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Film techniques strictly ballroom
Strictly ballroom film analysis
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“Strictly Ballroom” is a unique film created by Australian, Baz Luhrmann to comedically represent competitive ballroom dancing. The film Strictly Ballroom was directed and co-written by Baz Luhrmann, screenplay was written with the help of Craig Pearce and Andrew Bevel. This film was Baz Lohmann’s debut movie after finding success in theatre. Strictly Ballroom was set in Sydney, during the early 90s. Consequently, there are many diverse aspects to this film however, one that stands out is the theme of “family relationships and conflict”, which is present in this film through costume, language and camera angles.
Baz Luhrmann has a distinctive style, from his background in theatre and opera. His visual style has been noticeable in many of his
film. This unique style is created by having purposefully excessive costumes and sets, to overload the audience’s senses. Baz Luhrmann creates worlds that are simulating and bright while also being surreal and recognisable. The “red curtain trilogy” is a theme given to three Baz Lohmann’s films, Strictly Ballroom, Romeo & Juliet and Moulin Rouge. They are three separate stories bonded together through the red curtain introduction and their similar styles of dramatic costumes and unique worlds. Strictly Ballroom uses their target audience of Australians to their favour by emphasising cultural differences. This appeals to Australians as they find humour in the way they are misrepresented however, sparks imagination of the global community. Ballroom dancing isn’t a common theme for films, so it was easily adaptable to create a false and glamorous world with a unique storyline. Family relationships and conflict are heavy represented through communication and screenplay. This theme is explored throughout Strictly Ballroom as Scott’s family is heavy invested in his personal and dancing life. Shirley Hastings (Scott’s mother) is an unusual character who is usually the centre of attention and family conflict, with her desire for Scott’s successful dancing career. This is shown throughout the film as there are large cabinets full of shiny trophies on display, which Shirley is devoted to keeping maintained. Scott’s mother is centred on conformity and success in Ballroom competitions, this is displayed multiple times, such as when a close-up-angle is used to show her yelling at Scott and Liz while they were dancing. This film has two different families that are starkly different, culturally and physically. Fran’s family are Spanish and aren’t as interested in her passion to ballroom dance. Fran doesn’t have a mother and is raised by her grandma who keeps secrets from her son. To exaggerate the contrast between the two families, Baz Luhrmann has used structural family dynamics to explore the role of mother and father. The Hastings family are conflicted with an ancient secret that is uncovered during the “Pan Pacific’s Grand Prix”. In concluding, the family must determine if their personal desire to win, is more important than Scott’s happiness. Baz Luhrmann has created an eccentric film with unique features and themes. The style throughout this film is distinctive because of the use of dazzling costumes and erratic screenplay. Based in Sydney, these extravagant characters and their different desires are thoroughly explored. Family relationships and conflict are boosted throughout to create uncertainty, unease and complexity. The families explored in “Strictly Ballroom” are unique while still showing familiarity. Every character is uniquely expressive, which accurately represents Australian culture in the 90s and currently.
middle of paper ... ... bright as he is, it is now obvious. Conclusion ---------- Both films Two Hands and Strictly Ballroom stereotype masculinity. Two Hands, based on the rough living at Kings Cross with a gangster plot stereotype the typical masculinity – criminal culture, swearing, rough, tough, ruthless gangsters, fighting and boxing, drinking beer, exercising, masculine attire, mateship, larrikinism, meeting at pub, robbing the bank, and willingness to die.
Lie spent much of his youth studying art in Paris and Norway (Rollins 2). While studying in Paris, Lie found great inspiration from the works of Impressionist artist, Claude Monet. After returning from Paris, Lie moved to New York City, giving art classes for aspiring young artists (Caldwell 2). During this period, Lie painted Dusk on Lower Broadway, and through this piece, one is able to see the heavy influence of Impressionism and the techniques of Claude Monet reflected beautifully.
What makes a producer’s style unique? How does a producer’s style distinguish itself from others’ styles? In Tim Burton’s imaginative productions, Alice in Wonderland, Edward Scissorhands, and Charlie and the Chocolate Factory, one is able to identify Burton’s distinct style when peeling back the layers of his films. Summarizing these films, in Alice in Wonderland, a young woman is transported to the mystical wonderland, where she must defeat the forces of evil along with a journey of self-discovery. Next, in Edward Scissorhands, an unfinished project is discovered and integrated into the everyday lives of people in a nearby suburban town. The film shows how Edward, an unfinished man, tries to live an ordinary life and make deal with his attraction towards Kim. Finally, Charlie and the Chocolate Factory is a story of a boy from an impoverished family who has come upon the chance to visit Mr. Wonka’s candy factory. In these three films, Burton’s cinematic style can be depicted through his frequent use of front and back lighting and low angles to show the opposing forces between good a...
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
In this essay I am going to explore the unique collaboration between director and composer and how much a long-term collaborative process between the two can influence the establishment of the former as an author. An author, in this case, stands for an authority actively shaping the film’s story and message but at the same can be understood as an author of music, I will try to consider both factors. In this process I want to begin with filmmaker’s general relationship to music, then while answering the main question I will give examples of the European collaboration of Theo Angelopoulos and Eleni Karaindrou, focusing on their approach of using music in new ways, as well as examples from the more known collaborations between Alfred Hitchcock and Bernard Herrmann and David Cronenberg’s collaboration with Howard Shore. Furthermore, I am going to include conclusions from my personal experience I have had with my friend and director Nuno Miguel Wong. Concurrently this Essay is not an analysis of the music in the films of the above-mentioned collaborations, but rather focuses on their distinct working relationship and how it might have affected their musical approach and productivity.
Even though both films are highly reviewed, they both follow the same plot, but then have some major and minor differences. Herbert Ross and Craig Brewer directed an outstanding dancing film, that most American’s like looking at the reviews of the
While watching Lisa Cholodenko’s The Kids Are All Right and High Art, I realized how these films had similar themes. Of course the movie The Kids Are All Right is a comedy about a family and how they come together to overcome mistakes and difficulties; on the other hand, High Art is about photographers and editors of magazines living in New York and finding of love inter...
Film techniques are used extremely effectively in Strictly Ballroom by the director Baz Luhrman. Costume and makeup, camera angles and lighting and also character behaviours were used to influence the portrayal and development of all of the main characters. Without these film techniques, Strictly Ballroom could not have been made into a film as entertaining as it is and the characters personalities and development would not have been portrayed.
When the lights come up the audience is immediately thrown into an old and dingy movie theatre complete with popcorn strewn across the floor. It is within this set that deep social commentary is made throughout the
Luhrmann’s movie was fun to watch, but it should have had more originality to it from the text.
” … an auteur is able to maintain a consistency of style and theme by working against the constraints of the Hollywood mode of production.” – Warren Buckland (2008)
‘Billy Elliot’ is a classic story, set in 1984 in Northern England. It is about a boy who discovers a passion for dancing. The film brings out a strong message of being true to yourself and overcoming conflict but ultimately it is also a story of persistence. The film techniques in ‘Billy Elliot’ enhance the audiences view on Billy’s story by using a variety of techniques such as sound, lighting, acting and editing.
One strand of auteur theory, as Graeme Turner explains, concerns the identification of a director's visual style (Turner 44). When it comes to talking about the visual styles of Asian directors, particularly in the context of Hong Kong cinema, one name that immediately comes to mind would be none other than Wong Kar-wai. Any Asian film student would probably be familiar with his signature works. Wong Kar-wai has been considered as "the very latest auteur produced by the second wave" in Hong Kong cinema (Teo 1993). His passion for stylistic filmmaking and pursuit of film artistry gave him the recognition as a Hong Kong auteur.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Analysis of Movie Moulin Rouge In this essay I will be analyzing in depth four scenes from Baz Luhrmann's critically acclaimed Moulin Rouge that was released in 2000. I will be analyzing the opening sequence, the sequence in the Moulin Rouge itself, the two dancing sequences 'Like a Virgin' and 'Tango Roxanne' and the final scenes of the film. Throughout this essay I will be commenting on the filming techniques that Luhrmann uses and what affects these have on the audience, also I will be analyzing how the film is similar and different to typical Hollywood Musicals.