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The technology of Japanese animation
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We cannot doubt that Japan has the biggest animation industry in the world. As an animation superpower, Japan has surpassed the United States in animation export and become the world’s largest exporter of animation (Guo, 2013). The globalization of Japanese animation has huge development in recent two decades. Animation brings huge economic benefits to Japan. This essay will research various aspects of Japanese animation, including background, global influences, differences between American and Japanese animation and cross-cultural communication. The research of this essay made one cultural flow of globalization clear. People all over the world will use artistic product with Japanese animation elements and communicate to others by using Japanese animation cultural context.
Japanese animation has significant development after Japanese manga have been able to access our daily life. The beginning of Japanese manga was considered during the 12th century. A monk satirizes political corruption by drawing animals. In that time, manga was considered a tool to express contemporary matters (Guo, 2013). During the World War II, manga was developed by Japanese governments because they think manga was a perfect medium to solve the cultural barriers. Governments used manga to encourage soldiers to fight bravely (Harris, 2013). After the 1960s, manga became a novel entertainment for the young generation. Many manga fans devoted their life into development of Japanese animation then animation industry has expanded rapidly (Guo, 2013). Nowadays, As Japanese animation industry is getting mature; global impacts of Japanese animation start to embody in various aspects. Such as some Japanese terms we used in daily life and some commercial products ...
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Guo , Y. (2013). Global influence of Japanese manga and animation.
Price, S. (2009). Cartoons from another planet: Japanese animation as cross-cultural communication. 24(1-2), 153-169. Retrieved from http://onlinelibrary.wiley.com/doi/10.1111/j.1537-4726.2001.2401_153.x/abstract Olsen, S., & Johnsen, F. (2012). American animation vs Japanese animation.
Lu, A. S. (2008). The Many Faces of Internationalization in Japanese Anime. Animation-an Interdisciplinary Journal.
Manion, A. (2004). Discovering Japan: Anime and Learning Japanese Culture.
Matsui, T. (2009). The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US.
Mikami, K. (2011). Cultural globalization in people’s life experiences: Japanese popular cultural styles in Sweden. (Master's thesis).
In society today, we are conditioned to believe certain sets of ideals. We use these ideals to interact and get along with the other people we surround ourselves with. These ideals are often the societal norms that form common ground amongst individuals. However, living life based off these basic and unchanging beliefs is not beneficial to humanity, nor does it make life any easier to live. In fact, holding on to the most accepted beliefs holds back society as a whole. Judith Halberstam, in her essay “Animating Revolt and Revolting Animation” challenges these societal norms through the analysis of animated movies and, in doing so, carves a path for a new way of thinking.
American pop culture recently received flak for cultural appropriation. Artists such as Katy Perry and Selena Gomez were criticized for superficially incorporating Asian images into their music. However, cultural appropriation and cultural tourism – and its consequences – are commonly seen in relation to traditional culture; this lack of attention towards visual representation of modern Asian subcultures – in relation to Asian Americans – dismisses the potential impact of these images. A visual analysis of Avril Lavinge’s “Hello Kitty” and Gwen Stefani’s appearances with the Harajuku Girls reveals that the use of Japan’s Harajuku subculture in American pop culture perpetuates Asian American stereotypes. Specifically, these acts contain characteristics of the submissive “lotus blossom” stereotype and the invisibility that comes from this stereotype. These characteristics result in an insidious formation of race; Avril Lavinge and Gwen Stefani’s cultural tourism constructs the concept of an American that excludes the Asian body through contrasts between themselves and the background Asian body. This racial formation relies on the idea that the two artists have become part of the Harajuku culture, yet they are clearly distinguishable from the homogenized Asian body.
This book, Japanamerica focuses on how the Japanese popular culture influencing the American culture. The author, Roland Kelts take a neutral prospective in order to create this book, which is done by interviewing many significant individual who took part in establishing the popular culture in both Japan and America. Kelts investigates why the phenomenon of Japanophilia, or the “outsider’s infatuation with Japan’s cultural character” (pg.5), is occurring especially in the United States. Even though Japanophilia phenomenon arose before the twentieth century, it is increasing in number because of the anime, manga, videogames, and other medium of popular culture.
Hayao Miyazaki has been revolutionary in Japanese animation. A mangaka (an artist/writer/creator of manga, Japanese comics), an animator, and storyteller, Miyazaki has not only been very successful in his work, well known and loved by many, but has changed the world of anime with his unique style of drawing. Through passion and hard work, Miyazaki has become one of the most successful animators in all of Japan.
Japan has historically taken ideas from the United States on its business, merchandise, or other corporate sectors to improve within its political borders. These practices have become massive cultural and economic movements in Japan. Interestingly, Japan takes ideas and molds them into Japanese culture and style; therefore, these products are “Japanized.” To further elaborate on this statement, Japan has succeeded in its businesses and corporations such as the automobile industries around the world (for example, the NUMMI plant production transcended those of American automobile productions due to an enhanced Japanese corporate culture). Albeit many Japanese industries have roots in the United States, they have expanded globally. The music
Western Washington University (2011). US / Japan culture comparison. Retrieved February 9, 2014, from www.wwu.edu/auap/english/gettinginvolved/CultureComparison.shtml
Anime, or Japanese animation, is a style of animation most recognizable by characters with large eyes and beautifully detailed backgrounds. Once people watch anime, they will find besides spectacular animation, anime has complex characters and deep stories, many of which teach morals and values. Anime is very popular in Japan; it has also gained a following in America and is beginning to hit the mainstream.
This paper will explore what it is about anime that makes it so appealing to even a Western audience, creating an international fan base. Although manga can be traced to American origins, the comics that the Americans brought over have been intensely modified to create essentially a new form of media. Manga and anime have become a significant component of Japanese culture, and often times they integrate Japanese culture and society. Yet, regardless of its Japanese origin, anime is still viewed on the other side of the planet. The question then becomes what is it that makes it so appealing to a foreign audience? This paper will rely heavily on Susan Napier’s book, From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the
...graphically and culturally different places with one unifying theme, the Japanese fascination and often misinterpretation of the West.
...t on music within Asian and Western society. Within the initial use of both traditional and modern musical styles and genres in order to create a diverse musical culture within a modern cultural, social, and economic movement, Japan has shown a wave of modernization through animation. With the various aspects of music that anime has approached in its spread across the globe, it proves to be a diverse and rapidly changing culture in Japan. With the success of anime in various areas on a global scale, of Japan is able to show a highly diverse subculture that originates from their nation exclusively that has impacted many different areas in life with both their close national neighbors and those who are even across the globe, showing how the large subculture within the island nation has grown since its inception and how much potential it has in the many years to come.
Some people may ask what is anime, and how is it different from cartoons. Anime is a term specified for Japanese animation. How has Anime affected history, and how does it influence today's society? Anime covers more serious topics than american cartoons. Cartoons in America are considered a form of entertainment for children. Anime in japan are for people of all ages, anyone can watch anime. Most anime shows and movies are made for children, adolescents, young adults, but there are also anime that are made for the older generation of people. Anime shows are directed for any type of viewer.
The success of anime began with the famous Japanese artist Osamu Tezuka, one of the founding fathers of Japanese anime and manga. In the 1960s, Tezuka became a famous manga artist and was given the credit of creating Japan's modern anime i...
Cartoons are the one that young and old audience grew up with. The most popular cartoon of all time was called “Disney”. Though way back in the 1928, a short animated film introduces in black and white called “Streamboat Wilie” with a cartoon mouse named Mickey. However, in 1986 a Japanese animated film had been joined in the world of animation (a.k.a called “anime” in Japanese). His name was Hayao Miyazaki He capture the wonderful imagination known well in the Japanese animation film existed today. Both films are very successful toward their film. But one is American and one is Japanese. However, Buzzfeed made a survey online about which animated film is the best. The result was fifty
An examination of Japanese culture, and where it stands on Kluckholn and Strodbeck’s Value Orientation, Hall’s cultural dimensions, and what America needs to know in order to communicate properly with Japan.
Japan is a fascinating multifaceted culture, on one hand it is filled with many traditions dating back thousands of years and yet is a society with continually changing fads,