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Essays on abusive relationships
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Essays on abusive relationships
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Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” leaves readers wondering what exactly happens to Connie, the main character, at the end of the story. Connie is a typical teenaged girl who would rather listen to music and flirt with boys than allocate any of her precious time to her family. While Connie is home alone on a warm summer day, a man in a convertible jalopy arrives at her house. She recognizes the man from the night before and he encourages Connie to go for a ride with him. As Connie’s hesitation grows, the man’s tone becomes more threatening, leaving Connie in a panicked state. Indistinct detail used by Oates leaves the ending of the story open to interpretation. The attack on Connie and the events leading …show more content…
up to the attack, as well as the poetic language used to suggest that Connie is dead, indicates that Arnold Friend kills Connie at the end of the story. Language used by Oates strongly suggests that Arnold Friend’s threatening behavior leads to a deadly attack on Connie.
Arnold threatens Connie, as well as her family on numerous occasions throughout the story. These threats indicate that something terrible will happen to Connie, hinting that Arnold will kill Connie, if she refuses to obey his demands. To keep Connie from calling for help, Arnold says, “Soon as you touch the phone I don’t need to keep my promise and can come inside. You won’t want that” (Oates). Arnold continues to threaten Connie by saying, “If you don’t come out we’re gonna wait till your people come home and then they’re all going to get it” (Oates). Along with verbal threats, the language used to describe Connie being attacked suggests that she dies in the story. Connie is described as being violently attacked by Arnold Friend. The irregular and panicked breathing of Connie represents Arnold repeatedly stabbing her while she attempts to call for help. Despite Connie’s poor relationship with her mother, she still cries out for her, proving that Connie is in a great deal of danger. It is described that Connie, “Began to scream into the phone… She cried for her mother, she felt her breath start jerking back and forth in her lungs as if it were something Arnold Friend was stabbing her with again and again with no tenderness” (Oates). Another indication that alludes to Connie’s death is when Connie begins to accept her fate shortly after being attacked. Connie comes to a realization that she may not see her family again. She understands that she is dying and accepts the fact that she will never sleep in her own bed again. Connie’s wet blouse corresponds to the stabbing; representing the blood that has began to seep through her clothing. Oates shares, “She thought, I’m not going to see my mother again. She thought, I’m not going to sleep in my bed again. Her bright green blouse was all wet.” In addition to the attack on Connie and
the events leading up to the attack, the use of enigmatic writing towards the end of the story suggests that Connie is dead. Poetic language used by Oates indicates that Arnold Friend kills Connie. Connie’s life is described to be slowly fading away. The pinpoint of light that Connie sees represents her life beginning to come to an end. Her once panicked state has now vanished. Oates shares, “She was hollow with what had been fear but what was now just an emptiness… Deep inside her brain was something like a pinpoint of light that kept going and would not let her relax.” Furthermore, it appears that Connie experiences dissociation from her own body in the story. Connie sees herself walk outside into the sunlight, leaving her body at the doorway. As she pushes open the door, she is leaving the living world and moving into the afterlife. Oates describes, “She watched herself push the door slowly open as if she were back safe somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight.” In addition to this, Oates depicts Connie entering the afterlife. The sunlight land that Connie sees is symbolic of her transition into the afterlife. The land is foreign to her, yet she somehow knows that she is headed towards it. Connie has finally made peace with her passing. Oates illustrates Connie’s experience by saying; “The vast sunlight reaches of the land behind him and on all sides of him - so much land that Connie had never seen before and did not recognize except to know that she was going to it.” Both the language used to describe the attack on Connie, as well as the poetic language suggesting that Connie has passed, supports the claim that Arnold Friend kills Connie at the end of the story. The ambiguous ending of “Where Are You Going, Where Have You Been?” has the capability of leaving reader puzzled, ultimately highlighting the success of Joyce Carol Oates.
That’s right. Come over here to me… Now come out through the kitchen to me, honey, and let’s see a smile, try it, you’re a brave, sweet little girl’”(Oates 7). “She put her hand against the screen. She watch herself push the door slowly open as if she were back safe somewherein the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited”(7). What had gotten into Connie, why would she go out with Arnold knowing that all he is going to do is hurt her. Readers may think she is a state of shock and the only thing she can do to protect her family is by going with Arnold.
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
I think in some strange way Arnold becomes to Connie the way to escape into her fantasy. When she learns his true intentions she is scared to death at first but eventually that fear gives way to "an emptiness." Connie thinks, "I'm not going to see my mother again... I'm not going to sleep in my bed again.
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
Oates, Joyce C. "Where Are You Going? Where Have You Been?" Compact Literature. By Laurie G. Kirszner and Stephen R. Mandell. 8th ed. Boston: Wadsworth, 2013. 505-16. Print.
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
Oates, Joyce Carol. Where Are You Going, Where Have You Been? Backpack Literature. Upper Saddle River, New Jersey: Pearson Education, 2010. Print.
Joyce Carol Oates intrigues readers in her fictional piece “Where Are You Going, Where Have You Been” by examining the life of a fifteen year old girl. She is beautiful, and her name is Connie. Oates lets the reader know that “everything about her [Connie] had two sides to it, one for home, and one for anywhere but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the majority of her time absorbed with daydreams “about the boys she met”(28). This daydreaming behavior is observable to the reader throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to believe that Connie’s experience with Arnold Friend is a nightmare used to awaken her to the consequences that her behavior could result in.
Have you ever been so focused on achieving your dreams that you become unaware of your current situation? When we focus on the goals ahead of us, we fail to see the obstacles and dangers that are in front of us. In order to achieve our goals we involuntarily put ourselves in an unwanted situation. Connie, herself, struggles to achieve her goal of being a desirable girl that turns heads when she walks into the room. She becomes so set on being this girl that she doesn’t realize the danger of the situation. In “Where Are You Going, Where Have You Been?” Oates utilizes metaphors, diction, and imagery to show how Connie is in a constant tug between her reality and her dreams, and how this confines her freedoms in a world that is surrounded with malevolence.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
Where Are You Going, Where have you been? is a short story written by Joyce Carol Oates. The 75 year old American author and professor at Princeton University, introduce the story of 15 year old Connie who is rebelling against her mother’s whishes. A very arrogant and selfish girl that in her world the only thing that matters is how many heads she can turn when walking into a room. Through the story life gives her a test, to confront Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience.
When approached by Arnold Friend at first, she was skeptical but was still charmed by him. As she began to feel uneasy, Connie could have used her intuition to realize that he was trouble. Once she had been engaged by Arnold, her life was over. The influences on Connie and her lack of instilled reasoning led to her down fall. Her family’s fragmented nature was echoed in her actions; consequently, she was unable to communicate with her parents, and she was never was able to learn anything of significance. She felt abandoned and rejected, because no one took the initiative to teach her how to make good decisions. Connie was unable to mature until she was faced with death and self sacrifice. In the end, her situation made it difficult for her to think and reason beyond the position she was in. By not being able apply insight, she fell into Arnold Friends lure. Misguidance by the parents strongly contributed to Connie’s
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
Jackson does not reveal the woman's fate until the end of her story, while in Oates’s story, I Knew from the beginning that the young girl’s situation was not going to end pretty. As Michael Timko of News world Communications would say, “While the author declined to tell what she meant, she does provide the careful reader with some clues. The full impact of the story depends on absorbing the various literary nuances of the story, especially tone, irony, and theme” (Timko). He proves that Jackson gives a few hints but the ending is still in the air until Jackson finally reveals her fate in the end of the story. In “Where Are You Going, Where Have You Been?” the fate of Connie is clear, As Laura Kalpakian of The Southern Review stated, “She has no volition, no choices, and therefore it's hard to see her even as
Connie Oates’s “Where Are You Going, Where Have You Been?” is told in chronological order with the third person point of view. The story mainly talks about how naive Connnie, the main character grows up and become a mature girl. In the beginning of the story, the writer describes Connie as a confident, pretty, and young girl. Connie does not like her sister June because her mother always compare her with her sister. She even wishes her sister to be dead. Her father only hangs around with family when they are having a dinner, but he only read newspapers and when he is done, he just leaves and go to bed. From here, the exposition of the story ended and the inciting event occurs. She often hangs out with her friends outside and one night, they go out and meet a boy Eddie and a man