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Summary of plot against people by baker
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On the “Plot Against People” by Russell Baker he talks about how inanimate objects and the
roles they play in our everyday life.Throughout the essay, Russell also discusses how inanimate
objects sometimes seem to be trying to make our lives harder by causing chaos at the worst
moments.Baker describes various objects with broad comic irony, he also uses humor to convey
to his audience, what he believes which is that inanimate objects are sentient have an arrangement
to oppose man and at last annihilation him.Baker portrays different articles with expansive comic
incongruity, which makes this piece a pleasant read (where it’s ridicule genuine tone is a piece of
what he's ridiculing the human want to clarify all marvels) Baker qualities
Holling was a very interesting and very relatable person. He’s this pre-teen thats in middle school. He has a dad that only cares about work, his mom works around the house and his sister she work for Bobby Kennedy and she is a flower child. Holling is the only student in his classrooms on wednesday afternoons with Mrs. Baker. Half of his class is catholic, and half is lutheran, and they leave early on wednesdays to go to church.
In the poem the teacher points out mistakes such as the student’s thinking, his style of writing the paper and his grammar errors. The teacher said, “there are spots/where your thinking becomes, for me, / alarmingly opaque, and you syntax/seems to jump backwards through unnecessary hoops,” (6-9). This instance shows the error the teacher found in the paper about how the student’s thinking was not straight and would jump backwards and forward throughout the poem. Another error that the teacher finds is when the teacher tells the student that he should have wrote the paper differently or said something else. The teacher said, “I’d have said it differently, / or rather, said something else” (17-18). This instance shows that the teacher is not happy about the way the student has written he paper and tells him that he should have wrote it differently. Another instance where the teacher finds mistake in the paper is when the teacher fixes the students semicolons mistake in the paper. The teacher says, “Please notice how I’ve repaired your/ use of semicolons.”(28).This instance shows that the teacher found a mistake of semicolons, which the student did not use correctly in the paper. However, even after finding all these mistakes the teacher gives A- as an overall grade to the student. This is an example of an irony that shows that the teacher not only gave negative comments to the student, but after giving negative comments
characters and places in the novel, as to give the impression of artificially (Miller 107).
He goes over what it felt and feels like to be looked and be able to “alter public space in ugly ways”, even when you can’t imagine yourself doing anything of the sort to harm anyone. He talks about cars locking their doors when he walks by and the occasional “unpleasantries” with people like policeman who are supposed to stop nastiness before it happens, even when he hasn’t done anything.
... of nature. In fact, this belief, which does beg the question, is what predominates his thinking.
the way in which he sums up such important parts of life in six short
his own example of a human hair. He says that if we look at a piece of
First, the usage of the incongruity theory throughout the novel delivers further humanity to the depicted characters, as well as making it amusing for readers. For example, the character of Mr. Spizz is incongruous in every aspect. He rides around the town on a kindergarten tricycle and is proud of it. However, Mr. Spizz is a grown man and is thought to be deranged or demented for his actions. This is the incongruity theory because tricycles are often designed for children, but in this case an elderly man is using it. These two objects have nothing to do with one another. Furthermore, giving the readers the opposite reaction to the situation at hand.
...sthetics and defends the liberty of creation; he defends the subjective thing in the work of art, the conscious process of creation.
“…I have a distinct idea of a body… merely an extended thing and not a thinking thing.
The question this essay will be approaching towards this is ‘how to turn an object into an anthropomorphic character?’ what would you have to do to an object to turn it into a character that can be likened to that of a human being?
Have you ever thought that the possibility exists that inanimate objects are in fact “plotting against people” in an effort to make our lives even more difficult than they actually are? In “The Plot against People,” Russell Baker, a newspaper columnist and humorist, adopts a wry view of the world in which he gives inanimate objects mischievous aims. As a class assignment, I was called upon to write my own version in the style of Baker.
Do you ever lose an essential item so often you think it might be working against you? In “The Plot Against People,” Russell Baker addresses this common occurrence and provides an explanation: all inanimate objects have the goal to resist man. Throughout his short story, he describes his classification of inanimate objects into three categories. These categories are things that don’t work, things that break down, and things that get lost. Although the author, Russell Baker, had a tough childhood, he still strived to succeed in life. Journalism was the ideal job for Baker because of his ability to give useful commentary and his sharp eye for detail. Russell Baker’s style is unique and can be seen through his use of literary techniques that showcase
Lynch talks about ‘imageabilty’ which explains ‘how the quality in a physical object provokes a strong image, depending on ‘its shape, colour or composition which facilitates the making of vividly identified powerfully structured highly useful mental image of the environment’. (Lynch 1960, pg.11)
Ibsen, Henrik. "A Doll's House." Literature the Human Experience. Shorter 8th Ed. Eds. Richard Abcarian and Marvin Klotz. Boston: Bedford/St. Martins. 2004. 437-495.