Many people have been affected by HIV/AIDS. Though progress has been made, HIV/AIDS is still kept under scrutiny and oppressed by the majority. Through the hardships faced also comes beauty and intellectualism. We see this through many artists, one being Keith Haring.
Haring was born on May 4th, 1958 in Pennsylvania. Throughout his youth and adolescence, he held a deep love for art. Drawing in particular. After moving to New York City in 1978, Haring developed a true appreciation and passion for the expressive art pieces residing around the city and in subway stations. He was hooked and began creating exhibitions of his own to present to the world. His work, comprised mostly of social and cultural messages, was known on an international level
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To quote The Art Story (2018): “Rebel with Many Causes is an example of Haring's recurring theme of 'hear no evil, see no evil, speak no evil' - a criticism of those who would avoid social issues, especially the AIDS crisis”. Using direct observation from the views and opinions of his society at that time birthed the inspiration behind this piece. As Haring himself was suffering from AIDS, his special and first-hand outlook provided concrete insight into what it meant to be living with AIDS. In a time where the debate of HIV/AIDS was kept under wraps, the legitimization of the need for governmental support was being overlooked. The idea to incorporate the ancient proverbial principle “Hear no evil, see no evil, speak no evil” insisted on universal understanding of the message. Haring as well as many others were being let down because those who made the decisions for them did not have the basic understanding of the virus to know the extent of its dangers. If they did not accept that there was a problem, there would be no need for a problem to be dealt …show more content…
Haring, though his life had been cut much too short, played his part in reminding the world that a sense of humanity and compassion should not be placed on populations solely based on privilege. Everyone deserves the right to medical aid and social acceptance. Haring’s determination to spread his message could very well have been a vital factor in changing the minds of those in the positions of power. By the early 1990s, medication was made more available in treating those affected by the virus. In the early 2000s, the FDA approved the first rapid HIV test. And now, living with AIDS has become a very real possibility rather than what it used to be considered as a death sentence. The number of AIDS-related deaths has decreased significantly as have the number of newly reported cases of HIV/AIDS. (History of HIV and AIDS overview, 2017) At this time, the world hopes for an eventual elimination of the virus. This is something that can safely be said to have been affected by the incredible works of Keith Haring as his story is one that will forever be
Even after the disease and its modes of transmission had been correctly identified, fear and ignorance remained widespread. In the mid 1980s, “AIDS hysteria” became a well known term in the media and public life. For example, a magazine published details about how extensive AIDS/HIV related discrimination became. “Anxiety over AIDS in some parts of the U.S. is verging on hysteria,” the authors wrote; they later published this disturbing example:
Alix Baptiste was born on April 29, 1964, on a small island in Haiti. Mr. Baptiste has come a long way since his early days of survival. Mr. Baptiste is now a household name for his beautiful paintings in Savannah, Georgia. Entering his twentieth year as an artist, he owns an art gallery in City Market. There you can watch him at work though the front of his art gallery window's to see what's in store for his next project.
One important scene in the film ‘The Age of Aids’ is “Port Au Prince, Haiti”. In this scene it outlines the conditions in Haiti, which were very poor and it turn left the city defenseless against the new disease. In 70’s and 80’s the disease began to be seen by doctors and priests who were being sought after to cure a unseen disease which left the people with the “look of death, [making them] so skinny you could see their bones”. The scene then goes on to take a look at one of the first HIV clinics in Port Au Prince, which was opened in the roughest parts of town. One of the surprising things that this clinic found when they were looking at the patients coming in was that the mean they were analyzing had more contact with women then they had with men. This was extremely interesting because this was completely different from what the pattern of the disease had been in the US. The doctors believed this was because homosexual males had been coming into Haiti as tourists and where having sex with locals, who in comparison didn’t call themselves homosexuals because even though they had been having sex with men, the number of women they were having sex with greatly outnumbered the men. This was extremely important because it allowed people to open their eyes, and realize that this was not a homosexual disease, that anyone could get the disease. And that’s exactly what happened within the Haitian community. Within three years the disease had spread across the entire island effects all aspects of society. This scene was effective because it is able to change a viewer with little knowledge of the disease to understand how doctors were able to come to the conclusion that the disease was not in fact a homosexual ...
The movie, And the Band Played On, discusses the origin of the AIDS virus and how it spontaneously spread across the world. It used the Ebola disease to foreshadow the forth coming of another serious disease. The world was not prepared to handle such a contagious plague. Doctors around the world assumed that the first cases of the HIV virus to be just an abnormality of a certain disease, their carelessness of this matter was the start to the spread of this disease. Throughout this movie, it illustrates different points, such as the beginning of HIV, the misconceptions it gave, and the panic it aroused amongst doctors and the common people.
Richmond Barthé was born in Bay St. Louis, Mississippi on January 28, 1901. Richmond was born in a hard time for African Americans. He demonstrated incredible guarantee as a craftsman at a youthful age, however as a Colored American in the South, he was banished from selecting in any of the craft schools in New Orleans, Louisiana, close to his home. At eighteen his area minister in New Orleans and an author for the New Orleans Times Picayune distinguished his capability. Richmond was eventually admitted to the Art Institute of Chicago, after struggling to get admitted to an art school. He began to study sculpture, which denoted a defining moment in his profession. After Barthe graduated in 1928, he opened up a studio in Harlem, where he stayed permanently in 1930. Nonetheless, ending up progressively disregarded by a symbolized world that had come to esteem deliberation an imaginative style which held no enthusiasm for him; Barthé moved to Jamaica in the late 1940s, and later existed in Switzerland and Italy before coming back to the United States in 1969. His career in Jamaica flourished, till he later decided to come back home to the states. Overall Richmond Barthe received many honors and awards including: Rosenwald Fellowship, Guggenheim Fellowship, Audubon Artists Gold Medal in 1950, and awards for interracial justice and honorary degrees from Xavier and St. Francis Universities. Overall this artist intrigues me as I’m sure it was extremely hard to start off. He was born during the worst times in America, racism throughout his life and then leading into the great depression. I’m glad he was able to express himself through the art that he published.
Born in March of 1916 as Jacob (Jack) Ezra Katz, he was the third child to Benjamin and Augusta Katz. His parents were both Polish immigrants of Jewish descent and they raised him in East New York, the predominantly Jewish section of Brooklyn. As immigrants they were plagued with financial difficulties and this was further aggravated when they struggled through the Depression. Despite all of these hardships, Keats had already begun to showcase his artistic abilities. At the age of eight he was hired to paint the sign of a local store. Naturally, his father was quite proud of him when he earned twenty-five cents for his work and hoped that this might endeavor might lead to a steady career as a sign pa¬inter. Unfortunately for him, Keats was smitten with Fine Arts and won his first award in Junior High School: a medal for ...
Randy Shilts set out to make monumental changes in the world’s perspective of AIDS. He planned to enlighten, motivate, and educate the population on this tragic disease that has already claimed so many lives. He believed that virtually all the misconceptions about AIDS would be corrected and the public would insist that more be done to stop the epidemic. "I had hoped to effect some fundamental changes. I really believed I could alter the performance of the institutions that had allowed AIDS to sweep through America unchecked" (220). Shilts’s immense expectations positioned him for his inevitable sense of failure. He did not accomplished all that he had planned. AIDS was still spreading and people were still dying. "The bitter irony is, my role as an AIDS celebrity just gives me a more elevated promontory from which to watch the world make the same mistakes in the handling of the AIDS epidemic that I hoped my work would help to change"(220).
(Allen et al., 2000) The Acquired Immune Deficiency Syndrome (AIDS) is a clinical situation that requires the ethical principle Justice to be implemented. AIDS can be transmitted by sexual activity, intravenous (IV) drug use, and passed from mother to child. Due to the judgments and fears from the general population and some healthcare professionals, patients who have this disease may find themselves suffering from discrimination in many ways of their lives. This discrimination comes from the stigma placed by the factors in which AIDS is mainly spread. These factors are poverty, homelessness, illiteracy, prostitution, human-trafficking, which create the labels like the “drug user” or “homosexual”.
...ar. "Hiv/Aids Managing A Pandemic." Americas 61.2 (2009): 20-27. Literary Reference Center Plus. Web. 20 Feb. 2014.
Spink, Gemma. "AIDS." AVERTing HIV and AIDS. 23 Dec 2009. Web. 11 Jan 2010. .
"Demanding that life near AIDS is an inextricably other reality denies our ability to recreate a sustaining culture and social structures, even as we are daily required to devote such time to the details of the AIDS crisis." -Cindy Patton
This movie begins by depicting a bright, articulate young lawyer named Andrew Beckett at work. Then the scene rapidly changes to Andrew at an AIDS clinic. You know at this point that Andrew Beckett has AIDS and a horrifying future as you see scenes of men with hollow expressions, open sores and skeleton-like features. It becomes obvious that Andrew was not telling his boss or coworkers that he had AIDS. Later we discover that he concealed this disease because he was afraid of being fired and people’s fear of him as a sick gay man.
In the movie “And the Band Played On”, illustrated the origin of the AIDS virus, how it was spread across the world quickly. It began with a scene in 1976, Central Africa, shows how the Ebola disease affected a village and was contained before it was spread. This was to show the beginning of another serious disease called AIDS. The world was not prepared to handle such a contagious plague. Doctors treating people with this virus thought that the first cases of the HIV virus was just an abnormality disease. The disease started to spread all over, especially gay men. Throughout the movie, I was able to see different points, such as the beginning of AIDS, the misconceptions it had, and the anguish it brought to the doctors as well as people around the world.
During the time when the general public believes the only way to contract HIV/AIDS is to be homosexual, an addict, or prostitute, Fisher being a white, heterosexual, married mother of two from an upper-class family who contracted the virus from her husband is herself the certifying ethos of this speech (1). She tactfully uses her own circumstances and diagnosis to embody the plight of all in the AIDS community and shows that no one is exempt from this deadly disease. She emphatically states that HIV does not care about race, age, gender, sexual orientation, or political affiliation; all that it asks is “Are you human?” (2). She ceases to be the exception and gains the attention and respect of the American people when she aligns herself with others with HIV/AIDS with her statement:
From the moment scientists identified HIV and AIDS, social responses of fear, denial, stigma and discrimination have accompanied the epidemic. Discrimination has spread rapidly, fuelling anxiety and prejudice against the groups most affected, as well as those living with HIV or AIDS. It goes without saying that HIV and AIDS are as much about social phenomena as they are about biological and medical concerns. Across the world the global epidemic of HIV/AIDS has shown itself capable of triggering responses of compassion, solidarity and support, bringing out the best in people, their families and communities. But the disease is also associated with stigma, repression and discrimination, as individuals affected (or believed to be affected) by HIV have been rejected by their families, their loved ones and their communities. This rejection holds as true in the rich countries of the north as it does in the poorer countries of the south.