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Since 1967 graffiti can be seen almost anywhere. However, over the years it has gotten more and more popular and eventually making it into our culture. It is seen as a form of art and is both loved and hated by people. However, it is easy to find that sometimes the people who hate the graffiti the most or think it's a bad thing despite its good qualities, are the ones who mistreat it the most. This can be seen in the story of one of the most famous and talented graffiti artist. Banksy, the 20 million dollar graffiti artist whose identity remains unknown by most. He is famous for his sculptures and graffiti that are highly mistreated in the end. By this I mean, when Banksy is working on a new piece he has a stencil that he sprays onto and you …show more content…
A documentary called “Saving Banksy” on Netflix speaks about how he will even go as far as to fake an entire moving operation where he will be working and has two people on the side of him holding up mattresses so that people such as policemen cannot see him and cannot arrest him at that time. And it isn’t long before the art gets tagged by other artists, or worse, taken down and sold at auction. Banksy street art is very popular and can get very expensive at high-end auctions, the most expensive one selling for 1.87 million dollars. However, one artist named Basquiat made a graffiti piece called “Untitled” selling for $16,322,500. To some this may seem harmless, the graffiti gives people a chance to stay out of trouble and express their artistic abilities. And in some cases, they are even hired or paid for their work. So what’s the problem? The problem is that not all artists are paid for their work; instead, the people who sell their work …show more content…
The city would then come and they would either force the shop owners to either paint over it, cut it out, or destroy it and build a new wall altogether. A large quantity of the shop owners would just paint over the art, but as Banksy pieces gradually got worth more and more, the owners began to cut out the art. They would proceed to sell it at auction for thousands or even millions of dollars. As stated earlier, Banksy does not get paid for this, the seller does. And that seller often does not like graffiti and does not support it. There are even some cases where the buyer will not support the art either and yet they will pay large amounts of money for graffiti from large named artists. Imagine if the law accepted graffiti and let it stay up. This would save roughly 12 billion dollars spent on graffiti removal spent every year. And also would make our everyday lives more colorful. Sometimes the artist would even put a strong message out into the public or taunt something in a way other than graffiti. Banksy has even done
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Three years later, enter Banksy, a world famous street artist from England. Banksy has become famous ironically through his use of anonymity as an artist. Banksy will choose a city somewhere in the world and embark usually on a month long anonymous crusade where he “tags” different buildings with culturally and politically motivated works of “street art”. When Banksy descended on New Orleans, he painted 14 works of street art in total, but the painting that stood out as the most glaringly political was the painting called “Looters”. (Banksy story)
Although many people believe that Graffiti is vandalism, it is infact art because many museums display graffiti, people are interested in it, and it displays beauty and emotional power. Many people have learned to appreciate graffiti as an art form and have opened their eyes to the beauty and emotional power it holds. From the video on CBS News, “Is Graffiti Art or Vandalism,” Laura Fanning (museum visitor) explains at 1:42 “… now I see it as more of a commentary and a statement of ‘I’m leaving my mark’…” This quote exhibits a museum visitor whose perception of graffiti changed when she went to a museum that displayed Graffiti. The same message is delivered in the article, “Graffiti Art at the Museum of the City of New York: Writing Was on the Wall, and Some Still Remains” by Ken Johnson. Page one of the article reads, “In 1989, Mr. Wong founded his Museum of American Graffiti on the top floor of a townhouse in the East Village, but real estate complications ended that venture after only six months. In 1994, suffering from AIDS, Mr. Wong donated his collection to the Museum of the City of New York and returned to his hometown, San Francisco, where he died in 1999.” The quote from this article informs the reader that museums will accept people’s collections of graffiti to use in their museum. Museums are usually interested in art and when a museum accepts someone’s personal collection that they have donated it must mean that it is truly art. Not only are museums interested in graffiti as an art form, but many people have come to accept graffiti as an art and take interest in it too.
Graffiti has been around for centuries. It can be seen on buildings, cars, and anything that can be painted with a spray can. Since graffiti came to exist, there has been much debate on whether it is an art form or an illegal activity. While it has been banned and deemed illegal all over the world, it still persists in today’s society. Along with the controversy that comes with graffiti, many commonly known stereotypes are apparent within the act of graffiti. Stereotypically, graffiti is seen as an urban act done by younger people. Typically, since this act is considered illegal, it is mostly done in the middle of the night, and the people partaking are usually wearing dark or black clothes. The picture, “LATA 65 IS A CREATIVE
Graffiti can be traced back to the beginning of time with the cavemen. Many caves have drawings done by cavemen. The cavemen used what they had available, whether it was a rock, a stick, or a bone to crave or draw on the inside of the caves to communicate. The drawings were a way to communicate or to express themselves. When discoveries of the drawings were made, no Archaeologist, I believe, thought these drawings were a form of vandalism. Now let’s, fast forward to modern day today, graffiti artist uses spray cans to display communicate versus the traditional artist who uses a paint brush. But, does this make a graffiti artist less of an artist just because he/she uses a spray can and a building to express inner thoughts? I think not.
The rise of vandalistic art produced by Banksy and others, has altered the way in which the public views graffiti culture. Where spray paint once represented gangs and violence, it now suggests an exciting and cutting edge artform that could potentially be a lucrative investment. In fact, Banksy’s work is so sought after that people are willing to take bricks out of buildings in order to steal it. In 2013, one of Banksy’s most famous pieces of artwork was stolen from the side of a store in the UK. It was later discovered at a US auction (Banksy Artwork Taken). “Street art has entered the art world’s mainstream, with Banksy pieces regularly selling for more than $1 million” (Salib
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
Banksy is a pseudonym for an anonymous graffiti artist, painter, political activist and one of Time Magazines most influential people in the world. Little is known about Banksys actual background but according to Tristan Manco in his book Home Sweet Home, Banksy was born in Bristol England in the early 1970’s. Known for his contempt toward the government, for labeling graffiti as vandalism, he displays his art on public surfaces, such as billboards and walls, and has even built physical prop pieces. Banksys distinctive stencil style usually embodies humorous images often paired with slogans that carry themes of anti-war, anti-capitalism and anti-establishment. Uncommon to most artists Banksy does not sell photographs or reproductions of his work, but art auctioneers have been known to sell his street art on location for large sums of money. In 2005 Banksy infiltrated many New York museums, such as the Museum of Modern Art, the Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History and hung his work among notable art pieces. Banksys distinctive satire graffiti style mixed with his anonymous rebellious antics give him an invaluable buzz that is rare among current graffiti artists today.
Art is defined by Oxford’s Dictionary as works produced by human creative skill and imagination. The argument of whether or not graffiti is art has been around for an indeterminable amount of time. Because of many different and valid reasons, graffiti should be considered as art.
Banksy has enough money to use spaces, like art galleries, legally, but instead still chooses to use some of the only spaces spaces that teenagers have access to, and therefore need more than him. In “Banksy: The $20 Million Graffiti Artist Who Doesn 't Want His Art To Be Worth Anything,” Danielle Rahm touches upon Banksy being an outsider to the graffiti community by stating: “Banksy is not in need of money, unlike many of the street artists he identifies with.” Not only does Banksy not need the money that he is getting from capitalizing off of New York’s graffiti culture, as Rahm says “he is estimated to have a net worth upwards of $20 million.” Banksy has made more than a middle class person, and significantly more by having the privilege
Graffiti is a form of art that people use to express themselves and to convey various messages to people in a particular community. In the movie "Graffiti Verite':. One of the graffiti artist explained that his purpose in doing graffiti is that it allows him to "express his anger' on the wall. Another kid by the name of "Jipsie" said that graffiti is a "form of growth". There were several different explanations that artists shared as well as several different reasons why they like graffiti. The common theme among the graffiti artist and taggers was that graffiti is simply a form of self-expression (Bryan). At the end of the film one tagger made a comment and said, "graffiti is not vandalism, but it is a beautiful crime". This comment did not make sense to me. Committing a crime, a hideous act, is not a beautiful thing to do by any means. Graffiti does not mean people can go around and draw and spray paint on other peoples property. Regardless of what types of graffiti are being expressed by the tagger, this type of self expression is considered vandalism when people decide to draw, destroy, or violate any persons property without consent. As a result of taggers committing the crime of vandalism, property owners, concerned citizens, and law enforcement officers spend too much time, money, and energy trying to put an end to the unlawful act of vandalism.
Activism comes in all shapes and sizes, and when someone does it in an unusual way it cannot go unnoticed. Banksy’s “The Flower Thrower” is a perfect example of this due to the fact that it’s vandalism with a deeper meaning. The man known as Banksy is a graffiti artist and a political activist, and the most intriguing thing about him is that he chooses to remain anonymous. There are many theories about his identity, one even claiming that he is a fictional character. Despite proof of his identity, several countries are on the look out for him. Many have even issued warrants for his arrest because his public works are considered vandalism. His paintings are known for making people question their everyday lives and really
Mention the word graffiti and what typically comes to mind is something unpleasant and distasteful like indecent language scribbled on a wall of a store or crude pictures. Most graffiti is characterized as vandalism on property that does not belong to the culprit. Graffiti also displays negative graphics that promote some type of vulgar message such as violence, sex, drugs, gangs, and racism. On the other hand, when the terms “street” and “art” come together, a blast of colorful creations upon blank slates on the street comes to mind. Although street art is technically considered graffiti, it is a type of graffiti with positive qualities, but certain figures in society find street art to be, in some way, disruptive. If used properly, street art can be appreciated artistically and socially. Despite the negative stigma attached to graffiti, street art has emerged as a progressive valuable art form whose vast history, surge in popularity, and urge for social change warrant its classification as a fine art.
It is a ridiculous belief that just because graffiti is done somewhere without consent, it throws out the notion that it is still art. Sure, the piece of work was done illegally but why can’t the work still be appreciated and enjoyed. Art is art wherever it is found. The location of the piece does not change that. In fact, graffiti can kill two birds with one stone. First, at the foundation it is a form of art. Second, on top of that foundation a message can be erected and directed. But as the saying goes, beauty is in the eye of the beholder.
Common mediums used are stencils, prints, and murals. Graffiti is often considered to be art because of new artists, such as One of the main reasons street art is considered a crime is because it is believed to deface the property of which it has been applied to. Another problem being that Graffiti is costly to clean, in major cities the budget for cleaning graffiti can be in the millions. There is a solution to this problem that one city in Australia has applied. Police in Fremantle, Australia are focusing on getting rid of tags and less desirable graffiti but leaving the rest up because they believe it impacts the “culture and vibrancy of the city.”