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Narrative techniques
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Ian McEwan’s novel Atonement depicts a story told from the perspectives of three of the main characters: Briony Tallis, Robbie Turner, and Cecelia Tallis. Briony is the ultimate focus of the novel because her mission is atonement. She almost single handedly convicted Robbie for the rape of her cousin, Lola Quincey. She is seeking atonement for this horrible crime she committed against Robbie. However, Briony is never able to achieve atonement. Regardless of the efforts Briony makes, she cannot truly achieve atonement. Through Briony’s inability to achieve atonement, McEwan illustrates that atonement can only be sought after, never achieved.
Briony attempts to achieve atonement in many ways. Her first attempt is through a confrontation with Cecelia and Robbie. At this point in the novel, Briony has just come from Lola’s and Paul Marshall’s wedding and has dropped by Cecelia’s residence. Initially, the confrontation is confined to Briony and Cecelia. Briony describes the feelings of tension between them and she knows that they are merely dancing around the elephant in the room: “There was a hardness in her tone that warned Briony off asking about Robbie” (McEwan 313). Briony follows Cecelia up to her flat and they finally begin to address the major issue concerning Robbie. At this point, Robbie emerges from the bedroom. Briony is relieved that he is alive yet terrified of confronting him. Briony states to Cecelia, “What I did was terrible, I don’t expect you to forgive me” to which Cecelia replies, “Don’t worry…I won’t ever forgive you” (318). Without any chance of forgiveness, Briony still stays and agrees to carry out Robbie and Cecelia’s requests. In the London, 1999 section, an older Briony reveals that this meeting with Cecel...
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...plation, that there is no atonement for her. She concludes that “It was always an impossible task, and that was precisely the point. The attempt was all” (351). Briony realizes that there is no atonement for her. Also, through this statement, McEwan illustrates that atonement can be pursued but never achieved.
For Briony, the possibility of atonement does not exist. She makes many attempts to achieve it, but she is caught in an endless pursuit. Briony realizes that she destroyed Robbie’s and Cecelia’s lives and she can never undo the damage. Even though she has been diagnosed with vascular dementia which will make her forget everything she ever knew, forgetting will not grant her true atonement. Through Briony’s inability to obtain atonement, McEwan asserts that atonement is an unreachable goal.
Works Cited
McEwan, Ian. Atonement. New York: Anchor, 2003. Print.
She no longer has a will to repress any untold secrets from the past, or perhaps the past. Since she has strayed far from her Christian beliefs, she has given in to the evil that has worked to overcome her. She believes she is finally achieving her freedom when she is only confining herself to one single choice, death. In taking her own life, she for the last time falls into an extremely low mood, disregards anyone but herself, and disobeys the church.
Morley Callaghan’s novel More Joy in Heaven follows the short life of notorious bank robber and gunman Kip Caley. Callaghan's novel is based off and follows Red Ryan's now forgotten story almost word for word. Red Ryan and the fictional Kip Caley both face the effects of a being an outsider in a forceful, high-class society. Individuals and organizations play a huge responsibility role to ex-convicts; readers of More Joy in Heaven unfortunately see the side effects when selfishness and thirst for glory play into this important, delicate role. Nonetheless that readers see what the wrong individuals will do to an ex-convict, readers will also see what kinder individuals can do to someone trying to reform. Yet what the public does and does not do is not to be blamed systematically; Red Ryan and Kip Caley crave societies attention and even begin to depend on it before their story is over. Their craving for attention makes them vulnerable to being abused by society. Both society and parolees want to live the upstanding lives, but neither takes into account what the others wants and needs are, so who’s fault is it when a parolee fails to meet societies precast expectations?
Guilt is a powerful force in humans. It can be the factor that alters someone's life. On the other hand, forgiveness can be just as powerful. In The Poisonwood Bible by Barbara Kingsolver, her characters-the Price family-travel to Africa on a religious mission. Throughout the novel, the concept of guilt and forgiveness is reflected on multiple occasions. Each character has a different experience with guilt and how it affects them in the end. By structuring The Poisonwood Bible to include five different narrators, Kingsolver highlights the unique guilt and forgiveness to each individual experiences as well expresses the similarities that all humans face with these complex emotions.
Throughout a lifetime, many things are gained; experience, wisdom, knowledge, as well as a sure sense of self. But along with all these great things come regret, guilt, and shame of past events. Everyone deals with these in different ways, sometimes turning to religion and denial as coping mechanisms. In the novel The Poisonwood Bible, By Barbara Kingsolver, each member of the Price family deals with a personal guilt either gained while on their mission in the Congo or long before. This novel exemplifies the different types of guilt the Price family experienced throughout their stay in the Congo, and shows various means of reconciliation and forgiveness as the guilt is absolved.
Therefore, when she is resurrected she becomes cruel, but is able to advise the Narrator, Min and Jade on how to improve their current situation of life in a repugnant way. By resurrecting Aunt Burnie, Saunders reveals that living passivity does not achieve happiness, but instead becomes a hindrance not only the advancement of a better life, but to those around you and sometimes the only way to help is through loathsome means.
...ow by forgiving the people who hurt him and Baldwin is trying to redeem Jesus’ example by forgiving the people who hurt him. Forgiveness is the key that unlocks the chains that embodies mankind. Forgiveness could be thought of as the potion that unites America and brings equality to the redeemed world.
There are many ways to decide what makes a man guilty. In an ethical sense, there is more to guilt than just committing the crime. In Charles Brockden Browns’ Wieland, the reader is presented with a moral dilemma: is Theodore Wieland guilty of murdering his wife and children, even though he claims that the command came from God, or is Carwin guilty because of his history of using persuasive voices, even though his role in the Wieland family’s murder is questionable? To answer these questions, one must consider what determines guilt, such as responsibility, motives, consequences, and the act itself. No matter which view is taken on what determines a man’s guilt, it can be concluded that Wieland bears the fault in the murder of Catharine Wieland and her children.
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
She requests that Arden’s body be brought to her and, upon seeing him, she speaks to Arden and confesses to the murder, and expresses her guilt, wishing he were still alive, by saying “...And would my death save thine thou shouldst not die” (“Arden” 8). Though she previously conveyed how free she felt, the combination of the hand-towel and knife used to kill Arden, his innocent blood stains on the floor, and his distorted, unmoving body triggers Alice to feel an overwhelming and unbearable sense of guilt. Once this guilt comes upon her, she cannot stop herself from begging her dead husband for forgiveness, though he cannot offer it to her now. The guilt of her actions causes her to expose the people who helped her enact this heinous crime. Because Alice reveals the truth behind Arden’s murder, every character pays a penance for their
Guilt is a result of sin, and sin is a result of misaction. In the novel, The Kite Runner, by Khaled Hosseini, the protagonist, Amir, goes on a journey to redeem himself for his sins. When Amir was 12, he witnessed his best friend, Hassan, get raped in an alley. Instead of standing up for his friend, Amir ran away in selfishness and cowardice. The guilt of his choice plagues Amir for the rest of his life, until one day, he gets a call from an old uncle, who tells him that “there is a way to be good again.” (2) The Kite Runner follows Amir on his odyssey to redeem himself for his hurtful actions. Through this journey, Khaled Hosseini delivers the message that sins and guilt can always be atoned for.
'Tender Mercies,'; written by Horton Foote, is a screenplay, which presents to the reader ordinary people, who are trying to live decently in an unpredictable and violent world. The reader comes to be aware of many dramatic scenes where the central characters have come to experience many complex but yet fascinating situations in their lives. Reading this screenplay the reader will come to acknowledge one of the centralized themes in 'Tender Mercies,'; which is the theme of redemption. For those who are unaware of the word, redemption as it applies to the screenplay 'Tender Mercies'; is the literary word meaning to be saved or saving someone from an experience or a situation. The reader can observe this redemption at various times through many characters, such as: Mac, Rosa Lee, Sunny, and Dixie. Each one of these characters has been redeemed by other characters or has been the redeemer of other characters. Thus, in the paragraphs to proceed, the reader will be introduced to these exact characters and to the situations from which these characters were redeemed from or whom they had redeemed. Alongside, the reader will also come to recognize how this theme provides the clearest reason why 'Tender Mercies'; is neither a Tragedy nor Pathos.
Ian McEwan illustrates a profound theme that builds details throughout the novel Atonement, the use of guilt and the quest for atonement are used with in the novel to convey the central dynamic aspect in the novel. McEwan constructs the emotion of guilt that is explored through the main character, Briony Tallis. The transition of child and entering the adult world, focus on the behavior and motivation of the young narrator Briony. Briony writes passages that entail her attempt to wash away her guilt as well find forgiveness for her sins. In which Briony ruined the lives and the happiness of her sister, Cecilia, and her lover Robbie. The reality of the events, attempts to achieve forgiveness for her actions. She is unable to understand the consequences of the actions as a child but grows to develop the understanding of the consequence with age. McEwan exemplifies an emotional novel that alters reality as he amplifies the creative acts of literature. In this essay I will be arguing that, the power of guilt prevents people from moving on from obstacles that hold them in the past.
After seeing what she thought to be an attack on her sister, it completely changes her outlook on Robbie. This also shows how Briony is present in all of the scenes that affect Robbie’s life, proving that Briony is like a God and watching over his actions. The final key event in which Briony observes Robbie from above is when he is being taken away by the police for the crime Briony accused him of- raping her cousin. Looking down from her room, “She saw how his arms were forced in front of him, and from her vantage point she saw the silver glint of steel below his shirt cuff. The disgrace of it horrified her. It was further confirmation of his guilt, and the beginning of his punishment” (McEwan 173). This shows how Briony is able to witness the other key scene that sets in motion the other implications her crime has on Robbie’s life. In “The Absence of Atonement in Atonement” Charles Pastoor, who is an English professor at John Brown University, describes how “Briony is not the kind of god one wants to have governing one's universe, but on several levels, she is, unfortunately, the god who governs Robbie's” (Pastoor). This proves
Whatever sins man commits in his lifetime, he is punished for them. If only he repents for his sins, can he be forgiven and at least he can die in peace. God forgives them only when they repent for their sins. The story also presents another example of the Christian belief in sin and punishment, which is based on the strict principles of repentance and forgiveness. In the story, Karen is a poor but beautiful girl.
Forgiveness and restorative justice are healing tools for victims and offenders. The benefits of forgiveness can help heal a broken heart of a victim, secondary victim, or offender. Forgiveness and restorative justice relieves a victim of malice, rage, vengeance, revenge, bitterness and regret. It is very difficult to forgive someone for a crime, violation, or misdeed they have done to you or a loved one. Forgiveness is not mandatory in order to get restorative justice. Forgiveness does not excuse the offender from the harm they have done but benefits the people involved to move on with their lives. In the books “Disgrace” by J.M. Coetzee and “The Sunflower” by Simon Wiesenthal forgiveness and restorative justice is imperative for the characters.