Masculinity can be described as having qualities or characteristics considered of or appropriate to a man. Furthermore, these “manly” qualities and/or characteristics can be revealed through human nature, which all humans distinctly and naturally have. In the play, Fences, written by August Wilson, Troy, Bono, and Lyons all present different versions of masculinity through said human nature-including ways of thinking, feeling, and acting.
First, Troy Maxwell, the main character throughout the play, shows his masculinity due to his past life troubles. Growing up, Troy led a very difficult and stressful life. He wasn’t close with his father; in fact, he was scared of him if anything. In Act 1 Scene 4, Troy tells the boys about his terrible
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experiences with his father. After his father caught him and a girl fooling around at the age of fourteen, Troy “Picked up the same reins” his father used on him and “Commenced to whopping on him” (Wilson). This shows Troy’s masculine qualities, because he was able to stand up to his mean, abusive father. It is a scary feeling to stand up to anyone, especially for a fourteen year old, but that is why he got the courage, lost all fear in his father, and “Right there…became a man” (Wilson). Troy also shows his masculinity by continuing on with life and making the most out of it. Despite all of his life tragedies he is able to work hard, which is an admirable trait. One could even say he meets a realist’s expectations. He “Holds a steady job as a garbage collector, supports a wife and son, wins his own private civil-rights battle to become a driver, and remains faithful to Rose for eighteen years” (Wessling). All of which goes to prove his manly and diligent qualities that he holds. Next, Jim Bono, Troy’s best friend of more than thirty years, shows his masculinity by exhibiting dauntless characteristics towards others.
Within time, one can begin to grow close to another and even feel that the other is one to admire. However, one can also begin to see the negative facets a person can acquire. At the beginning of the play, Act 1 Scene 1, Bono makes it obvious to Troy that he is aware of his actions with his secret lover. That Troy “Had been doing more than eyeing her [Alberta]”, because he “Done bought her a drink or two” at Taylor’s (Wilson). Not many can stand up to someone of whom they usually follow or look up to. It takes a lot to be so called, dauntless, and tell someone’s best friend they are considered a cheater. In addition, if it weren’t for Bono’s imprisonment the two men would have never even met in the first place. Similar to Troy, Bono used to be a rebellious man who got into continuous trouble. After serving his time for an unknown crime, he “Paid his debt to society, married, had children” and got a “Respectable job, though it may be less than ideal” (Harris-Lopez). Even though Bono also led a not so good life, he turned it around once he got out of prison and kept “The crooked with the straights” (Wilson). In result, it demonstrates the masculinity Bono
holds. Finally, Lyons, Troy’s son from a previous marriage, is the last one to show his masculinity by being a man of his word. Even when one is in adulthood one might need the assistance from their parents every now and then. Lyons is a picture perfect example of a person who is a constant borrower. However, the bright side to Lyons is that he always pays back the money he requests to have. In Act 1 Scene 4, he comes home to repay Troy for their last transaction. Since Troy is sometimes narrow-minded and stubborn, Lyons has to tell him, “If you’d give someone a chance to talk, you’d see that I was fixing to pay you the ten dollars like I told you” (Wilson). This makes him have masculine qualities, because not only does he stand up to Troy, but he also reveals his integrity. Not many can keep their word or promises, so it makes him more responsible and manlier at the same time. After Lyons borrows money from Troy, he often stays around for a short period of time before he leaves. Troy is an advocate for storytelling and loves to tell his thoughts to those in close proximity to him. Lyons happens to “Be a frequent audience for Troy’s tales” and even though the stories always seem too good to be true, he “Reacts with skepticism, at times with surprise, but always with lively attention” (Blumenthal). Even after Lyons receives what he wants, he continues to show respect towards his father. As a result, it shows his masculine traits, because most disregard their parents once they get what they need. In conclusion, the three characters within Fences all display masculinity in different variations due to their individual human nature. People often identify one to be masculine, because of their physical appearance. However, Wilson created the play along with Troy, Bono, and Lyons, with the intensions of having masculinity mean more than just physical appearances. It is critical to understand the multiple forms of masculinity that way one can comprehend the way unfamiliar characters/people are overall. In regards to each one’s individual human nature.
Troy has a lower-middle/working class occupation - a garbage man. In Troy's mind, this job is something that enables him to survive thus far. Growing up, Troy experiences many hardships. Escaping an abusive father, Troy corrupts his life with a passion for thievery and irresponsible actions. For example, Troy impregnates a woman; the woman gave birth to Lyons. Because of Troy's irresponsible lifestyle, he is sent to jail; Lyons grows up without a father. Upon obtaining this job, Troy thinks it is one of the most stable aspects of his life. Stability, security, and success - this occupation brings many enhancements into Troy's life. Having a steady income changes his personal ideology of what character traits an African-American male should possess; in particular, what character traits his sons should possess. Troy's son Lyons now lives as a musician. To Troy, musicianship as a career does not provide that level of stability his job as a garbage man provides. Telling Lyons his point of view, Troy says the following:
Fences is a play that deals with boundaries that hold people back and the trials and tribulations of those who try or wish to cross them. The characters are African-Americans in a time before the civil rights movement, living in an industrial city. The main character, Troy Manxson, is a talented baseball player who never had the chance to let his talent shine, with restrictions on race and his time in jail as the main obstacles that held him back. He is now hard working and loves his family. However, he tends to exaggerate and has his faults, most prevalent a wandering eye when it comes to women. His wife, Rose, is younger than him and loyal, but she may not have known about all of his faults when she married him. At the beginning of the play, Troy has a son from a previous marriage, Lyons, and a son with Rose, Cory. Also appearing are Bono, Troy’s drinking buddy, and Gabriel, his brother.
Conflicts and tensions between family members and friends are key elements in August Wilson's play, Fences. The main character, Troy Maxon, has struggled his whole life to be a responsible person and fulfill his duties in any role that he is meant to play. In turn, however, he has created conflict through his forbidding manner. The author illustrates how the effects of Troy's stern upbringing cause him to pass along a legacy of bitterness and anger which creates tension and conflict in his relationships with his family.
We are first introduced to Troy as he comes home from work with his best friend, Bono. The two became friends after Troy went to prison for killing a man. Despite this, Bono is said to look up to Troy, admiring his “honesty, capacity for hard work, and his strength, which Bono seeks to emulate” (1.1). Throughout the play, Troy and Bono’s relationship is relatively good. They often say that they love each other, and they
In August Wilson’s drama, “Fences,” a man named Troy struggles with feelings of unfulfilled dreams and extreme pride. Troy is unable to come to terms with his own fallacies throughout the play, and he fails to see the world through other points of view. He becomes prideful and arrogant because he feels he knows exactly how the world works, or should work, and he inadvertently destroys the lives of everyone around him. Troy’s pride causes him to believe dreams and hopes are useless in the real world. This belief causes him to ruin his own son’s dreams and causes his wife to despise him for the rest of his life. Pride is a harmful thing. Being too prideful can ruin one’s own life and the lives of his or her loved ones.
The theme of August Wilson’s play “Fences” is the coming of age in the life of a broken black man. Wilson wrote about the black experience in different decades and the struggle that many blacks faced, and that is seen in “Fences” because there are two different generations portrayed in Troy and Cory. Troy plays the part of the protagonist who has been disillusioned throughout his life by everyone he has been close to. He was forced to leave home at an early age because his father beat him so dramatically. Troy never learned how to treat people close to him and he never gave any one a chance to prove themselves because he was selfish. This makes Troy the antagonist in the story because he is not only hitting up against everyone in the play, but he is also hitting up against himself and ultimately making his life more complicated. The discrimination that Troy faced while playing baseball and the torment he endures as a child shape him into one of the most dynamic characters in literary history. The central conflict is the relationship between Troy and Cory. The two of them have conflicting views about Cory’s future and, as the play goes on, this rocky relationship crumbles because Troy will not let Cory play collegiate football. The relationship becomes even more destructive when Troy admits to his relationship with Alberta and he admits Gabriel to a mental institution by accident. The complication begins in Troy’s youth, when his father beat him unconscious. At that moment, Troy leaves home and begins a troubled life on his own, and gaining a self-destructive outlook on life. “Fences” has many instances that can be considered the climax, but the one point in the story where the highest point of tension occurs, insight is gained and...
August Wilson brings out the struggle of Troy Maxson in his play, Fences. All those that matter to him end up feeling this struggle, for it remains constantly inside of him. As it overcomes Troy the respect and love that he was previously given dwindles to nothing. Troy’s actions and failure to fix them makes his true character known. Troy Maxson’s flawed nature is shown when he fails his family by giving way to his selfishness and the traits of his father.
Troy is a very self-centered individual. He is only concerned with issues regarding him. For instance, he wants to be able to drive the trash trucks at his job like the white men do. In Act One, scene one, Troy tells Bono that he talked to his boss, Mr. Rand, about driving the trucks. “How come you got all the whites driving and the colored lifting?” (1332). If things in Troy’s life aren’t going the way he wants them to, he makes himself into the victim and searches for sympathy from others. In addition, if he ever does something erroneous, he never accepts responsibility, never admits his wrongdoing and no matter how much anguish he causes someone, he never apologizes for it.
Should a neglected, discriminated, and misplaced black man living in the mid 1900s possessing a spectacular, yet unfulfilled talent for baseball be satisfied or miserable? The play Fences, written by August Wilson, answers this question by depicting the challenging journey of the main character, Troy Maxon. Troy, an exceptional baseball player during his youth, cannot break the color barrier and is kept from playing in the big leagues. That being his major life setback, Troy has a pessimistic view on the world. His attitude is unpleasant, but not without justification. Troy has a right to be angry, but to whom he takes out his anger on is questionable. He regularly gets fed up with his sons, Lyons and Cory, for no good reason. Troy disapproves of Lyons’ musical goals and Cory’s football ambitions to the point where the reader can notice Troy’s illogical way of releasing his displeasures. Frank Rich’s 1985 review of Fences in the New York Times argues that Troy’s constant anger is not irrational, but expected. Although Troy’s antagonism in misdirected, Rich is correct when he observes that Troy’s endless anger is warranted because Troy experiences an extremely difficult life, facing racism, jail, and poverty.
The theme of August Wilson’s play “Fences” is the coming of age in the life of a broken black man. Wilson wrote about the black experience in different decades and the struggle that many blacks faced, and that is seen in “Fences” because there are two different generations portrayed in Troy and Cory. Troy plays the part of the protagonist who has been disillusioned throughout his life by everyone he has been close to. He was forced to leave home at an early age because his father beat him so dramatically. Troy never learned how to treat people close to him and he never gave any one a chance to prove themselves because he was selfish. This makes Troy the antagonist in the story because he is not only hitting up against everyone in the play, but he is also hitting up against himself and ultimately making his life more complicated. The discrimination that Troy faced while playing baseball and the torment he endures as a child shape him into one of the most dynamic characters in literary history.The central conflict is the relationship between Troy and Cory. The two of them have conflicting views about Cory’s future and, as the play goes on, this rocky relationship crumbles because Troy will not let Cory play collegiate football. The relationship becomes even more destructive when Troy admits to his relationship with Alberta and he admits Gabriel to a mental institution by accident. The complication begins in Troy’s youth, when his father beat him unconscious. At that moment, Troy leaves home and begins a troubled life on his own, and gaining a self-destructive outlook on life. “Fences” has many instances that can be considered the climax, but the one point in the story where the highest point of tension occurs, insight is gained and a situation is resolved is when Rose tells Troy that Alberta died having his baby, Raynell.
life in the mid to late twentieth century and the strains of society on African Americans. Set in a small neighborhood of a big city, this play holds much conflict between a father, Troy Maxson, and his two sons, Lyons and Cory. By analyzing the sources of this conflict, one can better appreciate and understand the way the conflict contributes to the meaning of the work.
The ideology of male dominance has existed since the beginning of mankind. In the play A Streetcar Named Desire, by Tennessee Williams, it is especially apparent that Stanley, who is a working class man, feels the need to assert and reassert this principle of power constantly. Williams makes clear, through the character of Stanley, that the yearning for others’ recognition of their power and capability is the motive behind men’s masculine inclinations.
Although neither take a significant role in the novel, Jack and Leon Tallis are critical starting points to understanding the expectations of masculinity. Beginning with Jack Tallis, we are not told outright, but it seems masculinity includes being the provider for the family, even if that means long nights away from the home. Emily has come to expect the “phone call from the department to say that Mr. Tallis had to work late and had to stay up in town” (96). But, this also implies Jack Tallis is having an affair, suggesting being involved with multiple women and sexual superiority is a right of those claiming masculinity. From the example set forth by Leon, readers can also assume the “gift of avoiding responsibility” and the ability to “float free” is also bestowed upon men if they so desire it as an option (96). From this limited view of masculinity readers are shown both freedom and power as key
August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep things inside or outside Troy used the fence he was building to keep out death, his family, and his disappointments in life while Rose used the fence to keep those she cared about inside and help them bond.
In Shakespeare’s play, Macbeth‚ the theme of masculinity is explored. As Macbeth matures‚ there are times when his masculinity is put to the test, mostly after the murder of Duncan. There are four main themes in which masculinity is presented in the play.