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Ambition of dr faustus
Analysis of the play of Dr. Faustus
Critical analysis of the play dr faustus
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Good versus Evil: conflict in Renaissance
Key Words: Christopher Marlowe, Contradictory, Evil, God, Renaissance.
Introduction:
Doctor Faustus is not satisfied with traditional knowledge. He told Mephastophilis he will surrender up to him his soul in order to let him live in all voluptuousness, to give him whatever he wants, asks and demands. This shows human’s ambition during the Renaissance time, seek for freedom and the power over than humankind. This also represents the desires of human seeking for eteral. However, doctor Faustus distains the power of God and think himself to be a “God” who can control everything. His view is contradictory with Renaissance’s view which more focus on pace and harmony. During the 24 years, Faustus didn’t success any goal he was used to achieve and hope to make. Besides, he finally lost himself between the desire and human’s ration.
1. Doctor Faustus’s desire versus the traditional view in Renaissance.
As a doctor at University of Wittenberg. Faustus don’t like philosophy, law,
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The contradiction of two sides in Faustus’s characteristic
Man is in the central position in the great chain of being, possessing body and soul, passion and reason. Man is the node of mortal and immortal. Besides, man could ascend to heaven when his action is under reason. On the contrary, he will go to hell. Man is compared to a microcosm which reflected the harmony as presented in the macrocosm. Faustus is in the clashes of passion and reason, which are embodied by the good and evil angel. But he always lured by the evil one finally, then became inharmonious.
This part I will discuss the relationship between Faustus’s passion and reason. Faustus’s whole life is a constant struggle. In the book the good angel represents the voice of god and another represents evil. The contrasts of them show Faustus’s internal struggles and conflict to choose and judge which view is right: seeking for soul and harmony human life or following the human’s body
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
A conclusion that one may draw from analyzing these texts is that pride is where all evil begins because it creates the illusion that anyone can do anything at any point in time. This is seen in both Lucifer and Faustus as they go on throughout the story making wrong choices and thinking that there will be no greater consequence and this feeling of elevation is mainly attributed to arrogance. One of the biggest impacts that these works make is to illustrate the ‘falling’ part of temptation. When both Lucifer and Faustus decided to take the wrong way and go against God for their own interests, both of them fell from a very high place without any chance of returning. Lucifer who was one considered the angel of light fell into a pit of fire full of pain and agony. Similarly, Faustus who had once been a man of great knowledge in the matters of God brought damnation upon himself by choosing to side with evil instead of
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
Faustus sells his soul for what he believes to be limitless power, with the full logical, as opposed to emotional, knowledge as to consequences of such a transaction. He knows the stakes of his gamble with the ...
Doctor Faustus is a doctor of theology that wants no limits on what he can know or see or do so he sells his soul to the devil to gain these desires. While reading or observing Marlowe's fascinating play the reader or observer should apply the "New Historicism Approach," and take in to consideration Marlowe's and the 1590s society's beliefs, habits of thought, and biases about various concepts of obtaining the "forbidden knowledge". Like the people of the 1590s, Doctor Faustus searches for the "forbidden knowledge", begins to deny God during his quest for greater knowledge, and gains nothing from his vain activities throughout his lifetime. After these listed characteristics have been established one can begin to visualize the relationship between Marlowe's, Doctor Faustus and the beliefs and thoughts of the people of the 1590s.
Dr Faustus is a short play written by Christopher Marlowe. The play is a masterful insight into the paradoxical soul of mankind and its ironically self inflicted corruption. The play could be classified as a theological allegory. It can be assumed that the play specifically speaks to the religious motivations of the time, but can be adapted to the present as well. Marlowe portrays Faustus’ ambition as dangerous; it was the cause of his demise. Perhaps Marlowe used the theme of over-ambition as a warning to the audience, who would be likely to be wary of ambition - it was looked down on as a negative personality trait in Christian England (Calvinism) (Munteanu, Class notes). An on going theme within the story is the corruption of a soul which is played out through the use of religious beliefs. Specifically, the use of the seven deadly sins is a precursor to man kinds self inflicted death. Marlowe uses sin, redemption and damnation to get his point across to the audience. The sins that Marlowe specifically uses are those of: pride, covetousness, wrath, envy, gluttony, sloth and lechery. Theses sins are colourfully displayed through the character traits of Dr Faustus. In the process we view them and can adapt them to our own lives and how they are all parts to the corruption of our souls.
Mephistophilis first appears to Faustus in his true, terrifying form (suggested on the Elizabethan stage by a lowered dragon). This wholly terrifying image is in keeping with the medieval concept of the devil as a hellish supernatural being that encapsulated horror. Mephistophilis’ appearance shocks Faustus to the extent that he implores him to return in a different form, this time as an “old Franciscan friar”. This embodiment epitomises much of the confusion concerning the devil’s character: although the costume of a friar is seemingly unpretentious and reassuring (and, for Marlowe’s contemporaries, a daring anti-catholic joke), in a stage performance of ‘Doctor Faustus’ the raised hood and floor-length robe is ominous and chilling. It is this contradictory melange of qualities that make Mephistophilis such an ambiguous character throughout the play.
The play progresses to Faustus gaining power but doing nothing productive with it because he has no wisdom to guide himself on. Faustus wishes for power and has plans looking forward to his future life but as he gains it, he starts to lose his wisdom as power clearly took a toll on his mind. He becomes a performer for an emperor and finally ends up believing there is no redemption for his life as he knows he has sinned against God before and after his deal with the devil which what he believes - his last straw with God. Faustus crumbles after he has too much of the weight of power in his hands to the point it ruins him, as he has no wisdom to properly organize his goals or
The relationship between Faustus and Mephastophilis creates a dynamic that is rejected by society at this time. Although Faustus is well educated, he still lacks the one thing he truly desires: someone to control him, especially in a sexual manner. When Faustus decides to give Mephastophilis his soul for servitude, Faustus proclaims: “Lo, Mephastophilis, for love of thee, / I cut my arm, and with my proper blood, / Assure my soul to be great Lucifer’s,” (I.V.53-54). The declaration of love for Mephastophilis suggests that Faustus realized that, by giving Mephastophilis his soul, he will be able to gain his desire for control through Mephastophilis acting as his servant and granting him his wishes. Faustus does not realize until the last line of the play, however, that Mephastophilis is the one who is
The Tragic History of Doctor Faustus is Marlowe's misreading of the drama of the morality tradition, the Faust legend, and, ironically, his own Tamburlaine plays. In the development of the character of Doctor Faustus, we find one of the supreme artistic achievements of English dramatic literature, a milestone of artistic creativity and originality. The force of Marlowe's dramatic poetry resonates with lyrical intensity in its dialectic between world and will. Not only is Faustus the first true dramatic character of any psychological, moral, and philosophical depth in English literature of the modern period, but in his creation of this unique character we see Marlowe on the verge of Shakespearean characterization, that supreme artistic achievement that Harold Bloom calls the invention of the human personality.
Solomon’s righteousness and virtue are the antithesis of Doctor Faustus, the title character of Christopher Marlowe’s play, “The Tragical History of Doctor Faustus.” In this story, we see a man with n...
Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.
...d for an escape when all he really needs to do is look upward. Lucifer does not send Faustus to hell, Faustus sends himself by not accepting the gift of salvation that God freely offers him right up until the end. In his final hour, Faustus comes to the realization that he is getting the short end of the deal he has made with the devil and how even all the power he had possessed is fleeting in the face of eternity. Faustus' final soliloquy is a realistic look inside the mind of someone who stands on the threshold of forever and knows his destination. After reading this, one should either rejoice that he or she will not have to face the same fate as Faustus, or recognize that he or she is walking the same road and repent.