As You Like It written by William Shakespeare

1019 Words3 Pages
bulb-icon

Recommended: Comparisons

Actually, this play chronologically set between 1598 and 1600s. This homonymous play published, after Williams Shakespeare’s death, in the First Folio in 1623, with other plays and sonnets written by him. As You Like It characterized as pastoral comedy. According to a definition of what is the pastoral comedy, Pastoral genre is regularly, a pastoral story includes banishes from urban or court life who escapes to the shelter of the wide open, where they frequently cover themselves as shepherds so as to talk with different shepherds on an extent of built subjects, from the relative benefits of life at court versus life in the nation to the relationship between nature and symbolization. The most crucial concern of the pastoral mode is analyzing the worth of the characteristic world; spoke to by generally untouched field, to the world manufactured by people, which holds the delights of craftsmanship and the city and the shameful acts of inflexible social progressive systems. Pastoral expositive expression, then, has incredible potential to serve as a gathering for social feedback and can even move social change. all in all, Shakespeare's As You Like It creates a significant number of the conventional characteristics and concerns of the pastoral genre. This drama analyzes the savageries and defilement of court life and merrily jabs gaps in one of humanity's most terrific ingenuities: the gatherings of sentimental adoration. The play's speculation in pastoral conventions prompts a liberality in rather straightforward contentions: court versus nation, authenticity versus sentiment, reason versus heedlessness, nature versus fortune, junior versus old, and the individuals who are conceived into honorability versus the individuals who gain ...

... middle of paper ...

...bout his neck

A green and glided snake had wreathed itself,

Who with her head, nimble in threads, approached

The opening of his mouth. …

(4.III.105-109)”

Section C (Conclusion)

In conclusion this essay analyzed the homonymous theatrical play “As You Like It” written by William Shakespeare. Furthermore this essay analyzes all features of pastoral comedy based on an extensive definition. As you like it characterized as pastoral comedy due to includes most of them.

Works Cited

Juliet Dusinberre. As You like It. London: Arden Shakespeare, 2006. Print.

Shmoop Editorial Team. "As You Like It Genre." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 11 Mar. 2014.

Spencer, Diana Major. "As You Like It: A Heightening of Pastoral Conventions." Utah Shakespeare Festival (1994): n. pag. A Heightening of Pastoral Conventions. 1994. Web. 11 Mar. 2014.

Show More
Related

  • Explore the ways in which Hamlet makes use of the idea or motif of theatrical performance

    1420 Words  | 3 Pages

    Hamlet makes use of the idea of theatrical performance through characters presenting themselves falsely to others – from Rosencrantz and Guildenstern spying on Hamlet to gain favor with the King, to Hamlet himself playing the part of a madman – and through the play within the play, The Mousetrap. This essay will discuss the ways in which Hamlet explores the idea of theatrical performance, ‘acting’, through analysis of the characters and the ‘roles’ they adopt, specifically that of Hamlet and Claudius. The idea, or the theme of theatrical performance is not an uncommon literary element of Shakespearean works, the most famous of which to encompass this idea being As You Like It. This essay will also briefly explore the ways in which Hamlet reminds its audience of the stark difference between daily life and dramatization of life in the theatre.

    Read More

  • Comedy in I Henry IV and II Henry IV by William Shakespeare

    2529 Words  | 6 Pages

    In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society

    Read More

  • William Shakespeare's The Taming of the Shrew

    3143 Words  | 7 Pages

    ... About You_.” Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 22.2 (2004): 45-66. Expanded Academic ASAP. Westfield State College Library, MA. 15 April 2005. 15 April 2005.

    Read More

  • Romeo and Juliet by William Shakespeare

    620 Words  | 2 Pages

    of a fight "let us take the law of our side let them begin" Sampson

    Read More

  • Othello in Shakespeare's Tragedy Othello

    652 Words  | 2 Pages

    William Shakespeare’s dramatic and poetic techniques and his use of hyperbole are used to describe the characters emotions and weaknesses. The use of dramatic irony is used to create personal conflict. This is done throughout the play to describe the characters concerns and their situations.

    Read More

  • Henry V by William Shakespeare

    1379 Words  | 3 Pages

    Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare. Second ed. New York: W.W. Norton, 1997. Print.

    Read More

  • Twelfth Night, As You Like It by William Shakespeare

    1144 Words  | 3 Pages

    Many details of Shakespeare’s person life were left a mystery for which we as readers must wonder if his plays and sonnets give clue. When going to a Shakespearean play one will find the experience in its self, is one of love, loss, and tragedy. People would come from all around to feel the way Shakespeare wanted the audience to feel. He wanted to express his life and his way of thinking through his art which was dramatic writing. Shakespeare expresses his love through his plays such as Twelfth Night, As You Like It, Hamlet and many others through his use of wit, humor and dramatic talent.

    Read More

  • The Downfall of Macbeth

    1482 Words  | 3 Pages

    Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.

    Read More

  • Romeo and Juliet by Williams Shakespeare

    1054 Words  | 3 Pages

    As in Romeo and Juliet, some powerful external force is present in The Sound of Waves and seems to be driving the events on, twisting them into various shapes. In Romeo and Juliet, there is the motif of stars, or fate, which turns the wheel of events. In Juliet’s monologue at the beginning of Act III Scene ii, she says “Give me my Romeo, and when he shall die,/Take him and cut him out in little stars,/And he will make the face of heav’n so fine” indicating that there are outwardly forces living amongst the stars that guides their path. In Act V Scene I Line 25, upon hearing of Juliet’s death, Romeo cries “Is it e’en so? Then I defy you stars!” Yet again, this shows that something among the stars or perhaps the stars themselves is twisting the path and shrouding the road ahead with the mist of fate. On page fifteen to sixteen of The Sound of Waves, Shinji prays to the stars (God) in the hope that He can change the future. On page twenty-one, Shinji’s prayer is answered. He accidentally left his money on the beach and Hatsue, his loved one, the girl of his dreams, had to find it. This may be a sign that fate is acting in their favor. However, in Romeo and Juliet, fate definitely does not work towards the benefit of the young couple who end up dying a few days after they meet. It is not always clear on whose side fate is on. On page forty in The Sound of Waves, however, fate is definitely acting in the favor of Hatsue. Yasuo accosts Hatsue in the dead of night and tries to take advantage of her. Unfortunately for him, fate was present through the form of a hornet when it stings Yasuo, allowing Hatsue to run. When Yasuo catches Hatsue, “the hornet had stung him again, this time on the nape of the neck.” What are the chances that the h...

    Read More

  • Henriad by Shakespeare

    1961 Words  | 4 Pages

    Falstaff is often left out of the conversation or treated as an object when people discuss Shakespeare’s “Henriad.” The conversation has grown to include Falstaffian supporters and those who continue to objectify him. On the one hand, critics like Harry Berger, author of “The Prince’s Dog: Falstaff and the Perils of Speech-Prefixity,” argues that Falstaff’s concealed motives are only brought to light through the characters speech. On the other hand, critics like Robert Bell, author of “The Anatomy of Folly in Shakespeare’s “Henriad,” believes Falstaff to be a fool, but he believes him to be one of Shakespeare’s “Greatest Fools.” I find these critics to be in direct conversation with one another. They both attempt to consider Falstaff in the forefront of the text, along with Prince Harry; more specifically, how one interacts with the other through folly and speech. While I agree with some critics notions that Falstaff has flaws, I would argue that he is more than an object; he is pertinent to the success of the prince, and he must be considered as the subject; Falstaff is the catalyst through whom Prince Harry enjoys his indiscretions, sins, and follies without reprimand or any acceptance of responsibility. Falstaff and Prince Harry share the same mind, but this is only apparent through the folly and parody of Falstaff. Prince Harry is completely oblivious to the fact that he and Falstaff rest on either side of a double-headed coin allowing them to share a psychic link. I will show that Falstaff has knowledge of all of Prince Harry’s actions as well as his own downfall before it occurs through a close analysis of 1 Henry IV, act 1, scene 2.

    Read More

  • Comparing Hamlet and As You Like It

    429 Words  | 1 Pages

    In comparing and contrasting the settings of Hamlet and As You Like It, I have found that each time a good comparison is made an example to contrast it is discovered. Elements that are found in the settings of these plays are scenery and whether the setting is direct or indirect. In each of these plays both of these elements are alike and different.

    Read More

  • Contrasting Relationships of Three Couples in Shakespeare's As You Like It.

    1276 Words  | 3 Pages

    Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.

    Read More

  • Digging Deep into The Tempest

    1524 Words  | 4 Pages

    It makes sense to me to see in this Shakespeare's sense of his own art--both what it can achieve and what it cannot. The theatre--that magical world of poetry, song, illusion, pleasing and threatening apparitions--can, like Prospero's magic, educate us into a better sense of ourselves, into a final acceptance of the world, a state in which we forgive and forget in the interests of the greater human community. The theatre, that is, can reconcile us to the joys of the human community so that we do not destroy our families in a search for righting past evils in a spirit of personal revenge or as crude assertions of our own egos. It can, in a very real sense, help us fully to understand the central Christian commitment to charity, to loving our neighbour as ourselves. The magic here brings about a total reconciliation of all levels of society from sophisticated rulers to semi-human brutes, momentarily holding off Machiavellian deceit, drunken foolishness, and animalistic rebellion--each person, no matter how he has lived, has a place in the magic circle at the end. And no one is asking any awkward questions.

    Read More

  • Variety of Love Relationships in Shakespeare's As You Like It

    4415 Words  | 9 Pages

    ...portrayed in Shakespeare's  As You Like It, and  to examine the love relationships in it. Through a careful observation of the characters' perceptions about love, and of the way they engage in love relationships, we may conclude that the concept of love may be attributed different meanings, depending on individual and personal beliefs. Our conclusion may be derived from the various types of comic relations: familial, sexual, romantic, and friendship.

    Read More

  • The Merchant of Venice by Williams Shakespeare

    891 Words  | 2 Pages

    The real villain in The Merchant of Venice, by William Shakespeare, is not a person, however an entire religion. In the city of Venice, Christianity was the dominant, main religion. Despite being a Christian, the people were corrupt, greedy, and selfish, where the needs of themselves were much more important than the needs of another human being, such as the Jews. Prejudice against Jews existed greatly in the society of Venice, however it existed way before the time period also. The Merchant of Venice was written within a time period (Around 1597) and culture in which prejudice against the Jews were common and pervasive. In The Merchant of Venice, by William Shakespeare, the real villain portrayed is the entire religion of Christianity where Christians present an evil background as prejudice against the Jews go back to the earliest days of Christianity, also where prejudice against the Jews existed in The Merchant of Venice, and where the Christians lived a corrupt life and society which went against their Christian values.

    Read More

More about As You Like It written by William Shakespeare

Open Document