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Recommended: Nature of psychology
“Because of Winn-Dixie” (DiCamillo) is a movie and book based off of this ten-year-old girl, Opal. She overcomes some rough patches in her life with her best friend, Winn-dixie. After moving to another town, she soon realizes that she has no friends. Her father is a preacher at the local church in Naomi, Florida. Her mother left the picture when she was three years old. Soon after Opal realizes that she has no friends, and is a loser in everyone’s eyes. Opal makes friends with the local librarian, Miss Franny Block. After making friends with Miss Franny Block, she becomes friends with Gloria Dump. Gloria is blind, but she can see with her heart. She absolutely loves Opal and spends as much time with her as she can. Opal also meets Otis, the towns pet store employee. In this paper, I will tell about the psychological developments of each character. First is Opal, Opal faces abandonment from her mother, secondly, Otis needs forgiveness, third is Gloria Dump, Gloria and Opal have …show more content…
Her mother left her at the age of three. So all Opal has been her father. He is the preacher of their new hometown church. He spends a majority of his free time working on sermons for the church, or different items that involve the church. “My daddy is a good preacher and a nice man, but sometimes it's hard for me to think about him as my daddy because he spends so much time preaching or thinking about preaching or getting ready to preach. And so, in my mind, I think of him as "the preacher."” (2.1) He is more concerned about preaching, but that will not help whenever Opal needs him. Without even realizing it that Winn-Dixie brings Opal and her father closer than ever before. Even though Opal has friends that are as close as a family should be, she will always have her father right there by her side. Winn-Dixie changes the father’s view about family and what it truly means. Opal is loved very much by her
Francie’s father, Johnny Nolan, is a loving man who always supports and entertains his only daughter. However, Johnny Nolan is a useless dreamer, he continuously tells tall tales about a better life, but instead of turning his dreams into reality, he resorts to drinking to escape his stress. Although Francie hates her father’s constant drinking, his loving charm wins her heart over. Francie enjoys listening to Johnny’s exciting rambling late at night after a hard day’s work. Many nights he confides in Francie and makes promises he cannot keep such as, “I’m going to take you on a trip just you and me. We will go down south where the cotton blossoms grow" (24). Although Francie knows that Johnny will not be able to keep these promises, she admires her father for trying to bring happiness into her life. In Francie’s mind Johnny is the only family member that truly understands her as a person. Johnny knows Francie has the determination and the intelligence to make something of herself in life. Because of his great faith in Francie, he allows Francie to attend an elementary ...
The characters in this story are some very interesting people. They each lead their own way of life, and have their own interests at heart. Some of the main characters in this novel are: Sarny, Lucy, Miss Laura, Bartlett, Stanley, and Sarny's two children Little Delie, and Tyler. Sarny is the central character in this book. She is clever and knows exactly what to even in the worst of times. She is very emotional though, and can break down and cry when the slightest of things happens. This is perhaps from what she has experienced as a slave earlier on in her life. Sarny is fond of teaching people, as a friend named Nightjohn once taught her. Lucy is Sarny's close friend. She is also quite wise, but is a bit too optimistic at times. She never stops smiling and is very friendly. However, she does help Sarny find her lost children. Miss Laura is a middle-aged woman who lives a very luxurious life. She gives Sarny and Lucy a place to live and offers them employment. She also finds Sarny's children for her. Bartlett works for Miss Laura as well. He is a quiet and patient man who is helpful and quite kind. He was however castrated as a young slave boy, and cannot have children. Stanley is Sarny's second husband, for her first died from being worked to death on the plantation. Stanley is a gentle, big, fun-loving man, but is not intimidated by anything. This leads him to his death when he gets mad at a white man, and is confronted by the Ku Klux Klan. Little Delie and Tyler are Sarny's lost children. After she recovers them, and they grow up, Little Delie starts to like business, while Tyler wants to become a doctor.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
Flannery O’Connor’s “Good Country People,” describes the lives of a mother, Mrs. Hopewell and her daughter, Joy and the irony of their relationship. This passage from the short story expounds on their character development through details of their lives. The selected paragraph uses a matter-of-fact tone to give more information about Mrs. Hopewell and Joy. Flannery O’Connor has given an objective recount of the story, which makes the third person narrator a reliable source. Mrs. Hopewell’s feelings are given on her daughter to examine their relationship. It is reader who takes these facts to create an understanding of these women and their lives. This part of the story illustrates the aspects of their lives that they had little control over. Therefore, it indirectly shows how each woman acclimated to their circumstance. Although genetically related and living with one another, Mrs. Hopewell and Joy were exceedingly different people.
Her father works out of town and does not seem to be involved in his daughters lives as much. Her older sister, who works at the school, is nothing but plain Jane. Connie’s mother, who did nothing nag at her, to Connie, her mother’s words were nothing but jealousy from the beauty she had once had. The only thing Connie seems to enjoy is going out with her best friend to the mall, at times even sneaking into a drive-in restaurant across the road. Connie has two sides to herself, a version her family sees and a version everyone else sees.
In order to develop a real understanding of Raymond Carver’s text, the complex relationship between the father and the daughter must first be understood. The relationship between the girl and her father is the foundation of the entire story, and the ending cannot possibly be understood without a full recognition of how they interact. It is evident that there has been a vast change between the father when he was younger and when he was older with his daughter. Throughout the story that h...
In many of Faulkner’s stories, he tells about an imaginary county in Mississippi named Yoknapatawpha. He uses this county as the setting for his story “Barn Burning” and it is also thought that the town of Jefferson from “A Rose for Emily” is located in Yoknapatawpha County. The story of a boy’s struggle between being loyal to his family or to his community makes “Barn Burning” exciting and dramatic, but a sense of awkwardness and unpleasantness arrives from the story of how the fictional town of Jefferson discovers that its long time resident, Emily Grierson, has been sleeping with the corpse of her long-dead friend with whom she has had a relationship with.
Linda’s life was without knowing she was a slave until she was bout six years old. Her father was skilled craftsmen and so his was allowed to work for his profit as long as he gave half to his master. Linda’s mother died when Linda was young, so her maternal grandmother took car of her and her brother William. Her grandmother had been freed by an elderly white woman. Aunt Martha, as was known, was very loved by many including whites and blacks especially by Linda. As soon as she realized her fate in slavery her grandmother became her only female figure of who she really loved and trusted.
Characters in the story have a major impact on the theme of fantasy versus reality. The main character Connie, is a fifteen-year-old who exhibits the confusing, often superficial behavior typical of a teenage girl facing the difficult transition
The story begins with Delia, a working Black woman in Florida, who is a wash woman. It is a warm spring day and she is sorting and soaking the clothing she washes for the white residents of her town. Her husband walks into the house and is immediately looking for a confrontation. It is throughout this confrontation that the exploitative and abusive nature of Delia and Syke’s relationship becomes clear.
An encounter with the rural family of Johnson is also focused in the story. There is a difference between Mrs. Johnson and her daughter Maggie who is quite shy. They are both based on the rural traditional culture as opposed to her other daughter Dee who is educated and tries to change her identity to a better identity of the native African. The
Tennessee has woven a plot set in New Orleans around three characters Blanche, her brother-in-law Stanley and her sister Stella. Following essay‘s objective is to compare both, Williams’s play with motion picture based on it, highlighting similarities and differences between the two.
Her parents meet at a social gathering in town and where married shortly thereafter. Marie’s name was chosen by her grandmother and mother, “because they loved to read the list was quite long with much debate over each name.” If she was a boy her name would have been Francis, so she is very happy to have born a girl. Marie’s great uncle was a physician and delivered her in the local hospital. Her mother, was a housewife, as was the norm in those days and her father ran his own business. Her mother was very close with her parents, two brothers, and two sisters. When her grandmother was diagnosed with asthma the family had to move. In those days a warm and dry climate was recommended, Arizona was the chosen state. Because her grandma could never quite leave home, KY, the family made many trips between the states. These trips back and forth dominated Marie’s childhood with her uncles and aunts being her childhood playmates.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
In A Street Car Named Desire, the whimsical dialogues that Blanche Dubois embarks on throughout conversations with characters such as Stella and Stanley, work in tandem to leave the victims distraught by verbal lashes and painstakingly ardent dissertations of there personal motives for continuing to travel down the various dissipate inroads of there life. The often-demoralizing manner in which Blanche convolutes the actions of these characters, seemingly labels her with the nominal reputation as the two-faced, conflicted observer. There is the depiction of a critically honest blanche who will speak her mind in a manner that is oblivious to the thoughts and feelings of her recipients, vs. the caricature of an innocent, delirious blanche, whose deliberations delude and shroud her ability to maintain a unaltered, open-minded consciousness when engaging in conversations with characters. However, amidst Blanches barrage of demoralizing criticism that leaves her victims in a dumbfounded manner, she presents her critiques with painstakingly well-acclimated spurs of unrepressed honesty that brandishes her assertions and accompanies them with an intrinsically meaningful compassion that at times is mistaken by other characters to be uncultivated regressions of disenchanting rancor, vehemence, and indignation expressed towards the welfare and manifestos of the characters she is persistent upon contending with.