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More handpicked essays just for you.
The meaning of life and death in literature
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Many themes encompass the Tragedy play Arden of Faversham, including death and revenge. However, one theme in particular arises in every character of the play; betrayal. While almost every character becomes both the betrayer and the betrayed, the center of deceitfulness rests on Alice. Though she only betrays a few characters in the play, nearly every act of betrayal occurs because of her actions or words. Alice betrays her own husband, as well as her secret lover, and convinces other characters to consent to her malicious plan to murder Arden. However, justice prevails, and Alice betrays everyone she seems to care about, including the person she appears to care about the most – herself. Firstly, Alice’s betrayal centers on her husband, Arden. She betrays Arden in two ways; she does not remain faithful to him, and she plans his murder in a cunning way. Alice and Mosby’s love affair continually reveals itself to Arden, but Alice always dismantles his accusations. For example, Arden tells Alice she said Mosby’s name when …show more content…
She requests that Arden’s body be brought to her and, upon seeing him, she speaks to Arden and confesses to the murder, and expresses her guilt, wishing he were still alive, by saying “...And would my death save thine thou shouldst not die” (“Arden” 8). Though she previously conveyed how free she felt, the combination of the hand-towel and knife used to kill Arden, his innocent blood stains on the floor, and his distorted, unmoving body triggers Alice to feel an overwhelming and unbearable sense of guilt. Once this guilt comes upon her, she cannot stop herself from begging her dead husband for forgiveness, though he cannot offer it to her now. The guilt of her actions causes her to expose the people who helped her enact this heinous crime. Because Alice reveals the truth behind Arden’s murder, every character pays a penance for their
Have you ever wanted to avenge a wrong doing done unto you? Well, the characters in Beowulf will stop at nothing to achieve vengeance. Revenge is so immensely practiced that it is a common act to pay of a deed done by an offender. However, a payment or truce does not satisfy the desire for revenge in the Poem. Every time a Character precedes to make peace, it eventually falls apart by a desire to avenge loved ones. This desire is usually upheld until someone is no longer left to be avenged or no one is left to avenge those whom they loved. This, although it may not seem so, happens commonly in this epic.
Alice and Kevin have an interesting start to their relationship. Initially, it appears that Dana is not interested in Kevin, as she tries to reject communication and his advances through buying her lunch. This distance on Dana’s part allows readers to contemplate whether Dana is put off by Kevin’s obtrusive attitude because he is a man, because he is white, or a combination of the two. As the novel advances, Butler continues to focus Kevin’s faults in his marriage because of his identity as a white man.
Neither Hester or Arthur could live their lives concealing their true emotions. Arthur literally could not live with it, while Hester changed the way she felt on the inside to correspond to her guilty external image. At the court house, when Arthur Dimmesdale was pleading for Hester to reveal the name of the man with whom she had an affair, it was clear that a part of him actually wanted everyone to know that it was he who was the guilty one.
Deception is present in Tennessee Williams’s drama ‘A Streetcar Named Desire’, William Shakespeare’s Tragedy ‘Othello’ and L. P. Hartley’s novel ‘The Go-Between’; the writers choose to use characterisation to explore the theme in depth. Often the protagonists of each text are the primary offenders of deceit, though some supporting characters mislead as well; although Iago is the antagonist of ‘Othello’, he is incomparably the most deceitful character in the entire play. Similarly, Williams uses Blanche to develop the plot by misleading the other characters and even herself at times, though arguably, unlike Iago, Blanche is presented as a character who lacks the motivation to hurt anyone. Conversely Leo, although the protagonist and narrator of the novel, is not the most deceitful character – Ted Burgess and Marian Maudsley not only coerce him into the deceit, but they themselves are presented as masters of the game they play, however, this essay will focus on Leo as he is a unique symbol of deceit; he is unaware of the consequences of his actions.
Also important to the play is how Arthur Miller depicts how one selfish, evil person like Abigail Williams can bring others down and make others follow her to commit evil acts. These evil acts affect even the most honest people in the town like John and Elizabeth Proctor, and Rebecca Nurse who cannot fight the accusations made against them by those following Abigail. Those following Abigail are considered to be holy men that are full of honesty and justice, but the play shows that even those who are thought to be respectable and right, like people of government or community leaders can bring death to innocent people if they are driven by something wrong. II. Plot: The plot begins with the inciting incident where Rev. Parris finds his niece Abigail Williams and his daughter Betty along with his slave Tituba doing some dance in the forest.
Martial betrayal forms a central basis for the relations between the main characters of Abigail, John Proctor, and Elizabeth Proctor. John betrayed his wife by cheating with Abigail, and throughout the course of the play, he attempts to redeem himself. This brings up an interesting topic of whether cheating can ever be justified. Elizabeth feels partially responsible because she was cold to him, and she believes that it was her coldness that led her husband to betray her. However is there ever an excuse for cheating? Can cheating on one’s spouse be justified if one’s spouse is not loving and well treating of their spouse? Martial betrayal still is relevant today, it is a human flaw that will not simply just disappear from our society. Even prominent figures such as Bill Clinton have been accused of such actions and society still contains several such cases of adultery.
Another example of how Alice has survived from marriage to marriage is she has learned to please men. By the time she marries Waythorn, she has almost perfected this talent. However, Waythorn becomes suspicious of this behavior after encountering the other two husbands. Later in the story, Waythorn finds that his wife 's "pliancy was beginning to sicken him" (Wharton 53). At this point, he realizes that she was not only so accommodating with him she was also this way with the other two spouses. Because of this, he becomes conscious of the fact that
The worst feeling of pain anyone could feel is when you are betrayed by some who you though loved you. Betrayal is an act of disloyalty and it is violating someone's trust. In the play Hamlet by William Shakespeare, betrayal is a reoccurring action between many characters. This play shows the audience different types of betrayal that are imaginable, from a husband betraying his wife, a boyfriend betraying his girlfriend and a mother betraying the son and father. These actions of betrayal hurt the people that are most loved and destroys them where it most hurts in the end. Betrayal is one of the strongest and most important themes in Hamlet. The entire play revolves around the murder of King Hamlet. Betrayal is expanded even further, there is not one character who does not commit betrayal through the course of the play. The actions of betrayal in the play lead to the hurtful destruction of the characters.
Revenge has been used in the same context throughout history. Hundreds of years ago people sought revenge for reasons similar to those of present time. The Oxford English Dictionary has recorded the continuance of the meaning of this term, revenge, as wanting to “repay” a person for their wrongful doings since as early as 1553. Many literal pieces from early time periods have used this word and adjusted it to be a core theme. For example, the early poem, Beowulf, highlights epic revengeful battles between the protagonist and antagonists. The author uses revenge as a motivating component to develop relatable plots and characterizations. The journey of how the protagonist, Beowulf, becomes a noble savoir begins with his battle against the descendant
...held with a different responsibility for there actions. Women had a fear for there husbands more than a respect. While Alison cheated on her husband, she worried that he would have her and/or Nicolas killed. She didn't worry that he would be hurt in the matter. The only character that had any sensitivity was Absolon. He chose to declare his love for Alison in a more courteous and classic manner.
Deception is the driving force of the play, the key theme that causes the character’s action that shapes the story. In Act I, Nora deceives her husband, Helmer, in several different ways. The reader gets their first glimpse of deceit when Nora snacks on some macaroons and then hides them from her husband.
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
In the play, Hamlet, William Shakespeare explores the theme of revenge. Throughout the work, Hamlet acquires a moral dilemma; he cannot decide how to carry out revenge without condemning himself. Thus, although the play promotes the idea of revenge at the beginning, the cultivation of dialogue, relationships, and complications provide evidence of the detrimental consequences and limitations of the theme.
In Williams Shakespeare’s play, Hamlet, there are many themes. Revenge is the biggest theme in this play. The idea of Revenge plagues Hamlet and causes many tragic deaths in its wake. Hamlet who consumed by the need of revenge is the cause of all of the deaths in the play. The deaths that are directly caused by the sense of revenge is in order, Polonius, Ophellia, Guildenstern and Rosencrantz, Gertrude, Laertes, Claudius, and Hamlet himself. Revenge is the downfall of all of the characters in the play. While there are many themes to this play, revenge is the key to what makes this play a tragedy.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.