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Racism in literature
The bluest eye thematic concerns
The bluest eye thematic concerns
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Tiani McCarthy Professor Morris April 2014 The Bluest Eye Identity Crisis: The Bluest Eye The Bluest Eye describes the lives of three young black girls living in Ohio after the Great Depression in the 1940s. One of which acquires an inferiority complex after years of abuse not only mental and physical but also sexual. This constant abuse and criticism leads the main character Pecola Breedlove to long for a happier life where she is loved by all for having beautiful blue eyes like some of the iconic white celebrity children of that time. (Morrison 19) She believes that portraying a “whiter” physical appearance will improve her life. Pecola consequently loses her mind and self-destructs because of her relentless want to become other than who she is.Toni Morrison tells this tragic story of a girl’s hopeless need to be accepted by her family, her peers and society using various themes including self-worth based on society’s perception of beauty, self-hatred or internalized racism and the effect that parents have on their children. The story begins with a first-person narration by nine year old Claudia MacTeer. She and her ten year old sister Frieda live with their parents who take two people into their homes one autumn season. Pecola Breedlove is made temporarily homeless after her mentally unsound father burns down their home in a violent episode. Pecola is a shy and self-conscious girl with a very rough home life where her parents are in constant battle and discord. "And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). Throughout her life Pecola has been told that she is ugly and ignorant by those wh... ... middle of paper ... ...d impregnated by her father. After she is raped, the young girl is left to internalize her father’s self-hatred as well as the pain she carries from then on, not just theoretically but actually as she carries Cholly’s child. Pecola is a symbol of the black community and its belief that white beauty is superior to theirs. At the end of the novel Claudia admits that the town acted out their self-hate by using Pecola as the scapegoat for the whole community. Her ugliness made them comparatively beautiful in appearance and her quiet suffering presented them the opportunity to make their claim to superiority by pointing out what they considered to be a young black girl’s flaws and weaknesses. At the very end of the novel when Pecola wanders to the edge of town she becomes the token of human cruelty and the sad reminder of a community who turns its back on its own people.
Leading up to the cat’s death, Morrison gives readers a summary of Geraldine’s life, who only truly loves her cat and nothing else, and her son Junior’s response to his mother’s lack of love by tricking Pecola into coming over and essentially to...
The childhood of Frances Piper consists of inadequate love, loss of innocence and lack of concern, ultimately leading to her disastrous life. As a six year old child, she encounters several traumatic events, explicitly the death of her loved ones and the loss of her innocence. Over the course of one week, there have been three deaths, two funerals and two burials in the Piper family. “Frances was crying so hard now that Mercedes got worried. ‘I want my Mumma to come ba-a-a-a-ack.’”( McDonald 174). As a young child, there is nothing more upsetting than losing a mother. A family is meant to comfort each other to fulfill the loss of a loved one; however, this is not the case in the Piper family. Mercedes, only a year older than Frances, tries to console her even though she herself is worried. The loss of motherly love and affection has a tremendous impact on her future since now her sole guardian, James, expresses no responsibility towards her. Instead, he molests Frances on the night of Kathleen’s funeral to lessen the grief of his lost daughter. As a result “These disturbing experiences plague Frances with overwhelming feelings of low self worth and guilt that haunt h...
”(3) Marie, Jeannette’s mother, completely refuses to take care of her own children. She doesn’t care for her children as any mother should. Any child, even at the age of three, should not be making hotdogs in a hot oven. This act shows how much independence her father has instilled in her.
Toni Morrison's novel "The Bluest Eye", is a very important novel in literature, because of the many boundaries that were crosses and the painful, serious topics that were brought into light, including racism, gender issues, Black female Subjectivity, and child abuse of many forms. This set of annotated bibliographies are scholarly works of literature that centre around the hot topic of racism in the novel, "The Bluest Eye", and the low self-esteem faced by young African American women, due to white culture. My research was guided by these ideas of racism and loss of self, suffered in the novel, by the main character Pecola Breedlove. This text generates many racial and social-cultural problems, dealing with the lost identity of a young African American women, due to her obsession with the white way of life, and her wish to have blue eyes, leading to her complete transgression into insanity.
"And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). In the novel The Bluest Eye, by Toni Morrison, the main character, Pecola, comes to see herself as ugly. This idea she creates results from her isolation from friends, the community, and ever her family. There are three stages that lead up to Pecola portraying herself as an ugly human being. The three stages that lead to Pecola's realization are her family's outlook toward her, the community members telling her she is ugly, and her actually accepting what the other say or think about her. Each stage progresses into the other to finally reach the last stage and the end of the novel when Pecola eventually has to rely on herself as an imaginary friend so she will have someone to talk to.
...ith her charismatic brother who constantly looks out for her, supports her and believes in her when no one else does. This affects her attitude towards men positively. Years later, however, her mother’s boyfriend molests and rapes her thus changing her perspective of men or rather widening her understanding of them. She sees Mr. Freeman as a pedophile that he actually is. Nonetheless, while on the verge of adulthood, she develops curiosity towards men and at some point considers them as objects for her pleasure. She also grows to love and respect her mother’s husband to the point of trusting him while her mother is away on business.
In Toni Morrison's The Bluest Eye, published in 1970, the struggle begins in childhood. Two young black girls -- Claudia and Pecola -- illuminate the combined power of externally imposed gender and racial definitions where the black female must not only deal with the black male's female but must contend with the white male's and the white female's black female, a double gender and racial bind. All the male definitions that applied to the white male's female apply, in intensified form, to the black male's, white male's and white female's black female. In addition, where the white male and female are represented as beautiful, the black female is the inverse -- ugly.
...ror of Pecola’s first sexual experience: her father rapes her), and a difficult marriage situation (caused by his own drunkenness). The “bads” certainly outweigh the “goods” in his situation. Thus, the reader ought not to feel sympathy for Cholly. But, Morrison presents information about Cholly in such a way that mandates sympathy from her reader. This depiction of Cholly as a man of freedom and the victim of awful happenings is wrong because it evokes sympathy for a man who does not deserve it. He deserves the reader’s hate, but Morrison prevents Cholly covered with a blanket of undeserved, inescapable sympathy. Morrison creates undeserved sympathy from the reader using language and her depiction of Cholly acting within the bounds of his character. This ultimately generates a reader who becomes soft on crime and led by emotions manipulated by the authority of text.
The most damaging interracial confrontation related to color involves Pecola and an adult, Geraldine (Samuels 12). When Pecola enters Geraldine's home at the invitation of her son, Geraldine forces her to leave with words that hurt deeply, saying "Get out... You nasty little black bitch. Get out of my house" (92).
Toni Morrison's novel, The Bluest Eye contributes to the study of the American novel by bringing to light an unflattering side of American history. The story of a young black girl named Pecola, growing up in Lorain, Ohio in 1941 clearly illustrates the fact that the "American Dream" was not available to everyone. The world that Pecola inhabits adores blonde haired blue eyed girls and boys. Black children are invisible in this world, not special, less than nothing. The idea that the color of your skin somehow made you lesser was cultivated by both whites and blacks. White skin meant beauty and privilege and that idea was not questioned at this time in history. The idea that the color of your skin somehow made you less of a person contaminated black people's lives in many different ways. The taunts of schoolboys directed at Pecola clearly illustrate this fact; "It was their contempt for their own blackness that gave the first insult its teeth" (65). This self hatred also possessed an undercurrent of anger and injustice that eventually led to the civil rights movement.
Toni Morrison, the author of The Bluest Eye, centers her novel around two things: beauty and wealth in their relation to race and the brutal rape of a young girl by her father. Morrison explores and exposes these themes in relation to the underlying factors of black society: racism and sexism. Every character has a problem to deal with, and it involves racism and/or sexism. Whether the characters are the victim or the aggressor, they can do nothing about their problem or condition, especially when it concerns gender and race. Morrison's characters are clearly at the mercy of preconceived notions maintained by society.
Baker gets to know her life story and what is was like growing up in her family. She talks about her father and how he treated them wrong. Mimi’s father was a man who was abusive to her and her mother. He spent all of his money on booze and little on his family. Mimi’s mother would lock the door when her husband would get drunk and her first memories (page 297) of her father was him “smashing the big glass window out of the locked front door to reach the lock inside”. On holidays he would often be drunk and abusive. For example, her mother was building a toy garden under the Christmas tree and Mimi’s drunk father came in and “kicked it to ruins”. Mimi’s father is an example of a bad man because he was mean, abusive, and an alcoholic. He would leave Mimi to fend for herself and she would move around from house to house and then weeks or months later he would show back up wanting to get the family together only to disappear again.
Two of the major instances of sexual abuse present in the novel involved both Mr. Henry with Frieda and Cholly with Pecola. The incident with Mr. Henry, while very serious...
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
Aubery Tanqueray, a self-made man, is a Widower at the age of Forty two with a beautiful teenage daughter, Ellean whom he seems very protective over. His deceased wife, the first Mrs. Tanqueray was "an iceberg," stiff, and assertive, alive as well as dead (13). She had ironically died of a fever "the only warmth, I believe, that ever came to that woman's body" (14). Now alone because his daughter is away at a nunnery he's found someone that can add a little life to his elite, high class existence; a little someone, we learn, that has a past that doesn't quite fit in with the rest of his friends.