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Preservation of culture
Preservation of culture
Preservation of culture
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I. Introduction
It has already been argued that any development that is not entrenched and weaved through the local people’s consciousness, traditions, and values is bound to fail (Zerrudo, 2005). During the 1982 UNESCO World Conference on Cultural Policies, “development” was defined as a “complex, comprehensive and multidimensional process which extends beyond mere economic growth, to incorporate all dimensions of life and all the energies of a community, all of those whose members are called upon to make a contribution and expect to share in the benefits” (Sta. Maria, 2001 p.67). Thus, it is imperative to include the dimensions of culture and heritage when drafting policies on national development. This is where cultural heritage finds its significance.
Cultural Heritage has been defined as “all the beliefs, values, practices, and objects that give a place its own specific character (Zialcita, 2007, pg.1). With this, the importance of heritage conservation cannot be overstated. In sustaining the value, meaning and significance of cultural resources from the past, for the use of the present and inspiration of future generations (Zerrudo, 2008), development becomes sustainable as it directly spring from the people and is appropriate to the local communities. However, the process of cultural conservation is entwined with the issue of awareness. We cannot expect local communities to conserve something that they are not aware of. Therefore, the process of heritage conservation brings fort the importance of education.
RA 10066 also known as The National Cultural Heritage Act of 2009 mandates the Department of Education, in coordination with the National Commission on Culture and the Arts’ (NCCA) Philippine Cultural Education Progra...
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...(4th WORLD CONFERENCE ON EDUCATIONAL SCIENCES (WCES-2012) 02-05 February 2012 Barcelona, Spain), 3817-3824. doi:10.1016/j.sbspro.2012.06.153
Smith, A. (2011). Learning History Through Heritage Place Management in the Pacific Islands. Journal Of Pacific History, 46(2), 228-235. doi:10.1080/00223344.2011.607271
Tanglao, M.C. (2012). Gabay ng Guro sa Pagtuturo Para sa OHSP Modyul, Baitang 7.
Wu, H. (2011). Constructing Culturally Relevant Pedagogy in Chinese Heritage Language Classrooms: A Multiple-Case Study. Online Submission.
Zerrudo, E. (2008). Settling the issues of the past. Pamanaraan: writings on Philippine heritage management (pp. 195-203). Manila: UST Publishing House.
Zialcita, F. (2007). Heritage does matter. Balangkas: a research book on the care of built heritage in the Philippines (pp. 1-4). Manila: National Commission for the Culture and the Arts.
National Parks Service. "A Cultural History of Three Traditional Hawaiian Sites on the West Coast of Hawai'i Island." National Parks Service. http://www.nps.gov/history/history/online_books/kona/history7a.htm.
After the Second World War mass tourism has increased worldwide and has affected almost all countries. Mexico has become a ‘major tourist destination’ and also ethic tourism has taken off, because tourists became more interested in the indigenous cultures and search for authenticity. Nowadays ethnic tourism makes up ‘10% of Mexico’s tourism sector’ (Van Den Berghe 568). This essay will especially examine the commoditisation of the Maya identity; Maya was ‘a highly developed Mesoamerican culture centred in the Yucatán peninsula of Mexico’ (McKay et al 307). Over the last two decades Western tourists have become interested in Indian cultures, traditions and artefacts and they would like to see ‘living Maya culture’, therefore tour guides, tourees, middlemen and artisans have started to work in the ethnic tourism sector. According to Medina ‘The commoditization of culture for tourism may involve the utilization of new channels to access cultural traditions of great antiquity’ (354). To illustrate this: only 20.5% of the inhabitants of San Jose Succotz identifies with the Maya culture (Medina 360). Maya culture is less available through lived experience, because Maya languages and rituals disappear, therefore villagers working in the ethnic tourism sector have to gain knowledge by utilizing other, new channels. Ethic tourism often develops around archaeological sites; tour guides will take tourists to Maya ruins and transfer knowledge that they had gained from the ethnographers, archaeologists, and epigraphers (Medina 362). Some people argue that this ‘staged culture’ is not similar to the ‘authentic culture’. It might be possible that the culture transferred to the tourists at the moment is different from the way Mayans used to do. H...
Jovik, Sonia P. and James O. Jovik. (1997). “History.” Atlas of Hawaii. Honolulu: University of Hawaii Press, p.408.
In particular, when discussing the possession of cultural heritage, Appiah believes that from the point of view of cosmopolitanism, cultural and artistic objects do not belong to a particular nation or country, because artists absorbed the essence of diversified civilization and culture in the process of its creation. Therefore they should belong to all mankind. For exam...
McCormick, P. (2007). Preserving Canada's cultural heritage: Library and Archives Canada. Feliciter, 53(5), 260-262. Retrieved from: http://ehis.ebscohost.com.proxy.ufv.ca:2048/eds/detail?vid=24&sid=334ec032-d383-4be8-b9e4-c81d19989439%40sessionmgr198&hid=105&bdata=JnNpdGU9ZWRzLWxpdmU%3d#db=aph&AN=27015194
However, the meaning of monuments evolve with the viewer. The authority of monuments derived from “their public’s willingness to make their monuments and the essential illusions that they express their own”
To start with, culturally responsive teaching practices recognize the validity of the cultural custom contained by several ethnic groups. In other words, it considers whether different approaches of learning are necessary and worthy in the formal learning. Furthermore, culturally responsive teaching practices are fundamental because they create links between school experience and home and between lived social cultural realities and academic abstraction (Gay, 2000).
Historic preservation is a planning device that has been around since the twentieth century, the term came about in 1966. This policy was established to protect U.S. physical history, this history being geographic locations, and buildings that are of small or great importance to its city or region. “While historic preservation takes place at the local, state, and national levels, the putative goal in all cases is the preservation of properties with historical and/or aesthetic appeal that would otherwise be neglected or even demolished” (Coulson, 2004). The policy came from a good place, meaningfully wonting to preserve our history by deeming geographic locations and building to be historic, however the policy in some ways lost its luster not sticking to it true roots.
The Polynesian Cultural Center provides entertainment and a tourist draw to the La’ie town, which makes money for the Church. This center was created for the tourist perspective, and the imperial gaze of tourism as mentioned in Haunani-Kay Trask’s From A Native Daughter applies here. The Polynesian Cultural Center is a “cultural theme park” which showcases seven Polynesian-themed villages representing the Hawaiian, Tahitian, Marquesan, Samoan, Tongan, Maori, and Fiji cultures for the tourists gaze, with the idea that a tourist could go to the Cultural Center and experience the “reality” of these island nations. In fact, the park promises to give three levels of performance: “theme parks and living museums, hotel entertainment, and fictionalized real encounters,” each of which are meant to make the tourist feel that they are experiencing these cultures
Issues of Developmental Aid and Design for Development are what most designers and environmental and social activist ensure to solve daily. According to The human, natural, social and economic capital determines a country’s wealth. To ensure this human development as well as the achievement of the human potential relies on economical abilities that are both socially and environmentally sustainable for current stability and the futu...
The pearl of the Indian Ocean Sri Lanka, reflects a long history of its nations. From the archeological evidence of the prehistoric settlements and prehistoric human Balangoda man (Deraniyagala, 1998) to modern food of kottu like pizza to American; make the broad diversity of culture in Sir Lanka. By analyzing cultural heritage definition in Sinhala language, the definition given in the legislations in 1940, and its relationship with Athens charter and 1954 UNESCO convention, I will demonstrate the cultural heritage vision imbedded in the society through legal definition. Also, I will offer criticisms and recommendations for an improved approach to the definition of cultural heritage in Sri Lanka in broader context.
Staff Writers. "10 Salient Studies on the Arts in Education." Online Colleges. 6 Sept. 2011. Web. 25 Feb. 2015. .
Museum defines as an institution housing collections of objects of artistic, historic, or scientific interest conserved and displayed for the educational and enjoyment of the public. Museums are places of memory that provides the link of distant past to the present generation which also help the society to know the path their forebears trod. The main purpose of museum is neither to educate nor entertain but rather creates a memory bank would remind us of the past. No wonder most societies in different parts of the world traced their origin through the works of arts history. There are many types of museum includes museum of Antiquities-in which are housed ancient pieces of furniture or objects of art such as sculptures, paintings, ceramics, textiles and other crafts. Public record office museum serving as collection centre for famous documents, War museum containing relics of national wars, Maritime museum for maritime history, museum for architecture, with types, structures and styles of building, etc., Museum for Local/Indigenous Technologies, Science Museum, with objects depicting history of science and engineering and Natural History Museum. However, all types of these have their own roles of information institutions in national development. The main roles are to identify, acquire, preserve, and exhibit unique, collectible, or representative objects. The role of museum in the life of a nation involves conducting research into the vast natural history heritage and biodiversity of the country, serving as a repository, of natural objects, source materials and taxonomists in that country, creating scientific awareness, on natural history resources of the nation through annotated exhibitions for public enlightenment in display ga...
.... As every era, every civilization leaves behind monuments and artistic culture in the form of cities and works of art, all this forms the basis for the nation’s memory of its historical heritage.
There are thousands of artifacts in the museum that show a lot of the influences that contributed with Philippine culture. Mostly, these artifacts consist of many santos that help the natives to adapt easily in Christianity more.1 However, the artifacts that I have chosen are these various array of kubyertos (Spoon and fork) that are shown in Casa Manila.