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Book Review
Brooke L. Blower, Becoming Americans in Paris: Transatlantic Politics and Culture between the World Wars. New York: Oxford University Press, 2011.
Americans throughout history often pride themselves on the unique and insular nature of their culture. Acting as if their New World is entirely free from influence by the Old World. In her book, Becoming Americans in Europe, Blower provides specific instances that seemingly contradicts that view. The thesis in Blower’s book is that Paris was a large factor in how Americans crafted their national identity. Interwoven with that thesis Blower also promotes an idea of a cycle of Americans influencing Parisians and Parisians therefore reacting differently to Americans forcing them to change.
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Blower starts the book with a foray into the initial changes after World War I, mainly the Americanization of Paris.
In this section, the readers are introduced to the idea that rich American tourists influences Parisian shop owners and city officials to Americanize to attract customers. Consequently, creating a hub for Americans that influences Parisian and can be influenced by Parisians. She focuses on how this hub changed views on both sides. Americans seeing it as an exclusive club, Parisians understanding it as a betrayal of the ‘true’ Paris. Tensions from the preferential treatment of Americans become the basis for many of Blowers subsequent chapters.
After setting up the colony and its impact Blower focuses on the political ramifications. Parisian politics were significantly impacted and shaped by the weight of American tourists, and Blower dedicates her second section to outlining such changes. These changes start with the famous Sacco-Vanzetti riots, caused by the American justice system executing Italian immigrants Bartolomeo Vanzetti and Nicola Sacco. Such riots cause a desire for more peace keeping forces, giving rise to Prefect Chiappe. The next chapter is on Prefect Chiappe’s domineering police force and its impact on the colony and native
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Parisians. Finally, Blower discusses continental America’s direct political impact on Paris and its intellectual elite’s education.
The American Legion’s impact is a key factor in how the North American continent directly interacted with Paris. Blower’s sources fluctuate between this visit as being an ‘invasion’ and a ‘peaceful event’. This event and its aftermath provided both an outpouring of pro- and anti-American sentiments, thus creating tensions on how Americans are considered. Blower also brings expatriates, American writers, artists, and journalists who live outside America, into the reader’s focus. Through these mobile Americans Blower focuses on the impacts of Americans in other countries, and how their brief stays connect them with other like-minded individuals. Consequently, Blower tries to change the common misconception of ‘Gay Paris’ to an academic and cultural Paris.
Becoming Americans in Paris set out to display the influence Paris had on American culture, overall it achieved that goal. Blower utilizes personal sources such as journals, newspapers, and personal accounts to create a highly descriptive story. One advantage of her book is her use of both French and American sources, this provides a holistic view of Americans in Paris. Along with the holistic view it also allows the reader to understand what each side takes away from the same event. Showing the American side is key to this process as it is the American identity that is being changed by these
interactions. Nevertheless, there are some focus problems within Bower’s book. Inside Brower’s book she makes many detractions from her thesis that seem unnecessary. For example, in the chapter on the Sacco-Vanzetti affair much of the chapter on the communist and socialist parties in Paris and around the world. If she connected these ideas by stating how it affected American views it would be great, but there is little to no reference to American identity. Similarly, chapter six focuses on famous expatriates, but this time there is too much expansion into unimportant details. Instead of identifying the Parisian influences on the expatriates and bolstering that argument, she tries to quickly explain each expatriates career. However interesting those stories are the detour from the topic draws the reader away from her argument. Clever writing and use of sources overwhelms these minor issues, and Blower proficiently explains her thesis. This book clearly silhouettes the intertwining French and American spheres, how Parisian politics affects Americans, and American politics affect Parisians. Blower presents a holistic approach to Americans abroad, that captures both sides of the street. Americans in Paris is an in-depth analysis of Parisian culture that is accessible to most casual readers. Jacob Werner
..., 1820-1865. Columbia Studies in American Culture Series (New York: Columbia University Press, 1942): 13-14.
France in America introduces readers to events and developments throughout North American History from a perspective that is not normally presented in American History classes. The book begins by introducing readers to the events that would eventually lead lead France to colonize North America. After many failed attempts to colonize areas such as Brazil and Florida, France was forced to settle for lands in the north that were not sought out by rival European powers at the time.
To summarize the book into a few paragraphs doesn't due it the justice it deserves. The beginning details of the French and Ind...
Tindall, George, and David Shi. America: A Narrative History. Ed. 9, Vol. 1. New York: WW. Norton & Company, 2013. 185,193. Print.
Literature: Penguin Edition. The American Experience. Upper Saddle River, NJ: Pearson Prentice Hall, 2007. 561-562. Print.
Maupassant, Guy De. “An Adventure in Paris”. The Norton Anthology of Short Fiction. Cassill, RV. New York: Norton & Company, Inc. 2000. 511-516 Print.
Henretta, James A and David* Brody. America: A concise History . Boston: Bedford/St. Martin's, 2010. Document.
Chafe, William H. The Unfinished Journey: America Since World War II. New York: Oxford University Press, 1999.
Nardo, Don. A. The French Revolution. San Diego, California: Greenhaven Press, Inc., 1999. Print.
By the late '80s the European movement was long established and was in full force. The second generation Europeans were forging friendships with their American idols. The Europeans thirsted to paint in the birthplace of the art. The Americans hosted "Pilgrimages to Mecca". Many European writers bomb New York so effectively, that people believe they are from New York. Many New York writers also went to Europe. Some European were so willing to cater to American writers that they would provide airfare, and paint. The bragging rights for painting with an American were priceless. For some Americans going to hit trains in Italy or Germany has become just like a trip form Brooklyn to the Bronx.
This gallery was not in place at the birth of the political nation. America, as a young republic, found itself immediately in the middle of an identity crisis. Having effected a violent separation from England and its cultural and political icons, America was left without history--or heroes. Michael Kammen, in his Mystic Chords of Memory explains that "repudiation of the past left Americans of the young republic without a firm foundation on which to base a shared sense of their social selves." (65) A new national story was needed, yet the Revolutionary leaders, obvious choices for mythical transformation, were loath to be raised to their pedestals. "Even though every nation needs a mythic explanation of its own creation, that process was paradoxically elaborated by the reluctance of Revolutionary statesmen to have their story told prematurely." (Kammen, 27) To be raised above others would be undemocratic, they believed. The human need to explain origins, to create self-identity through national identity, was thwarted by this reluctance. A vacuum was created, and was slowly filled with the image...
Faulker, William. American Studies at The University of Virginia . 1 April 1997. Online. 15 March 2014.
During the first chapter, Ellis presents and explains a variety of topics. He includes details from the prelude to the American Revolution, the French-In...
Americans through the years of existence have adapted well to the radical changes throughout the world. Technology, independence and social equality are some of the diverse concepts the United States have adapted to and developed in order to become a more unified country. Our nation believes that it is exceptional when it comes to other countries worldwide. As can be shown through the popular reference to America as the ‘shining city on a hill’. The term “American exceptionalism” is derived from ideals held by many Americans throughout history. Different people have analyzed American exceptionalism through multiple literary devices. Works such as A Model of Christian Charity, What is an American and Acres of Diamonds illustrate the sentiment that America is incomparable to any other country through different approaches. On the contrary, Democracy in America and How the Other Half Lives are two documents that argue against this theory through harsh yet meaningful remarks.
An American in Paris took place in Paris, France, and embodied the color, atmosphere, and spirit of Paris. At the beginning of the musical, it showed the streets of Paris, which were beautiful and elegant, even almost mesmerizing. As I watched the musical, it seemed like we were in the streets of Paris. There was huge architecture and buildings and a lot of the musical took place at a café or their homes. Everything was elegant. This set definitely enhanced the musical. Everything including props and the set, helped bring it all together. For instance, in the café, there were tables with chairs set around them, there was a basket with food set on the table. Also, the production was in color, but what stood out to me was that the clothes seemed