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Role of the woman in literature
Role of the woman in literature
Gender in literature
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Article Review of Menu Girls by Denise Chavez
While reading through The Last of the Menu Girls by Denise Chavez, the complexity of the novel made itself evident. There are many different levels to Chavez's novel. The article by Rowena Rivera brought many of those hidden themes and ideas to the surface. The article gives the reader a quick overview of Denise Chavez as an author. Rivera then goes into many of the hidden themes and ideas in the novel, such as the importance of memories. She also goes on to discuss things like the constant interlocking of Spanish and English.
Rivera begins her paper by simply giving the reader a list of many of the works Denise Chavez has written during her literary career. It is through this list that the reader realizes that Chavez's passion seems to be directed toward the theater. She has written a large number of plays, especially when compared to the amount of novels she has written. Rivera points out that as a result, Chavez tends to write her novels so that they will have an immediate emotional affect upon her readers, such as in plays or dramas.
Rivera goes on to give the reader a brief overview of some other works written by Denise Chavez. She then begins her discussion of The Last of the Menu Girls. The first point Rivera brings up is the role of memories and the passage of time throughout the novel. She states that the seven different stories are held together by the fact that they are all memories and phases of Rocio's life. Each story is an event that took place and a different phase of life that had to be worked through. It is also memories and the passage of time that connect Rocio's family members and friends throughout the novel. Rivera also states that one of t...
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...point that Rivera explores is the developing of the identity of Rocio, the protagonist. Rocio, by trying to find her identity, seems to break all the traditional boundaries set for a seventeen year old, Hispanic girls. Rocio is not the typical girl. She is created as an individual who is willing to fight society to discover who she really is. There is a "universality of womanhood" in Rocio. Rocio does what many women aspire to do-search for her true identity.
All in all, I think I agreed with Rivera's insights to the novel. She expressed her ideas in a coherent manner. There is one weakness that I saw throughout Rivera's review of Chavez: Rivera failed to sufficiently support some of her ideas. Rivera's review was very useful in uncovering many of the hidden ideas throughout the novel. She brought up many of the important points needed to be discussed.
Martinez’s story is not so much one that pieces together the events of the crash, nor the lives of the three youths, but it is an immigrant’s tale, discovered through the crossings of the various Chavez family members and profiles of Cheranos in Mexico.
I really enjoyed all of the characters and this book tremendously. Both Lupe's and Juan's mother were very strong and God fearing women. They had a very strong bind between their children who were taught values and morals. This book made me want to know my ancestral routes and learn more about my culture. Since this book was a true story about Victor Villasenor's family, it made the stories even more real. I would recommend this book to everyone who loves to read.
The themes explored in the novel illustrate a life of a peasant in Mexico during the post-revolution, important themes in the story are: lack of a father’s role model, death and revenge. Additionally, the author Juan Rulfo became an orphan after he lost
Julia Alvarez’s In the time of the Butterflies has been pivotal in relaying the stories of the Mirabal sisters as it has shown impact in literature, history, film production, and volunteer activities while serving a teaching aspect and a guide for those who may relate.
She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections. Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deeply disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old.
Reyna Grande 's novel, Across a Hundred Mountains, focuses on the dynamic of the development and rethinking of the concept of a traditional Latino patriarchal family built up around male dominance. In low income and uneducated cultures, there are set of roles that throughout time have been passed by from generation to generation. These gender roles most often consist of the men being the breadwinner for the family. While the women stay home to cook, clean, and raise the children. Women are treated as possessions with limited rights and resources. Throughout the novel, Grandes challenges gender roles in the story of a young woman named Juana who, despite all adversity, fights stereotypes and is able to rewrite her own ending.
By examining the narrative voice as well as the cultural restraints placed on them, readers can see the sexist culture in the novel and that the novel itself does not necessarily advocate this misogyny. Yunior, a Dominican man, is the overall narrator of the novel, so readers essentially see everything through his masculine eye. When discussing a brief fling with Lola, Oscar’s sister, Yunior says, “Even those nights after I got jumped she wouldn’t let me steal on her ass for nothing. So you can sleep in my bed but you can’t sleep with me?” (Diaz 169) His question suggests that it is his right to sleep with her, and his discussion of Lola herself objectifies her by noting only her body and her refusal to use it. This objectification is clearly sexist, but it is a reflection of the narrative voice, Yunior, not of Lola. Yunior will casually refer to a woman as “a bitch” (Diaz 183), which is clearly demeaning, but it is a man’s view and does not reflect on the substance of the women. It shows readers the culture he was raised in, not an actual portrayal of the women, illustrating a misogynist society but not a misogynistic novel. In the Dominican Republic, gender-based violence is the fourth leading cause of death, hinting at the overall problems caused by the hyper-sexualized nature of the country. Sociologist Denise Paiewonsky
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
This book is a story about 4 sisters who tell their stories about living on an island in the Dominican Republic , and then moving to New York . What is different about this book is the fact that you have different narrators telling you the story , jumping back and forth from past to present . This is effective because it gives you different view point’s from each of the sisters . It may also detract from the narrative because of the fact that it’s confusing to the reader . This is a style of writing that has been recognized and analyzed by critics . Julia Alvarez is a well- known writer and in a way , mirrors events that happened in her own life , in her book . Looking into her life , it show’s that she went through an experience somewhat like the sisters . I interviewed an immigrant , not from the same ethnic back ground as the sisters , but a Japanese immigrant . This was a very
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
Cisneros' Barbie-Q really stood out as a great piece of literature. Barbie-Q is a quick glimpse into the life of a poverty-stricken child and her way of life. Though my life as of yet has been rather short, my earliest childhood memories are overwhelmingly my fondest and her account really struck a chord. Sandra Cisneros' accurate reflection of a young mind and intricate writing methods expressed great emotion. Her portrayal of a child's mentality evoked my childhood recollections while her realistic tale of childhood bliss in the midst of poverty caused great empathy on my part making this my preferred work we studied.
Tan, Amy. “Two Kinds.” Exploring Literature: Writing and Arguing About Fiction, Poetry, Drama and The Essay.4th e. Ed. Frank Madden. New York: Pearson Longman, 2009. 253-261. Print.
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that are conflicted are highlighted, in that they have to straddle two worlds at once as Mexican-American women.
Books are more than simple stories, they have a message to send, whether it be in a direct or indirect way. Books can also tell us about the author’s life, beliefs, inner ambitions and fears; Moreover, they often project the writer’s vision about their environment, reflecting their society in which they lived. Writers like F. Scott Fitzgerald and Ernesto Guevara were capable, not only of portraying the society in which they are immerse, but also to convey them in an exquisite social critique. Such literary pieces of art do not criticize in a direct way, nor to specific people or events. They, however, present the vision of the author’s concern with social issues of injustice, misguided values and loss of direction.
The climax of the story has a few layers of drama that really bring out the problems between the characters. We see Santiago and his half brother Cheche battle about the future of the factory; this affects Santiago's relationship with his wife who doesn't know about all the debt and risks he has taken. Then there's Conchita and her husband Paloma, who are experiencing marital issues which become heightened by the seductive lector Juan Julian. Both couples have personal conflicts with one another as well as external issues that affect their lives. The play had interesting parts to it such as infidelity and abuse of sexual nature. some very sensual parts; like infidelity and sexual abuse but were carried out by the cast with immense care and genuineness. Gomez does a really good job of bringing out emotional performances from the actors. This really took me on an emotional/visual roller coaster. The characters moved from happy to angry and from night to day with great ease. Scenes were so realistic and I found myself really engrossed in the story. Gomez interpreted the script really well and I think he related to the story. The story felt natural and cohesive,like it was his