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Propaganda during ww2 essay
Nazi germany history Essay
The influence propaganda had during World War 2
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Audience's Emotional Response in The Triumph Of The Will, Cabaret, Schindler’s List and The Lion King
Why are people still so fascinated and emotionally enthralled by the
Nazis? I think it is because of the “horror factor” which is similar
to scary films. You ask yourself how a human can do such things as the
Nazis did and the same question is asked in psychological horror
films. In this essay, I will discuss the films Triumph of the Will,
Schindler’s List, Cabaret and The Lion King, and how they portray the
Nazis, and what techniques they use to do so.
During the 1930s under the Nazis, Hitler commissioned Leni Riefenstahl
to make a propaganda film about the Nazis. In 1934, Triumph of the
Will was released and was based on the Nazi party rally in Nüremberg.
Its purpose was to convert people to fascism. It opens with a shot
from a plane flying over the historic city of Nüremberg this is
Hitler’s viewpoint. The audience see a shadow of the plane high along
the ground not unlike the shadow of fascism falling over Europe. This
makes the audience feel that Hitler is above everyone, and very
superior. The opening is slow with stirring, emotional music with
Teutonic lettering in the credits, because Hitler wanted Germany to be
like it used to centuries ago, strong and powerful.
Hitler was one of the first celebrities to be idolised by the public
and in Triumph Of The Will, he is portrayed as godlike. This is
emphasised by the fact that the camera always looks up at him but down
at his ...
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...yenas use is also
the same as the Nazis used. This is known as goose stepping. Nearer to
the beginning of the scene, Scar is shown above the hyenas which
symbolises the fact that Hitler was superior to his followers. He
gives his inferiors food which can be symbolised as giving someone an
incentive for alliance and help.
Throughout all 4 films, Nazis are portrayed as amoral, heartless,
racist humans. This is done by using techniques such as suspension of
disbelief which will emotionally attach the audience to the film and
make them question why the Nazis are performing such heartless acts. A
good example of this is the shock created by the blood and gore in
Schindler’s List. This makes the audience believe that Nazis are the
height of evil, and gives them a negative attitude towards Nazism and
fascism altogether.
In order to scare us, books, movies, and television shows will take the most ordinary things and make it into a monster. For instance, the movie IT takes a clown and turns it into
Schindler's list premiered mere months after the inauguration of the United States Holocaust Memorial Museum, leading to a capitalising success on the American peoples cultural focus on historical voyeurism. The critical reception of Schindler's List is a intellectual discussion on the moral nature of a film through the ability to dramatize what was deemed impossible; critically selectively received with a social conscious, and a division on Spielberg's stylistic representation of the subject matter. The scholarship on Schindler's List only reaches one shared thesis that of its transitional nature in his cinematic career into a more self-styled seriousness with arching the blockbuster with sober artistic work (Grainge, Jancovich, & Monteith, 2012). Critical reception of Spielberg's work comments on the true nature of its testimony in memorial to the Holocaust with appropriate restraint or typical emotional manipulation, combined with arguments of the nature of film is artistic or entertaining. Temporal and spatial variations don't seem to affect the critics review, it appears to be more the view of Spielberg as an auteur and also their comfort in exploring such a sensitive historical memory. Deconstruction of the reception will discuss the stylistic nature of the film with a controversial documented cinematography, alongside Schindler's List's place among other works in regards to the subject of the Holocaust and Spielberg's handling of the digestible.
“Why We Crave Horror Movies,” an essay by the legendary Stephen King, explains two challenging concepts to understand: why people like gory horror movies and how people are able to control their darkest desires. “I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all.” King opens the essay by addressing the hard truth- we are all insane. People have dull lives, and often it’s the little bit of crazy within in us tha...
Some would say watching horror movies and being scared out of your wits is a fun way to spend their hard earned money. They go see these movies on average once a week, each time choosing a newer version of a trilogy like “Chucky” or “The evil Dead”. Film making has come a long way over the last few decades, the graphic...
For centuries, authors have placed human features on their fears allowing their public to confront a concrete creature rather than an abstract idea. The fear of death resulted in stories regarding vampires and mummies, fears of the unknown resulted in stories about creatures invading the Earth, fears of reincarnation resulted in stories of mad scientists creating life from death. With the invention of the motion picture in the late nineteenth century, these fears were able to be seen using human actors and actual “monsters” making both the fears and the fulfillment greater. As more of these films were created, audiences grew more tolerant of the once frightening monsters forcing directors to go even farther. To continue this trend, filmmakers soon were creating more fear than they were relieving creating another psychological void that needed to be filled. Sensing that the realm of horror films and many other genres of film were saturating the film industry, Mel Brooks wrote and directed two films in 1974: Blazing Saddles and Young Frankenstein. Th...
I have provided a clear evaluation of his essay in an organized way using the appropriate standards of evaluation. In understanding why humans “Crave Horror Movies” even when some people get nightmares after watching them we find the importance of our emotions and fears. We find those emotions and fears form a body of their own which needs to be maintained properly in order to remain healthy. We see how emotions can be controlled though viewing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor.
The horror genre is synonymous with images of terror, violence and human carnage; the mere mention of horror movies evokes physical and psychological torture. As remarked by noted author Stephen King “the mythic horror movie…has a dirty job to do. It deliberately appeals to all that is worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized.” (King, 786). At manageable intervals, we choose to live these horrific events vicariously through the characters in horror movies and books as a means of safely experiencing the “what if”. The horror genre allows us to explore our fears, be it spiders, vampires, loss of our identity, or death of a loved, under the most fantastic and horrible circumstances conceivable. King also points out that by watching horror movies we “may allow our emotions a free rein . . . or no rein at all.” (King, 784). According to psychiatrist James Schaller, by vicariously “experiencing contrived fears, a person develops a sense of competence over similar types of fears.” (Schaller). Horror films allow the viewer the opportunity to safely examine their fears safely and to the depth and extent they wish to do so. Texas Chainsaw Massacre 2 provides the opportunity for the viewer to consider a diverse range of fears, with a little humor thrown in for balance, from the safety of a darkened room, a comfortable seat and in less than 120 minutes.
Stephen King, a very well-known writer and director, has a passionate voice when it comes to anything dealing with horror. In “Why We Crave Horror Movies,” King calls us out for knowing that we love the adrenaline rush and how we are so captivated by horror movies. He explains how we watch horror movies for the level of fun. King proposes that we go to defy ourselves; to see how far it can push us and that is what makes the experience so interesting. We lock our inner psycho from reality and feed it with the demonic, bloody violence found in horror movies. Doing this suggests that horror movies are our fix for our psychotic thoughts. Stephen King’s “Why We Crave Horror Movies” portrays that we are all insane in some weird way through
"Why We Crave Horror Movies” is an essay in which the auther, Stephen King, whos one of the most succesful horror witers, assumes that we as humans are mentally ill. ”I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all.” King gives his reasoning as to why we make the independent decision to buy a ticket and watch other human beings get killed. In other words, why we go cinema to watch horror movies. Futhermore he explains that that people enjoy watching horror movies because they to keep our insane
The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane has achieved the status of greatest film ever made.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
This documentary like film begins with Oskar Schindler getting ready to make the deal of a life time by getting in good with the Nazi Officers. Schindler was a man that knew how to smooze people. He would wine and dine them with the best of wine, food, and women, which was not a cheap thing to do, especially during World War II. He was fond of saying, "Presentation is everything."
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
What’s really prevailing about this film is how accurate it is to cognitive, developmental, and clinical psychology. The 5 emotions used in this film are in fact 5 of the 6 scientifically confirmed general emotions; surprise being the 6th one. Other concepts displayed in this movie included the conversion of short to long-term memory. When a memory is seen as significant or important enough to us, or when it has been repetitive enough, the brain messengers, dopamine and glutamate, guarantee