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Role of women in shakespeare tragedy
Role of women in shakespeare tragedy
Role of women in shakespeare tragedy
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The two sets of characters Beatrice and Benedick, and Hero and Claudio are two very different sets of people, however they have one thing in common, there is love between each couple. During acts one and two, we are shown how different Beatrice is to her cousin Hero, how similar Beatrice and Benedick are and how similar Hero and Claudio. When you first meet Beatrice and Hero, act one scene one, they have just heard from a messenger boy of the soldiers imminent return to their household. Immediately Beatrice asks about the whereabouts of one Signor Mountanto. Only Hero knows who that she means Signor Benedick of Padua. You then instantly learn that there is some history between Benedick and Beatrice, Leonato explains, ?You must not, sir, mistake my niece: there is a kind of merry war betwixt Signor Benedick and her: they never meet but there?s a skirmish of wit between them? This tells you straightaway that there is a connection between the two, but so far we do not hear more. So far, Beatrice has spoken a lot and Hero we have only heard from once to correct the name Beatrice gives to the messenger. Beatrice teases the messenger boy about Benedick, until Beatrice?s uncle tells the messenger about the ?merry war?. It seems that Beatrice is an example of how a women shouldn?t behave around men where as Hero is showing how to be a ?proper? lady by keeping quiet until asked for. Beatrice is presented as a very passionate person, whilst Shakespeare has presented Hero as a meek, timid woman, in fact Hero only speaks one line. You finally meet the soldiers, including Claudio and Benedick, later in Act one, Scene 1. When the soldiers do come in Claudio does not say anything until he is on his own with his friend Benedick. In this way he is very like Hero, he doesn?t say anything as it is not needed, he does not add to conversation. In fact when he does speak, you see a passionate side to him come out as he tells of his liking of Hero, in this way he is very like Beatrice as he has a very passionate personality, although he, unlike Beatrice, keeps it under wraps. When you first hear Benedick speak, he in conversation with Leonato and Don Pedro but by the 3rd time that you hear him speak, he has already engaged into a heated conversation with Beatrice.
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
Comparing Shakespeare's Presentation of the Love Between Claudio and Hero with that Between Beatrice and Benedick
In the beginning of the play Benedick is just another soldier with Claudio but is also known for arguing with Beatrice. He is constantly getting in to arguments with her and at the masquerade Ball she pretends to be somebody else to try to interrogate her. When he first arrives in Messina he says “Look, it’s my dear lady distain.” This quote represents the relationship in between Benedick and Beatrice. The relationship they have is one of hatred and anger. However when Benedick is in the Orchid and over hears Claudio and the others he falls in love with Beatrice. When he falls in love with Beatrice he wants to pronounce his love to her himself. AS soon as he sees Beatrice after he was tricked into loving her he started being nice to her and didn’t make fun of her. Benedick also says “Lovely Beatrice, I thank you for taking the pains to tell me that” This highlights his change of heart towards Beatrice and that he is willing to love her. This shows how Benedick was manipulated to love Beatrice by Claudio, Don Pedro and Leonato. Afterward When Claudio shammed Hero in front of everybody and left Benedick wants to help Beatrice clear Hero’s name. Benedick doesn’t believe that Hero cheated Claudio and wants to fix the situation. Also he convinces Leonato of the friar’s plan to clear Hero’s name by faking her death. Benedick even says that “I really
After Claudio blew up at the wedding and slandered Hero, Benedick stayed to comfort her. Unlike the other men, he knew that Hero didn’t cheat and Don ]ohn was behind this plan. As Bendick states, “And if their wisdoms be misled in this the practice of it lives in Don John the Bastard” (Shakespeare 71). When he believes Hero has nothing to do with this, Beatrice wants it to challenge Claudio. Bendick has changed from a person who never wanted to get married, to a person in love. Driven by this love, he is willing to go against his friends for Beatrice. Ironically both these characters’ attitudes have been
“They offer comedy of both character and situation. The “merry war” between them is established in the opening scene: Beatrice piles comic insults on Benedick both before she sees him and to his face, yet there is no mistaking her interest in him, however it may be expressed; and although Benedick declares himself ‘ a professed tyrant to their sex’ (1.1.161) and an opponent to marriage, he tells Claudio that Beatrice ‘an she were not possessed with fury, exceeds’ Hero ‘as much in beauty as the first May doth the last of December’ (1.1.180-2). Beatrice, too, though she says she prays morn and night that God will send her no husband, admits that there is something to be said for Benedick, were it not for his perpetual tattling (2.1.6-26)” (Wells 167).
In many respects she is much older and more mature than Hero will ever be, and Beatrice is shunned because of that. this difference; this difference being what Benedick ultimately falls for. in love with.... ... middle of paper ... ... emotions and ideas carry most of the play along.
" She claims here that Benedick doesn't actually have the stomach to kill anybody, and retorts to every sincere statement with a wry satirical comment about Benedick's courage. This sort of language is constant throughout the play, and makes Beatrice the foremost satirical character, along with Borachio in the first part of the play. Later on in scene 1, the naïve Claudio inquires after Hero, and asks Benedick what he thinks of her.
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
This may seem to be a harsh and pessimistic outlook on life, but the way Shakespeare brings this character to life portrays Benedick as a funny and caring man who really is not that certain about what he wants for the future. Benedick’s counterpart in the play is Beatrice, who is an independent woman with a quick tongue. Benedick and Beatrice despise and cannot stand each other because it is seemingly impossible for them to have a conversation without arguing and angering each other. The two of them provide some of the more amusing scenes of the play with their word play and mocking of each other. In reality though, they have much in common that they have yet to realize.
At the start of the play Hero is presented as a typical woman of the time, modest and demure – she says little. In fact, Shakespeare’s first words describing Hero, ‘Is she not a modest young lady’ announce her essential qualities of modesty and decorum. In this period, these were vital qualities to have in a wife and Hero possessed them, unlike Beatrice. By contrast, Shakespeare portrays Beatrice as an untypical woman, being outspoken, independent, witty and unconventional – she is always participating in the conversation even with the men (especially Benedick), which Hero never does.
Innocently attempting to counter the insults, the messenger says Benedick “is a good soldier too, lady” (1.1.52). Beatrice, without hesitation, quickly remarks that Benedick “is a good soldier to a lady” and then asks “what is he to a lord?” (1.1.53-54). Benedick performs well while conversing with the ladies, according to Beatrice, but his ability to perform well in battle is questionable. Beatrice applies the literary device homophones, which is when words have the same pronunciation but are spelled differently, to humiliate Benedick. Beatrice is also suggesting that there was a relationship between the two that did not end well, explaining her current hatred of Benedick. Beatrice makes certain that everyone is knowledgeable about her disgust of Benedick through using wordplay.
However they can also have different traits too. Hero and Beatrice are alike since they show the same character trait which is forgiving. Hero forgives Claudio for what he did during their first marriage and Beatrice forgives Benedick by writing him a love letter, the textual evidence is provided. Hero states “And here’s another poem, stating her adoration for Benedick” 235 pg ”I was your other wife and when you loved me you were my other husband”233 pg. Beatrice’s letter of adoration for Benedick, and Hero’s love for Claudio leads them to forgive the men that were meant for them. So the way Hero and Beatrice are alike they impact the story by showing that they aren't just the complete opposite of eachother, they can also act and be the same. To restate, In Much Ado about Nothing character Beatrice serves as a character foil of hero by which Hero’s quietness is illuminated by Beatrice’s sassiness; thus, continually influencing the plot. So all in all Beatrice and Hero have similarities and differences but in conclusion they are the best character foils in Much ado about nothing. Even though there are other
The pair’s metamorphosis as a couple helped strengthen their relationships with friends and halted their egotistical attitudes from annoying their friends with their derogatory jokes and metaphors. Not only are many of the characters more at peace due to the status of Beatrice’s and Benedick’s relationship, but the storyline has become more intriguing; even the worst of enemies can eventually love each other. Once Benedick thought Beatrice was in love with him, he openly expressed his love to her despite Beatrice’s apparent resistance, “Against my will I am sent to bid you come in to dinner”, with Benedick responding “Fair Beatrice, I thank you for your pains” (2.3.201-202). Benedick’s change of heart is elucidated by the way he treats Beatrice. After she realized he loved her, Beatrice accepted his love and began respecting him a lot more than she did when they were nearly enemies. Although Beatrice’s and Benedick’s relationship is not pristine, it’s apparent that the two will be together whether they like it or not due to their persistent attitudes. Benedick’s tone toward Beatrice is only getting nicer; he is very calming toward her even when she’s distant and moody “What offense, sweet Beatrice” (4.1.272). The pair’s new, not bickering words toward one another put almost every character at ease and enticed others to poke fun at