). Even though it has been realized that profiling has changed, the motivation for its use has not. More reasons for profiling have come about from the 2001 September 11th terrorist attacks. This has led to other forms of profiling that relate more to race and national origin (Pampel, 2004, p. 3-4).
Racial profiling had swept our nation it is the most conservation challenge in this new era. Though it has many forms of this practice, in law enforcement it is commonly associated with thinking a particular group or race are more likely to commit a crime than others. It has been depicted by its critics as discriminatory,
Dances like “Oshun, Goddess of Love” were based on actual beliefs. Oshun is the goddess of the rivers, fertility, abundance, and love among the Yoruba people of Nigeria. The dance is a creative exploration of the meaning of Oshun as a force of nature. Other dances performed such as “Paper Moon” are attempts to shape the timelessness found in play, such as ritual, and performance. Different dances came from different cultures in this performance.
Another example equally as potent and yet sadly overlooked by many particularly those outside India is that of Kathak. A classical Indian dance, today held in great esteem among the 6 great classical dances of India, 21st century Kathak combines incredibly complex technique and elegant, slow abhinaya (or story telling) and owes almost the entirety of its current day form to the Mughals. The transformation that Kathak underwent from its original form to how we see it today that occurred during Mughal Era is perhaps the most underestimated and truest remaining symbol of the vibrant Indo-Islamic cultural melding that occurred under the patronage of the Mughals, and to...
When we were kids, we all had that one person we looked up to. Whether it was a princess, a celebrity, a fictional superhero, or a family member, we gave this person the title “hero.” We selected these people to be our heroes because they had specific qualities like bravery, strength, and intelligence, but not all heroes are required to have these qualities. A hero is someone who, based on perspective, can be found almost anywhere because they make sacrifices and do actions for the better of others.
Classical Hindu Mythology. Cornelia Dimmitt and J. A. B. van Buitenen. Philadelphia: Temple University Press, 1978. 38-40. Print.
Like many Indian arts, Indian dance also has its root in religion. Without the religious and cultural background of India, the growth and beauty of Indian dance is not possible. In ‘Natya Shastra’, there is a small story about the origin of Indian dance. According to Hindu mythology, dance first existed in heaven. There was always a constant conflict between the Asuras and the Devas for wealth and power. The Devas were tired of the Asuras’ greediness and jealousy.
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By