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Recommended: Art history eassay
Mahmoud Hammad
06/6/2015
Art Appreciation
Linked with the history of great political dynasties of Iran, The Ardabil Carpet is one of the most beautiful, exceptional, and one of the longest and oldest Islamic carpet.
One of the most fundamental backbones of Islamic arts was carpets. They were sold, traded and had a lot of value and use for. They were used to be hung for warmth during cold weather, and for decorating floors of mosque. They were made from wool and silk, and if they were from Iran they were considered highly prized.
The name of this carpet originated from the town of Ardabil, home to the Shrine named Safi al-Din Ardabili who died in 1334. Ardabili, a Sufi leader trained Islamic mystic practices to his followers. After his death
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In 1530, the matching pair was made for shrine Ardabili. To hold the dye better, the carpet was made of wool. To hold the value of the carpet, knot-count, detail, and length is asserted for. Natural and pomegranate dye are used on the carpet. The shrine Ardabili carpet consist of 340 knots per square inch, while today only hold 80-160 knots per square inch. The knot count is the backbone for its inclusion, and whether it was made in a royalty workshop or not there has been evidence that proves the existence of court workshop in the 15th and …show more content…
The court official in charge of the carpet was assumed to be Maqsud. Who presented himself as a slaved, but was probably a humbled servant. The carpet is presumed to take four years to make. The carpet includes the date it was made which was 946, and is on the fourth line of the inscription. Known as the year of Hijra, was the beginning of the Muslim calendar in the year 620 CE. The same year Muhammad left and ran from Mecca to Medina. The design of the carpet stands as a great constitution of artisan artwork in the 1530s located in the northwest region of
He makes coverlets to which he attaches his seal; his courtiers sell them in the market, and the great ones of the land purchase them, and the proceeds thereof provide his sustenance.” New religious items seem to appear to cross over into the homes of others. Sundiata emphasizes “the tabala was the royal ceremonial drum, one of the insignia of Muslim kingship” as the tabala proves the further acceptance of Islam especially since it was often presented by the cities many merchants who spent more time with the nobility then those of lower class. The reason for this was that “In the case of Christianity and Buddhism, empire was the main vehicle for their growth.in the case of Islam. Thought it that it was religion that created empire Muslim leaders had to form their own institutional system; and as their spiritual aspirations spread, the political imagination evolved into an imperial one.
“Name one significant figure, in Islam and analyse their impact on the lives of adherents”
Springfield, IL: Charles Thomas Publishers, 2009. Print. Necipoglu, Gulru. Muqarnas, Vol 25: Frontiers of Islamic Art and Architecture.
Bihzad has placed strong emphasis on the complexity of the palace’s architecture which he has adorned with colorful ornaments and emblazoned with gold. Each room is decorated with rugs and tiles featuring complex floral and asymmetrical patterns that cover each chamber from floor to ceiling. The palace appears to be three stories tall and features a balcony on the left and a zigzagging staircase on the right. The asymmetrical style of these two architectural features gives the impression of the work being 3-dimensional ...
Khan, H. I. 1990. Sufi Mysticism: The Sufi Message. 10th volume. Geneva: International Headquarters of the Sufi Movement.
Through out history, architecture has played an important role in ultimately defining the upbringing of a culture. Whether it be instilled for upholding the traditions or adapting over time through conquering and replicating previous dynasties, architecture is molded with the artistry of its environment and people. Two dynasties that are great examples of phenomenal architecture are the Ottomans and the Safavids. Though both dynasties have comparable traits in exterior and interior in design, they also have qualities that are exclusive to their own. We shall further discuss into the origins of both dynasties while correlating them through deeper analysis.
...era to protect the dynasty and religion. Furthermore, it presents itself as an art object representative of the ottoman period due to the material used, arabesque and calligraphic inscriptions.
Al Ghazali a significant person in Islam has helped shape Islam to be what it is today - a living religious tradition for the lives of its adherents. His contribution to Islam though his theories, knowledge and works have left a positive impact upon the Islamic world that continues into the present. An everlasting impact upon the faith, Muslims and the expansion of Islam to be one of the most popular religious traditions in the present world for the lives of its adherents is seen as Al Ghazali’s
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Because they were basically gardeners was the main reason that I chose the Anasazi culture and I am drawn to their cliff dwellings. Vegetable crops provided a reliable food source that allowed time for other interests such as religion, art, ritual and handicrafts. Other innovations included the bow and arrow which eventually replaced spears and dogs were bred, possibly for use as hunting dogs and companions. Artworks included clay pottery, turquoise jewelry, and crude clay figurines. The Anasazi pottery is well made, smooth and symmetrical and balanced. Pieces are decorated with birds, people and geometric designs. These patterns enhance the curved and balanced shape of the piece. The lines are simple and sharp and they developed a distinctive black on white pottery. Some of the pottery designs that the Anasazi created are still being duplicated and displayed today. The Anasazi wove blankets, robes, kilts and shirts. One of their favorite designs to use in artworks was a zigzag pattern that represented lightning and rain. Before they learned the art of pottery, they were skilled basket makers and their designs included complicated color patterns worked into
Murata, Sachiko. "Sufi Teachings in Neo-Confucian Islam." Indiana University. N.p., 25 Apr. 2005. Web. 3 Nov. 2013. .
The origin of this style was the result of his second visit in 1936 to the fourteenth-century palace of the Alhambra in Granada, Spain. The lavish tile work
...oday Turkey leads the world in a return to traditional kilim rug production. Because every rug is hand-woven according to age-old traditions, each is a unique work of ethnic art.