Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Beatrice much ado about nothing character analysis
Benedick and beatrice character analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Beatrice much ado about nothing character analysis
In Act One of ‘The Changeling’, is Beatrice portrayed as an innocent victim or a sexual predator?
Throughout Act 1, the portrayal of Beatrice is one of contradicting extremes, depending of the characters she is interacting with. With Alsemero, she is presented as sweet and romantic, whereas with De Flores, she is presented as petty and vindictive. However, I would argue that she is portrayed as a victim instead of a predator, although to what extent she is innocent is questionable.
Our first impression of Beatrice is shaped by Alsermero’s idea of her. His language is centred on her purity, and the constant reference to religion emphasis this: “The church hath first begun our interview and that’s the place that must join us as one”. The church
…show more content…
as a meeting place seems innocent to the audience, and the allusions to marriage ties together the image of Beatrice as a holy and respectable person. This impacts on the audience later on in scene 1, as we discover she is to marry another person, despite being in love with Alsemero, “this was the man was meant for me”. The audience may begin to see her as the victim of a patriarchal system that leaves her little choice in her partner (as the main reason for her engagement seems to be that Vermandero wants Piracquo as a son-in-law). Her clear resistance to the marriage builds the audiences sympathy with her position. However, an audience could see Beatrice as a liar, who, by withholding the information about her engagement from Alsemero, purposefully leads him to believe that he may marry her. This would lead to the conclusion that Beatrice is more of a sexual predator than an innocent victim. However, the idea that she is a sexual predator may be derailed by one of her objections to the marriage; that she does not want to lose “the dear companion of my soul, virginity”, which would seem to discourage the interpretation of her as a sexual predator. Another way Beatrice is presented as an innocent victim is through De Flores obsession with her.
His language is disturbing, and his attitude towards Beatrice may make an audience uncomfortable. One example of this is “I’ll please myself with the sight of her… if but to spite her anger”. De Flores seems to take pleasure in angering Beatrice, and so her outbursts against him become more excusable. This speech is in an aside, and the extra secrecy surrounding his statement adds to the uncomfortable nature of it, as he is keeping his emotions for Beatrice hidden from the rest of the characters, implying that it is possibly sordid. His focus on himself is emphasised through the use of “I’ll”, and the reference to Beatrice’s negative emotions show a lack of regard for her. This hints that his ‘love’ for Beatrice could be harmful to her, leading the audience to see her as a victim. However, Beatrice’s response to De Flores tarnishes the audience’s opinion of her. Her hatred for him seems to overpower her love for Alsemero, and her sudden change in attitude highlights this. Her dramatic statements of hatred “such to mine eyes is that same fellow there, the same that reports speaks of, the basilisk”, seem extra venomous when compared to De Flores’ statement that her reactions are due to her “peevish will” . The reference to the basilisk reminds the audience that De Flores is currently watching this interaction, and this may make Beatrice seem extremely rude (however, this could also
remind the audience of how disturbing De Flores seems). Although Beatrice’s rudeness may stop an audience in viewing her as an innocent victim, it does little to reinforce the view that she is a sexual predator. Although Beatrice is presented as a victim, her position as an innocent victim is destructed in her response to De Flores, as the audience possibly stops seeing Beatrice as the traditional gothic heroine, who would be more passive, as she begins to confront the possible villain of the play.
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
In Shakespeare’s Much Ado about Nothing, there are the usual characters that show up in most of Shakespeare’s pieces. For instance the characters Hero and Claudio could easily be compared to Romeo and Juliet. Both Hero and Juliet are innocent, quite, and beautiful young women who fall in love instantly without conversing with the other person. Likewise, Claudio and Romeo decide to marry these women within twenty-four hours. Because of these characters’ lack of unique and interesting qualities, I am intrigued by Beatrice.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
` Benedick and Beatrice hated each other at first. In the beginning of the play Beatrice makes a statement of “...will happily go to hell with Benedick.” This proves that Beatrice does not like Benedick, more hate. There is clearly tight tension in between them, and some background hatred as well. At the beginning of the play, Benedick and Beatrice had a hateful relationship.
...e story unfolds in a very neutral and unbiased manner. We see things happen and get to make our choice as to who is the protagonist and who is the antagonist. I have no doubt in my mind that Lorca very well knew what he wanted the reader to think, but he didn't force anything down our throats. We hate Bernarda for what we saw her do, and how others acted around her. She truly was a woman that throughout the play failed to show one redeaming quality. It can be argued that she did what she did out of love for her family and respect for her husband, but I don;t buy it. She did what she did out of fear. She was afraid of what the public would say. She gave off the aura of a big powerful woman, but in reality she was small and weak. She demanded that her family mourn for eight years not because she felt that was proper or because she couldn't face the world without her husband, but because she felt that it would give her family the best reputation. She did this in spite of all of her children's happiness. Those are the reasons we hated Bernarda, we didn't need to be told, we saw it with our own eyes. That is the sign of a good playwright; the ability to show without telling.
adds to the comedy of the rest of play. It is obvious to the audience
At the start of the play Hero is presented as a typical woman of the time, modest and demure – she says little. In fact, Shakespeare’s first words describing Hero, ‘Is she not a modest young lady’ announce her essential qualities of modesty and decorum. In this period, these were vital qualities to have in a wife and Hero possessed them, unlike Beatrice. By contrast, Shakespeare portrays Beatrice as an untypical woman, being outspoken, independent, witty and unconventional – she is always participating in the conversation even with the men (especially Benedick), which Hero never does.
Catherine of Siena. The Dialogue of the Divine Providence . Trans. Algar Thorold. 1907. 25 Feb. 2004 .
Beatrice is deceived by Hero and the others, but the nature of deception is not on a par with the scheming of Oberon in A Midsummer Night's Dream or Claudius in Hamlet. The supposedly false premise on which Don Pedro's plot against Beatrice is based -- Benedick's passionate love for...
Beatrice is, without a doubt, one of the strongest female characters that Shakespeare ever came up with in his time of writing. Shakespeare shows, through Beatrice, how every woman should act in an era where only the men were even able to have control. In this era, or the renaissance time, no woman had free will; they were always told what they could and could not do, as well as, who they were to marry. In the play “Much Ado About Nothing” Beatrice has many qualities but the ones that stand out the most in the play are: her independence, her feistiness, and of course her openness to defy male subjection.
In order to analyze further what this means, her biography will need to be told. Sister Rosanna grew up in the Church in Turin, an importa...
The first scene gives good insight to Beatrice’s character. Benedict is telling Beatrice how he will never marry a woman, and he will be a bachelor forever. To this Beatrice responds: “A dear happiness to women. They would else
...God's creature, and craves love as its daily food" (Hawthorne 625). If she is evil, it is only because she was made that way. Her heart is pure. So in the end, the beautiful and innocent Beatrice is betrayed by the man she loved, Giovanni. For Giovanni betrays Beatrice because he thought she was evil, and truly Beatrice is the one who demonstrates to have true love. Beatrice proves to be very human, but with a poisonous body and a loving soul.
Shakespeare makes sure that Beatrice comes off as a woman who is not afraid to speak her mind to anyone. This is portrayed in the beginning of act one, when the mail messenger comes to announce that the soldiers are on their way to Messina. They start a conversation about Benedick and he tells Beatrice that Benedick is a "lord to a lord, a ...