Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: History of the piano
BOOK 1: THE PIANO HANDBOOK
In this book McCombie explains how Bartolomeo Cristofori changed a
Harpsichord in to a piano over three hundred years ago. McCombie goes
on describing how when Cristofori was angry and frustrated he banged
on the keys of the Harpsichord. Cristofori found that they didn’t
respond with satisfactory crashing chords. By the year 1700 Cristofori
changed the Harpsichord so that he could use two strings for each note
and a set of leather covered hammers to strike them. He then developed
a key mechanism to control the force of the hammers.
McCombie uses a lot of illustrations to describe the mechanisms within
a Harpsichord and a piano. In the next chapter talks about buying a
piano. He suggests that the majority of music teachers have little or
no experience in judging pianos. McCombie says that a tuning
technician is the best-equipped person to talk to about buying a
piano. He also recommends that buying by name is no longer a good idea
as some well known makers have been taken over by other manufacturers.
I think that this is articulately written and is aimed at people that
have very little knowledge on the piano. Although this book has no
information on playing the piano, I think it would be of great value
to someone that wanted to start playing. I think this book is of value
to my work because it explains the history of the piano in great
detail.
BOOK 2: HISTORY OF THE PIANO
In this book Closson talks about the Clavichord which is the earliest
form of stringed keyboard instruments. He then goes on to talk about
the Dulcimer which is also known as Dolce Melo in Italy, Backbrett in
Germany, and Ty...
... middle of paper ...
...==========
McCombie, Ian, The Piano Handbook, (Great Britain, 1980)
Closson, Ernest, History Of The Piano, (London, Elek Books Ltd, 1947)
Mach, Elyse, Great Pianist Speak For Themselves, (Great Britain,
Robson Books, 1981)
Wainwright, David, The Piano Makers, (London, Hutchinson & Co Ltd,
1975)
Scholtt, Howard, Encyclopaedia Of The Piano, (New York & London,
Garland Publishing Inc, 1996)
Hollis, Helen, The Piano, (Great Britain, Biddles Ltd, 1975)
Gill, Dominic, The Book Of The Piano, (London, Phaidon Ltd, 1981)
Crombie, David, Piano, (UK, Balafon, 1995)
Wolfgang Amadeus Mozart, Prod. Klavierwerke, Perf. Andras Schiff,
London, The Decca Record Company Ltd, 1992
The Piano Music of John Field, Prod. Lucena, Gef and David Wilkings,
Perf. Lorna Fulford Finchcocks, Gouldhurst, Kent, 1990
The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 20 vols. (London: Macmillan, 1980)9: 708-709
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
Boy Willie is the protagonist in the play The Piano Lesson, which is written by August Wilson. He is a foil character to his sister Berniece. He wants to sell the family piano. His biggest obstacle is his past, and his sister. Berniece wants to salvage the piano and keep it as a namesake. The quarrels revolving around legacies is the central conflict of the play. Boy Willie’s “Super-objective” contains two parts: fear and legacy resulting in memory.
Batrolomeo Cristofori brings the piano into the musical arena around 1709 in Florence, Italy. One of Cristoforis previous instruments, the harpsichord, actually brought about the idea of the piano. Cristofori wanted to develop a more dynamic instrument, because the harpsichord had such a small dynamic range. His answer to that problem was the ‘gravicembali col piano e forte,’ which meant harpsichord with soft and loud. This long name was shortened to pianoforte, and then eventually forte was dropped, and now these modern instruments are known as pianos. As the keeper of instruments in Prince Ferdinand’s court in Florence, Cristofori reinvented the harpsichord into the piano. The actual date that he created the piano is unknown, but
Smith, Douglas Alton. A History of the Lute from Antiquity to the Renaissance. Massechusetts: The Lute Society of America, Inc., 2002.
The first ancestor of the modern pianoforte is the monochord (diagram 1). A monochord is a wooden box with a single string stretched lengthwise down the middle. The string sits raised on bridges very dissimilar to those of a violin or cello. These bridges positioned approximately 2 inches in from each end. They are simple and usually triangular shaped pieces of hard durable material such as ebony or walnut. Between these two bridges are two taller bridges that may be moved by each hand to alter the pitch given. The philosopher and mathematician Pythagoras used a monochord to study the fundamentals of sound.
The Web. 21 Oct 2010. Writer, Staff. The "mechanical piano 40 (MP40)." www.militaryfactory.com.
Johann Sebastian Bach was one of the most famous German composers of his time. All of his work was mostly during the baroque era. The baroque period was from 1600 to 1750 and it is known to be one of the most diverse musical periods as opposed to the other classical music eras. It was in this era that “included composer like Bach, Vivaldi and Handel, who pioneered new styles like the concerto and the sonata.”(Classic FM) Johann Sebastian was born in the midst of the Baroque era as he was born on March 31, 1685 in Thuringia, Germany. Johann came from a family of musicians, which is how he himself became one as well. It was his father who showed him how to play his first instrument, which was the violin. His father was also a well-known musician in his town as he “worked as the town musician in Eisenach.”(Johann Sebastian Bach) It is known that Johann Sebastian went to a school that taught him
“Sometimes I can only groan, and suffer, and pour out my despair at the piano!” a quote from Frederic Chopin. Similar to Chopin, a copius amount of musicians utilized their instruments of choice in order to express their emotions or feelings. During the Baroque Period both the clavichord and the harpsichord reigned as the most popular keyboard instrument of choice. However, by the end of the Baroque Period the piano had replaced both keyboards as being the most popular and widely used (Verotta). The piano has been derived from the harpsichord and the clavichord which had evolved continuously through the combined effort of keyboard makers.
Bie, Oscar. A History of the Pianoforte and Pianoforte Players. trans. by E. E. Kellett
Born into a family of builders at Genoa, Italy in 1937, Renzo Piano’s entire life has involved buildings. He once said, “I don’t remember a single thing in my childhood that was not related in some way to buildings” (Brainy Quote, 2017). Renzo graduated from the Polytechnic University in Milan, 1964 (Jodidio, 2008, p. 520). From 1965-1970, Renzo travelled between the US and the UK to complete his first works (Jodidio, 2008, p. 520). In 1971, he co-founded ‘Piano and Rogers’ with Richard Rogers. The duo