Beauty In Frieda And Claudia's Husband

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The sisters, like all children are mystified often by the adult life. Frieda and Claudia love to hear their mother gossiping with her friends. Pecola then enters their family as "homeless", because of Cholly Breedlove, her father. He had burned down the residence of their family, and the county authorities placed Pecola in the protection of the MacTeers until her family knows what to do about their situation. The arrival of Pecola introduces race and social stratification notions. Using Claudia's words, the Breedloves were "outdoors" now, without any shelter, helpless. The precariousness of the "place" of someone in terms of race creates an restless energy that continues throughout the whole novel; and the effects of being black and poor, without …show more content…

She has nothing with her and when no one is paying attention she drinks three quarters of milk. When she discovers the milk missing, Mrs. MacTeer reacts as if being taken advantage of, but she does stop accusing Pecola eventually, which shows some awareness of the state of mind Pecola had, as well as some decency. After all, she was a nurturing mother. The appearance of the cup of Shirley Temple raises questions about the established definitions of right behavior and beauty. What are the existing standards for beauty definitions, how are racial differences considered when cultural beauty is appreciated, and lastly what are the associated consequences of living under a beauty definition defined by the majority, one that the minority people can never achieve. The central theme in The Bluest Eye, is the effect that standardized ideas of the western societies have on romantic love and physical beauty, not only on the black women in Ohio, but also on the perception that the black community has of its own worth. All the adults in the novel are affected in different degrees by whether or not society will accept them. "For in internalizing the West’s standards of beauty, the black community automatically disqualifies itself as the possessor of its own cultural standards." (Christian, Black Feminist Criticism,

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