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When I finally turned eleven, my parents felt that I was finally mature enough to watch my very first superhero movie. As I franticly tried to figure out which movie I should watch, I had recently heard a lot about Batman from all of my other friends. Daily arguments swirled around in my school about who was the best superhero, as I tried to listen to every eleven-year- old argue about how, “(blank) is the best superhero because he has the best superpowers”. These arguments continued, but one superhero stood out from the rest for me, and that was batman. Not knowing what he looks or acts like I chose to watch Batman Begins as my first super hero movie. Now you’re probably wondering how and why I made this decision and it was for one simple …show more content…
I could relate to how Bruce Wayne struggles to cope with his parent’s death and his depression as he becomes an orphan. He spends countless hours working on his craft with his trainer, Henri Ducard, and the valiant decision to climb the dangerous mountain to prove his dedication to the league. Then hearing the League’s intentions of destroying Gotham City, leading to him completely rededicating his life to saving Gotham City. Finally, he honorably defends his childhood sweetheart, Rachel Dawes, from Batman’s main villain named Scarecrow. It became apparent that nothing came easy to Bruce, as his hard work is the sole reason that he was able to successfully defend Gotham. As the credits rolled through, I was set on being the next Batman. I thought about what type of person I would have to become. My mind raced with thoughts of how to emulate Bruce Wayne’s strong, independent, and courageous actions throughout the film. At that moment, I knew the positive impact that the movie was going to have on my life, but what I did not realize was the flaws of masculinity that are presented in the …show more content…
Once you consider some of his so called benefits, I began to realize that my idea of the perfect man was severely flawed. When I was younger I thought that Bruce hiding his feelings and looking past his problems was an honorable thing to do as it was seen as unselfish. I now realize, today, that being independent is not the same thing as shunning people out of your life when you need them most. During the whole movie Bruce’s decisions as Batman are influenced greatly by the death of his father. Instead of seeking the help from the people around him he chose to allow those internal demons to continue to haunt him. It taught me that I should deal with my problems on my own, which ultimately leads letting them eating me away inside. It expressed that only a woman would be so weak as to ask for help, as Rachel Dawes hopes that she is saved by Batman in time to survive from Scarecrow. There is no way that it would ever be acceptable for me to seek help from a woman, just like Batman never needed any help form Rachel Dawes and that her sole purpose in the movie is to be saved and fall if love. Except he could have received a lot of helping bring down the criminals in Gotham and helping him cope with the fact that he is not over his father’s death. The reason why I still hide my insecurities is the idea that reaching out for help is a sign
...revolutionize a whole new genre of movie, a genre which is fast becoming more and moe popular. 'As filmmaking technology has made it more and more feasible to bring the worlds of the comics to movie theaters, the comics themselves have begun to provide a broader and richer array of material.. from which films might be made' (Booker 2007: Paul Benton, Lecture notes). All the mentioned arguments throughout this essay on top of; the star performances, unique marketing and special effects, help make The Dark Knight a truly great film. Prior to the movies release it was questioned wether the film could sustain the 'increasing moral weight imposed upon it', the movie to date has more than dealt with this pressure, and has become a focal point for many discussions and essays, and finally it is because of the morals and ethics within the movie that I have written this essay.
We all are heroes of our own story, and it is a quality seen in many movies and books. The hero's journey is about progress and passage. This journey involves a separation from the unknown, known world, and a series of phases the hero must go through . Each stage of the journey must be passed successfully if the person is to become a hero. In “The Kite Runner” by Khaled Hosseini, the main character Amir faces a series of trials and goes through obstacles where the concept of his childhood dies.
We are currently living in the Golden Age of Superheroes. They dominate our cultural life, and have become seemingly permanent fixtures in modern media. Since X-Men burst onto the screen fifteen years ago, we have witnessed the release of over forty superhero movies. By 2020 we will have seen the release of more than twenty-five more. Today, the much anticipated film Superman vs. Batman has come to theaters. Though a plethora of superhero movies have been released, it is to the dissatisfaction of many, having long been exhausted by the stories of the Hulk, Batman, and Spider-man. Although I must agree that it is quite easy to get bored with the constant action, and flashing colors of these films, if one looks deep enough into the story they will discover universal themes and metaphors. Though they may be fighting off alien invasions, these heroes are also battling with their personal challenges, challenges which we can
The purpose of this paper is to provide the reader with an insight into the Super Hero Series Batman. This crime fighter originally appeared in Detective Comics issue #27 in 1939. It later became a comic book series, a TV series and a movie series. The character Batman is second only to Superman as a Super Hero. Amazingly Batman has no super powers, but he does have a lot of neat crime fighting gadgets. In this paper, we will explore the creation of Batman, his supporting cast of characters both good and bad and the gadgets he used.
For centuries, the ideal masculinity has been seen as the provider, the macho man, the cowboy and the emotional rock, but new representations of manliness in the media have been challenging this idea (Watson 2015, p. 270). Within these new depictions, there lies a hierarchy where one form of masculinity is more accepted than the rest (Kluch 2015). Macho masculinity has been seen as being dominant in the hierarchy for generations, however, in recent years, there have been an influx of new representations of masculinity that disrupt traditional hierarchal ideas. The masculinity of the twenty first century includes emotions, sensitivity, discipline, and intelligence. These new aspects of the hierarchy have been introduced by movies such as Brokeback Mountain, 22 Jump Street, The
Batman went through a series of events to become the batman. Batman doesn’t want people to find out his identity and he thinks that’s what makes him a hero. Batman is smart therefore when he knew that people hate he decided to stay hidden in the bat suit and capture the bad guy known as Joker, like the time when Harvey was in the police truck after stating that he was Batman so the killing that Joker was committing would stop. Wayne is the millionaire hot boy,who spends all his time spending money and hanging out
Batman: (Danny Elfman) This was Elfman's breakthrough score, catapulting him into the mainstream scoring business. Many traditionally classical composers may find fault with Elfman's dark and uniquely strange score for Batman (or, for that matter, any of Elfman's scores), but it doesn't change the fact that Batman was one of the highpoints for soundtracks of the 1980's. Even without the same training as many of the other top composers of this era, tributes to such classical masters as Holst, Orff, Strauss, Wagner, and others are inserted by Elfman, along with his own Gothic and operatic style.
Narratives of the hero action has sustained the interests of audiences across the ‘changing space and time’ of popular culture and has become a ‘stalwart genre’ (Shimpach, 2010:30). This study will explore the construction of hegemonic masculinity by comparing the representation of heroic masculinity between John McClane (Die Hard, 1988) and John Wayne (Rio Bravo, 1959). It will examine: the framing of the physical body, the development of intelligence, the role of emotion and the depiction of heroes in relation to those around them. Die Hard and Rio Bravo depict heroic law enforcers, an American image of masculinity. Examining Rio Bravo and Die Hard diachronically will conceptualise the historical negotiation of hegemonic masculinity in response to gender issues such as first and second wave feminism. The overpowering assertion of masculinity in cop action films suggests that there are lingering cultural anxieties about the establishment roles of gender. To sustain hegemony requires the ‘poling of men’ and the ‘discrediting of women’ (Connel and Messerschmidt, 2005:837), hegemonic masculinity is a social construction and is a performance by an individual (Galdas, 2009).Social expectations collapse gender into individual sex differences, contrasting identities, fixed social role and physical appearance. This construction is aided by the representation of heroic masculinity in popular culture.
While walking through my local comic shop, Rocking Rooster, I overheard the shops owners talking about their favorite superheroes. One of the men made a claim that his favorite superhero will always have to be Batman. I thought to myself in no possible way can batman be considered a superhero. When compared to real heroes such as Superman or Wonder Woman, Batman just doesn’t hold up. A real superhero has to have some type of super human ability, face villains with the strength of gods, and always work for the good of the people, not above the law. I have found that it makes much more sense to include Batman in the category of vigilante, as he tends to compare much better to vigilantes such as Green Arrow.
Author Frank Miller wrote this comic in an interesting way and has since changed Batman for the future of his comics and movies. Miller starts out with Bruce Wayne talking to the Commissioner as they are both noticeably older and Bruce is disappointed about the way Gotham has turned out and he still shows signs of guilt from Jason’s death. This is evident in his thoughts as he comments to himself that he has failed to protect the city and also failed to protect Jason. It is also present in the environment as we see Bruce rememb...
The commonalities between the ways men are portrayed in American film can be damaging to both woman and men due to hegemonic masculinity and manhood acts. Hegemonic masculinity refers to the way that men are raised to compete to be the most masculine and use that masculinity to put themselves above others. Sharon Bird’s definition of hegemonic masculinity is “the norm to which men are held accountable despite individual conceptualizations of masculinity that depart from the norm” (Bird, 120). This idea of masculinity projects it’s ideals in three different concepts; emotional detachment, competition, and the objectification of women (Bird). Because this theme is so prevalent in American cinema,
Bruce has a lot of fun with his new divine powers at first, but once his world starts to suffer from his selfish use of these powers havoc breaks out. After his girlfriend Grace leaves him, Bruce starts to see the pain he has done. He then prays to God, asking him to take his powers back and fix everything.
In the inky blackness, glistening lights shone bright. Making it easy to see the towering buildings of Gotham City. Overlooking the glittering city, stood the dark brooding hero known as Batman. His black, slick cape billowed with the breeze, as his alert eyes watched for trouble. His costume was charcoal gray, with his his yellow and black emblem on the top center of his chest. The emblem was of the creature of the night, the cave dweller, the bat. His cowl, just like his cape was dark black. He wears his dark yellow utility belt, it's contents have saved him more than can be counted. Now his eyes, they're cold and dark. If you were to look at his eyes, they would make you stop dead. He wore all of his attire, not just to hide his identity, but to also strike fear in the hearts of criminals.
I found the first article by Chris Gould, which discusses the TV show Batman to be very interesting. Gould talks about how the show was a comedic representation of the 1960’s. I have personally never seen an episode of the show. However, I have seen the original batman movie and I have to say that I thought it was so cringe worthy that I could not watch any more than that. The show does have its charm, but I just can’t get past how corny it is.
Jeep announce interactive partnership with Batman! Comic book movie are big business. Indeed, the genre has evolved from its fringe beginnings (anyone else remember Howard the Duck?) to effectively monopolise mainstream cinema. Even though Marvel has done its best to corner the market over the past decade, DC heroes Batman and Superman are still arguably the two most recognisable names amongst fair-weather fans.