Arthur Miller’s Themes

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Arthur Miller’s playwrights were an astonishing work of art to the theatre culture. His most notable epic pieces of dramas are: A View from the Bridge, All My Sons, Death of a Salesman, and The Crucible. During Millers lifetime, Death of a Salesman and The Crucible, are his most prized dramas. Millers dedication and hard work show off in the two works which has his name known for in the theatre culture. Death of a Salesman and The Crucible, two powerful dramas by Arthur Miller, explore the themes of appearance versus reality, politics, and the narrow mindedness of society.
One theme that shows importance in one of Arthur Miller's work in Death of a Salesman, is appearance versus reality. Willy Loman, who is the main character in Miller's novel, is delusional and unstable. Loman is going through a terrible reminisce of his life. Willy’s imagined conversations with his dead brother Ben, demonstrate his fragile grip on reality. Willy’s mind is full of delusions about his own abilities and accomplishments and the abilities and accomplishments of his sons (Spampinato 67). Loman has two sons, Biff and Happy, which Willy has alienated his oldest son, Biff (Walsh).
At the end of the play each son responds differently to the reality of his fathers suicide. Biff and Happy share their father's tendency to concoct grand schemes for themselves and think of themselves as superior to others without any real evidence that the schemes will work or that they are, indeed superior. Happy, who has previously appeared of being more well-grounded in reality but still hoping for something better. Happy pledges to achieve the dream his father has failed to do so. In fact, Happy falls into his fathers thought pattern (Spampinato 68). "Including marti...

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...critique of American capitalist society or at least it’s moral and social standards” (Walsh). The American dream is what most Americans are expected of to achieve. Well for Willy it is something he did not achieve. Willy worries about how others will think about him. The matter of fact that people do not take him seriously because of his weight. He is constantly trying to win over clients and becoming a true success. For Loman, his traits represent the reason for his failure of achieving the American Dream (Galens & Spampinato 68). “Despite the undeniable moments of truth, at the center of Death of a Salesman is a profound ambiguity, which must reflect, in the end, the playwright’s own ambiguous feelings about American society and the American dream” (Walsh).
Miller’s dramas were far off of the richter scale which has sought off his works into history. Not only has

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