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The theme of death in literature
The theme of death in literature
Essay death in literature
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The first painting portrays an image that is, "dark and large" and "flecked with foam", indicating the dark complexion of Bertha Mason, who is from the Caribbean, her imposing size, and, with the addition of foam from the rabies and madness, her own insanity. It steals from the "fair arm," (Jane) a golden bracelet studded with gems for, perhaps, a wedding band, symbolizing the failed marriage ceremony between Rochester and Jane. The sudden announcement of Rochester's bigamist relationship to Bertha snatches away the wedding band that should have been on Jane's finger, instead returning it to Bertha, leaving Jane to drown in her emotions before she resolves to flee Thornfield. In comparison, critic Mark Kinkead-Weekes argues that the paintings …show more content…
The head in the painting represents Jane, her love, and her hopes in life. The iceberg represents Rochester, his incredulity, and iciness in which can cannot “derive warmth”. Just like an iceberg, Jane can only see part of Rochester, while there is much more hiding below the surface. Moreover, this painting illustrates death, particularly of Jane’s hopes and love. Jane states: “a brow quite bloodless…and an eye hollow and fixed, blank of meaning but for the glassiness of despair”. This aspect of the painting reflects Jane’s future conflict at hearing the news of Bertha Mason and thus the death of her hopes of marrying Rochester. The imagery of death in this passage corresponds to the imagery of death in the painting. Even though Jane does not know her own future at the time she paints these watercolors and shows them to Rochester, they reflect truths about her own life and feelings in the future. Her subconscious spirit, which sees the images before she paints them, knows what her destiny holds even though her conscious self cannot be aware of it. The idea that Jane’s paintings were guided by her unconscious would be a notion greatly welcomed by Sigmund Freud, who believed art was about unconscious instincts. One of Freud’s most famous quotes: “The unconscious is the true psychical reality; in its innermost nature it is as much unknown to us as the reality of the external world,” is an accurate representation of Jane’s paintings. They are a depiction of her unconscious thoughts, just as he believed art
Surprisingly, fifty years later, artist John Sloan happen to meet all the qualifications Baudelaire has designed for Monsieur G— making urban life observations and drawing from memory. Sloan adopts and employs Baudelaire’s idea of urban watching and further expands it for an American audience. Born and raised in Philadelphia, John Sloan first begun his art career as a newspaper illustrator. After years of working, he developed his own artistic style and started making paintings and etchings. When he moved from Philadelphia to New York, he has found that city life scenes of great interest that he then started observing and making etchings for scenes of modern life. He was well-known and celebrated as the founder of the Ashcan School and was most celebrated for this urban genre scenes. (Lobel, Chapter1)
“A hidden weight seemed to attach itself to simple objects—a teacup, a doorknob, a glass—hardly noticeable at first, beyond the sense that every move required a slightly greater exertion of energy”(187). In Nicole Krauss’ short story, “The Young Painters”, Krauss brings across the idea of guilt swallowing the narrator because of her decision to steal a frightening story told to her by a dancer and recreate the story and publish it as her own work. In the first scene, the author encounters a captivating painter in the dancer’s home which she later discovers has a intense backstory. She later publishes the story as her own but adds a happy twist to deemphasize the horror of the original story. In the second scene, after an odd encounter with
Born in 1951 in Osaka, the third largest city in Japan, Yasumasa Morimura is a Japanese artist who has become well-known for his captivating and elaborate portraits which emulate iconic art historical images as well as aspects of mass media and popular Western culture. He is able to realistically slide into the roles of art historical icons such as the Mona Lisa as well as prominent actresses such as Marilyn Monroe through extensive preparation. A majority of his portraits deal with issues such as cultural and sexual appropriation as well as the multifaceted, complicated relationship between Japan and the West. Costumes, makeup, props, and digital manipulation are used to produce provocative, large-scale self-portraits which challenge these
Due to Jane’s husband enforcing a life in confinement due to her nervous breakdowns, it only takes a little time for the isolation to drive her mad. In the beginning of the story, it is clear that the narrator, Jane, suffers from post-natal depression, which is a common effect after childbirth. The way Jane sees her living quarters is much different than it actually is. She imagines the rings on the walls, the torn up wallpaper, and the bars on the windows as a nursery or a school for boys, when those features actually lead the audience to realize that it is a room for the mentally ill. Her husband, also her physician, believes that in order for her metal illness to be cured is to forbid her from exercising her imagination, working, and to keep her locked away. However, his theory proves to be wrong when her mind begins to see a world inside the wallpaper, caused by the abuse from confinement. Although her husband is doing this for what he thinks is best for her well
The Harlem Renaissance is the birth of rich African American culture through art, music, and literature. It began in the early 1910’s into the mid 1930’s. Harlem is a neighborhood in New York which during that era turned into a predominately African American area. This started during World War I, and workers were recruited to the Northern states because manual labor workers were needed. Many brilliant African Americans of their time arose from the Harlem area such as Langston Hughes, Jacob Lawrence, and Palmer Hayden just to name a few. The spirit of the Harlem Renaissance is powerful and lively. African Americans had gone through extreme circumstances physically and emotionally to be able to get to places such as Harlem. One
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
When Jane arrives at the summer estate with her husband, a physician of some repute, she immediately begins to fantasize that the location is haunted, at the least strange, she can “feel it” (479). We begin to see that something is occurring with her mentally, that possibly she is the one feeling strange. “This is our first intimation that all is not right, though whether with the house, or with Jane, we have yet to be told. However, the fact that she tells us at the beginning that this is not a haunted house, suggests that the "queerness" will lie with her” (Kerr). This is again reinforced in the next lines when she confesses that she get “unreasonably angry” with her husband (479). She is sure that she “never use to be this way” (479). This is the effects of her suffering from postpartum depression, finally falling under a psychosis by story’s end.
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others, whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the many other recognized facets of art including architecture, drama, literature, sculpting, and music. My research is based on Vincent van Gogh art, and two art paintings that I choose to study is The Starry Night, 1889, and the second art is The Sower 1888. Vincent van Gogh’s is known for Impressionism, that occurs to us in these times, much more to affirm close links with tradition, and to represent
The artwork I chose for the art criticism project was ‘The Survivors’ by Kathe Kollwitz. The piece was created in 1923 in Berlin, Germany, where she resided with her husband. She and her husband resided in a poorer area, and it is believed to have contributed too much of her artwork style. ‘The Survivors’ is currently displayed in two museums, the MoMA and the Kathe Kollwitz Museum. In the piece there is a woman directly in the middle, with sunken in cheek bones is draped in a black cloak. Her arms are around three small children, who look very frightened. On each side of her body there are an additional four small children who convey sadness upon their innocent faces. Also, they are outstretching their arms as if they are begging for her to give them something. In the background, on the top left side, there are two elderly men with their heads down, looking as if they are very sad and
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
She does this by demonstrating illnesses, deaths and sorrow of the loved ones leaving and diseases. By doing this Mary shelly is representing life as a pathetic game, which has no other meanings than depression and grief, and how easily it could be vanished. Examples in volume I could be the death of Elizabeth’s parents, the sickness of Elizabeth, the sickness and death of Victor’s mother, murder of William and the beheading of Justine. But Mary shelly also represents nature and life as very pleasant and euphoric. This is done by the illustration of love, kindness and compassion.
In the poem “One Art” the thesis statement declared in the first stanza, on the first line as “The art of losing isn’t hard to master” also repeating it again in line 6 and 12. The statement is better interpreted as “The skill of losing is not hard to attain”. Bishop speaks in the poem as if she has successfully mastered the skill of losing. She also goes around in circles admitting that the art of losing is not hard to master as if that is what she is making herself believe is true. She is also helping the reader create a habit as the reader reads and repeats the refrain of “The art of losing isn’t hard to master” not to mention the line 4 where she tells the reader to make it a habit to, “Lose something every day”.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
Imagery is a big component to most works of poetry. Authors strive to achieve a certain image for the reader to paint in their mind. Dickinson tries to paint a picture of ?death? in her own words. Thomas A. Johnson, an interpretive author of Dickinson's work, says that ?In 1863 Death came into full statue as a person. ?Because I could not stop for Death? is a superlative achievement wherein Death becomes one of the greatest characters of literature? (Johnson). Dickinson's picture to the audience is created by making ?Death? an actual character in the poem. By her constantly calling death either ?his? or ?he,? she denotes a specific person and gender. Dickinson also compares ?Death? to having the same human qualities as the other character in the poem. She has ?Death? physically arriving and taking the other character in the carriage with him. In the poem, Dickinson shows the reader her interpretation of what this person is going through as they are dying and being taken away by ?Death?. Dickinson gives images such as ?The Dews drew quivering and chill --? and ?A Swelling of the Ground --? (14, 18). In both of these lines, Dickinson has the reader conjure up subtle images of death. The ?quivering an chill? brings to the reader's mind of death being ...
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.