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Beowulf As An Epic Hero
Beowulf As An Epic Hero
Beowulf As An Epic Hero
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Recommended: Beowulf As An Epic Hero
In the literary works Beowulf, an epic Anglo-Saxon poem, assumedly, composed orally around the seventh century, and Doctor Faustus by Christopher Marlowe, the protagonists embody the qualities of two contrasting types of literary heroes. Beowulf tells the story of a powerful fighter. Beowulf engages in several battles and displays personality traits worthy of respect. This character embodies the most distinctive features of an epic hero, including many derived from classical works, such as Greek plays by Homer. Also, the main character in Christopher Marlowe’s Doctor Faustus is considered to be a typical literary hero. Unlike Beowulf, Faustus represents the Renaissance man and he is overly ambitious. He makes an error of judgment which leads …show more content…
These qualities grant an epic hero significant honor and respect. Essentially, Beowulf portrays the characteristics of an epic hero because he is physically strong and he demonstrates noble traits such as friendship, bravery, and generosity. For example, Beowulf “battled and bound five beasts, raided a troll-nest and in the night-sea slaughtered sea-brutes” (420-423). This suggests Beowulf is an extremely powerful and skilled hero. Next, Prior to deciding to fight Grendel, he refuses to use any weapons against the demonic monster, “So it won’t be a cutting edge I’ll wield to mow him down, easily as I might. He has no idea of the arts of war, of shield or sword-play, although he does possess a wild strength. No weapons, therefore, for either this night: unarmed he shall face me if face me he dares,” (679-68.). Therefore, he demonstrates significant skill and combat …show more content…
This reveals his extreme aspirations. He desires god-like power and fame. Therefore, Faustus wild ambition drives him to take extreme, horrific actions. For example, he revokes his baptism and sells his soul to Lucifer.
Additionally, the bad angel represents Faustus’ conscience and encourages him to pursue his innermost desire: “Go forward, Faustus, in that famous art wherein all Nature's treasure is contained: be thou on earth as Jove is in the sky, Lord and commander of these elements,” (12). In this powerful passage, Faustus’ greed and thirst for fame and power becomes further exposed.
Lastly, Faustus does not use his powers in the pursuit of additional knowledge. Instead he uses his magical power for petty reasons, such as making fun of Benvolio or taking advantage of the horse-courser. Faustus allows his drives to take over his ability to rationally form decisions. As a result, he fails to repent. The audience or readers often begin to pity Faustus because he cannot repent or understand the hardships his ambition creates. Faustus’ pride prevents him consider the possibility of seeking forgiveness. Therefore, Faustus allows his desires to condemn himself to remain in hell and damns himself for eternity. Essentially, his relatable ambition causes his problems throughout the story. Conclusively, Faustus portrays a typical tragic hero. He creates his own problems, though naively and not intentionally. His actions
...deed, proverb has it that the road to Hell is paved with good intentions. Had Faustus not become so preoccupied with the indulgent of his physical pleasures (which he did to so great an extent that his reasoning and judgement began to atrophy and cloud), that he was blinded to the infinite mercy of God, he could have been saved, even at the last moment. Faustus is damned because he was too concerned with the mortal material world, and this concern blinded him to the immortal and immaterial world. He chose to forgo the infinite happiness of Heaven, so that he could indulge in transient happiness here on earth. This concern for material beauty (Helen) damned him eternally.
Faustus, too, is a superior being. He consciously removes the yoke of academia, and exerts his free will. After freely entering into his contract with Lucifer, he repeatedly considers repenting. When he calls on Christ to help "save distressed Faustus' soul," the evil trinity of Lucifer, Belzebub, and Mephostophilis appear, possibly to tear him to pieces. Under duress, he vows, "never to name God or pray to him." However, with only one-half hour left on earth, he calls on God. Faustus, forever the horse trader, tries to strike a deal with God. He asks God, for Christ's sake and blood, to limit his time in hell from a thousand to a hundred thousand years.
... believes his life to be beyond his own control even when he is the only character to have made any significant decisions in the entire play. Because of the many times he refuses divine help and rejects the idea that he controls his life, Faustus' stubborn belief that he cannot be saved appears almost comically tragic to the audience. The reader gains a sense that Faustus uses fatalism as a justification to do whatever he wants. This may be Marlowe attempting to bring attention to a condition he saw in his society.
At he very beginning of the play, we are introduced to Faustus in a very clinical, objective fashion. In the Prologue, the Chorus briefly describes his past and then hints about the events to come ("His waxen wings did mount above his reach, / And, melting, heavens conspir'd his o...
The Prologue makes clear that the life of Faustus is governed more strongly by external forces as opposed to inter...
The short story titled, Doctor Faustus, is exceedingly imperative. This holds to truth when glancing at the narratives morals, lessons, and admonition. As we learn about the condensed and inexplicable life of Doctor Faustus, it’s obvious that he has quite unfortunately ravished what might have been a pleasant life. Corruption, influence, and self assurance, all play as key forces into his approaching fate. I conclude the mentality of this plays priority and influence, shows that many people, both presently and in the past, have lost their contentedness, and are placed into an everlasting abyss, both literally (hell in Dr. Faustus’s case) and metaphorically, because of inferior intuition. Towards the dawn of the story, we are introduced to our protagonist, the intellectually gifted character of Doctor Faustus, who has a strong desire to be trained in magic. This man is brilliant, yet somehow he still lacks a certain unexplainable inner strength and insightfulness. As his desire to learn magic is fulfilled, he grudgingly summons up a devil, Mephistopheles, who is contemplating the tough decision of taking his soul to hell, or saving him from the everlasting terror. With little thinking, Faustus is triggered by his desire, influenced by his enemies, and corrupted with his new hobby, and sells his soul to the devil by making a foolish deal; hell, after 24 years of supernatural powers.
He showed great knowledge, and, in fact, he was considered to be brilliant. He was a doctor, a lawyer, a philosopher, and a theologian. Although, Faustus had everything any man could ever need, he soon grew tired of it and craved more. Nothing was enough for Faustus, he was never pleased; he always craved more than what he could have. “Waxen wings did not mount above his reach, and, melting, heavens conspired his overthrow/ falling to his devilish exercise” (I.i.21-22). He was not content with having the knowledge he possessed. “Such is the subject of the institute and universal body of the law/this study fits a mercenary drudge/who aims at nothing but external trash” (I.i.32-35). Faustus’s decisions is what makes him selfish. He never uses his knowledge to help people instead, he decides to practice witchcraft for his own benefit. He believes that by practicing black magic he will have “power,” “honor,” and “omnipotence” (I.i.53). Faustus gave everything he had, he gave up being a doctor just to satisfy his yearnings. “What doctrine call you this? What will be, shall be/ Divinity, adieu” (I.i.44-47). Faustus showed selfishness when he agreed to sell his soul to Lucifer. “Ay, Mephostophilis, I’ll give it to him” (II.i.48). Faustus knew what he was getting himself into when he agreed to sell his soul to Lucifer in trade for twenty-four years of Mephostophilis’s service. “So he will buy my service with his soul/Faustus hath
Although Faustus has signed a contract with the devil in blood, it is obvious that it is still able to repent. The good angel in the play is trying to make Faustus realize this. Throughout the play the angel encourages Faustus to stay away from dark magic, “Oh Faustus, lay that damned book aside, and gaze not on it lest it tempt thy soul and heap God’s heavy wrath upon thy head.”(p. 26, line 69-71) Faustus’ growing interest in necromancy leads him to give the Lucifer his soul in return for twenty four years of luxurious life. The good angel is always accompanied by an evil angel who supports Faustus’ choice. Both spirits try to advise him on a course of action, with the evil one usually being more influential. The evil angel speaks of the power, which Faustus thirsts after. Faustus does not want to be a servant to God. He was become disillusioned with the idea of heavenly pleasures when he realizes he can profit immediately from service to the devil. In an exchange with the good angel he shows his lack of interest in having to work for rewards:
This part I will discuss the relationship between Faustus’s passion and reason. Faustus’s whole life is a constant struggle. In the book the good angel represents the voice of god and another represents evil. The contrasts of them show Faustus’s internal struggles and conflict to choose and judge which view is right: seeking for soul and harmony human life or following the human’s body
During the final scene of the play, in which we witness Faustus' final hour before being taken off to hell, he is, like all heroes of classical tragedy, completely isolated. There is a poignant contrast in Faustus' degeneration from the successful, revered conjurer of the previous scenes, to the disillusioned scholar we see here. In despair, he tries to conjure and command the earth to gape open but realises that, "o no, it will not harbour" him. His terror, desperation and... ... middle of paper ... ...
By making a deal with the devil, Faustus trades his soul for satisfaction, and a greater field
Marlowe plays out this dilemma between good and bad through the characters named Good Angel and Evil Angel, who tend to appear throughout the play in the form of guidance for Faustus. Although, Marlowe provides Faustus with many occasions in which he can choose between the Good Angel and the Evil Angel, he allows evil to triumph over the good. For example, the Good Angel warns Faustus against practicing black magic and explains that he will have to face the wrath of god if he allows such an forbidden art to seduce his sole (Scene 1, lines 70-73). Simultaneously, the Evil Angel entices Faustus by explaining to him that he will rule the earth as god rules the sky, but that will only occur when he adopts the art of Necromancy (Scene 1, lines 74-77). In this scene, Faustus sides with the Evil Angel, as the Angel promises him power. Further, in Scene 5, Faustus is in a moral dilemma over the point of whether he should repent to god or not. His inner voice compels him to turn back to God once again, but after reasoning with himself, he decides to remain firm in his opinions, and to have faith in Belzebub (Scene 5, lines 5-14). In this instance, the Good Angel appears once again to convince Faustus to bow down before God and ask for forgiveness. The Good Angel states that he will have access to the heavens if he prays to god, but Faustus argues that he does not need to think about heaven or heavenly things; he needs wealth (Scene 5, lines 15-22). Faustus’s greed for power and wealth overpowers his senses; he is unwilling to distinguish between what is right for him and what is harmful. It is ironic that Faustus wishes to distinguish himself from the physical world; yet, his actions convey the opposite. For example, he
This act of the devil’s magic affirms the author’s contention that emotions should serve as the utmost factor in one’s life, because without them, life remains unfulfilling. The significance of this results from the fact that up until this point, Faust cannot picture himself in a state of contentment. However, this changes when instead of utilizing his reasoning and academic power, his
This section of the play has both an important structural and contextual role in Dr. Faustus. Leading the audience through his doubt and limitations, Faustus begins to realize that his potential for knowledge and power is not half as grand as he expected. This leads him into strong bouts of inner struggle, as shown by the appearance of the good and evil angels on stage. The forces of good and evil start to tear away at Faustus, and he begins the decline into his inventible tragic downfall at the end of the play.
C.S. Lewis once said “a proud man is always looking down on things and people: and, of course, as long as you are looking down you cannot see something that is above you.” In Christopher Marlowe's most famous play, Doctor Faustus, he explores how power and greed corrupts a person through Faustus. Faustus is an intelligent and proud scholar who has studied all the Noble Sciences which begin with logic, then medicine, then law, and conclude with the highest of them all, divinity. However, even after reaching the peak of his studies, Faustus thirsts for further knowledge and power and turns to magic, believing it will turn him into "a mighty god" (I.i.59). After signing a deal with Lucifer and receiving limitless power, he is sapped of his ambition and thirst for knowledge. He continues to misuse these powers for petty reasons and, in the process, distances himself from God, Heaven, and therefore, the knowledge he desperately desired, transforming him "from a great, prideful scholar into a...mediocre magician." (SparkNotes.com, par. 7) Marlowe presents Faustus as a greedy, proud, and wealthy man whose character flaws, along with many other factors, quickly begin his descent into mediocrity until he finally realizes his mistakes and wrongdoings and attempts to repent, but to no avail. Although many critics believe that Faustus is not a tragic hero, he is a character that perfectly fits Aristotle's definition of a tragic hero.