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The importance of cultural preservation
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As the grand parade of time marches on, it tramples over the delicate arts, taking with it pieces irreplaceably stolen, never to fully return. However, modern restoration techniques can bring these muddled, damaged, and tainted works of art into the light to be enjoyed more thoroughly as they once were. By stripping these pieces of the hardships endured throughout the years and bringing out their originality, restoration leaves the viewer with a more accurate perception of what the piece always has looked like. While some argue by attempting to “fix” the work of art it destroys the work in the process, but these works are revived through safe methods, thus no longer seen through the dirty lense of age and previous improper restorations. As …show more content…
According to the Smithsonian Institution, Restoration aims to repair loss paintings may have suffered, such as: paint chipping, weakened canvases, tears, water damage, fire damage, and insect damage. In this process, the restorer does not aim to replace or cover up the original work with something better, but to “stabilize the remaining original artwork and integrate any repairs in order to preserve the artist's original intent.” (Smithsonian)** Despite conservators not having the intention to the message portrayed by a painting by cleaning it, many art critics still find issue with this practice; one painting cleaning in particular sparked much controversy throughout the art community, Leonardo Da Vinci’s “The Virgin and Child with St. Anne”. **The classic painting was cleaned of its discolored varnish that left the image of the work to darken throughout the years. When the old varnish was removed, many critics claimed the painting to now be “too bright”, despite in reality the cleaning bringing the painting closer to its former glory. While cleaning another Da Vinci painting, “The Last Supper”, old restorations that changed the painting significantly were found. With this discovery, modern restorers now know what the original looked like without unfit changes and are able to fix the work to be more
There has been few works of art that have created as much esteem, contestation and conjecture as The Last Supper, which was completed by Da Vinci in 1498. The painting depicts the scene of the last supper of Jesus with his disciples as depicted in the gospel of John 13:21: “When Jesus had said these things, he was troubled in the Spirit, and testified, and said, Verily, verily I say unto you, that one of you shall betray me.” The painting shows all of the disciples, Bartholomew, James, Andrew, Judas, Peter, John, Thomas, James the greater, Philip, Matthew, Jude Thaddeus, and Simon the zealot, all which are surprised by the accusation that Jesus made onto them, as depicted by Leonardo Da Vinci. What is the most captivating about this painting is not what we know, but what we don’t know. In other words, it is the enigma of this painting that enamors.
In “The Gilded Six-Bits,” Zora Neale Hurston uses several techniques to characterize Joe and Missy May, the main couple throughout the story. Hurston uses her own life experiences to characterize Joe and Missy May and their marriage. She also shows their character development through her writing styles and techniques, which show reactions and responses between Joe and Missy May to strengthen the development of their relationship. Hurston supports her character development through her writing style, her characters dialect, and includes experiences from her own life to portray a sense of reality to her character’s personalities.
With the different styles of artists’ works planned to be showcased in this exhibition I hope viewers will be able to see what sorts of artworks were being done during the Renaissance that do not consist of works done by Michelangelo, da Vinci, Donatello, or Raphael. With a topic not usually covered when studying about Renaissance artist, I hope viewers will be able to not only learn about the interesting stories of famous Martyrdoms, but also learn about some of the lesser known Renaissance artists and their styles. Paintings of angles and landscapes from the Renaissance may look pretty but with these different and shocking pieces I hope to create an exhibition that will not soon fade away from visitor’s memories after they leave the National Gallery.
The St. Louis Art Museum is one of the United States most renowned art museums that is located in our very own St. Louis. It has over 30,000 pieces of exquisite art that I had the privilege to witness. While there, I mainly examined the art pieces that were modern art, since that is of what I have a good working knowledge. There is a wide range of art that I also got to witness including the sculptures and the museum itself. In the past year, they have recently installed a new sector of their establishment that has done nothing less than enhance the entire museum’s overall beauty. The St. Louis Art Museum, there are many beautiful works, but there were three special projects that caught my eye while I was there. The Contemporary art periods, Modern art periods, the American art periods, and the museum itself.
Leonardo’s version of the Last Supper was painted El fresco depicting the scene passively without emotion. The work has the supper table horizontal across the lower third and Jesus and his twelve disciples dining behind it, before a backdrop of both man made structure and natural landscape. The artwork is un-cluttered and simple. The lighting is subtle and non-dramatic. Colour is conservative and dull this is partly due to the limited paint available and the technique and decay of fresco painting. The wor...
The Civil War is arguably the darkest point in American history, as it is the only point in which thousands of Americans are being killed by their fellow countrymen. However, the period following was just as dark from a more political, social, and economic point of view. This period of time taking place from 1865-1877 is usually known as Reconstruction because the south is "reconstructing" from the damages of the war. However, many historians argue that this period of time is improperly named and should be called restoration. As this argument goes on, I would say that both terms are correct, and in fact both reconstruction and restoration are needed to describe the time period following the Civil War.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Walter Benjamin emphasizes in his essay, “The Work of Art in the Age of its Technological Reproducibility” that technology used to make an artwork has changed the way it was received, and its “aura”. Aura represents the originality and authenticity of a work of art that has not been reproduced. The Sistine Chapel in the Vatican is an example of a work that has been and truly a beacon of art. It has brought a benefit and enlightenment to the art of painting, and it has an exemplary aura that cannot be replaced. A picture taken of the Sistine Chapel is just an imaged “captured”, while the painting is still original, because it is not movable, and its cult value is still intact. He asserts that the origin of an artwork gave its aura and authenticity and since it is not moveable, it does not have the ability to be reproduced by other artists. Therefore, the aura and authenticity is autocratic. For instance, the Sistine Chapel is owned and controlled by the Vatican—Catholic Cardinals. They control its usage to the masses. Once art becomes available to the masses, it becomes in a way ‘successful.’ In addition, he calls to attention that the forces of commercialization have subjected the aura of an artwork to cheapening cult value, which is a positive outcome for the masses.
"" Title="Art History Unstuffed" Art History Unstuffed." Art History Unstuffed RSS. N.p., n.d. Web. 23 Oct. 2013.
Should I Stay or Should I Go? That is the question that surrounds the topic of Confederate Monuments around the United States. Throughout history the idea of removing the Confederate Monuments is the popular choice among decision makers, citing that the monuments have a sense of evilness consequently flaring up racial emotions. Strong points are continuously being made for the removal of Confederate Monuments, however the Confederate monuments should remain in public places because they honor timeless virtues, the monuments provide an opportunity to reflect upon our nation’s past as well as an opportunity to educate future generations.
The shift between the Middle Ages and Renaissance was documented in art for future generations. It is because of the changes in art during this time that art historians today understand the historical placement and the socio-economic, political, and religious changes of the time. Art is a visual interpretation of one’s beliefs and way of life; it is through the art from these periods that we today understand exactly what was taking place and why it was happening. These shifts did not happen overnight, but instead changed gradually though years and years of art, and it is through them that we have record of some of the most important changes of historic times.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
Leonardo da Vinci used flawless subject matter, form, content, and iconography to create his painting The Last Supper. Leonardo da Vinci painted his interpretation of what the Last Supper looked like through his work of art. In the center of his painting he painted Jesus Christ, the son of God, in the middle of all of his disciples. On each side of him there are an even number of six disciples sitting at a table pointing to themselves and to each other. Da Vinci painted this scene inside of a dark room with three windows, eight doors, and a beautiful outside environment. In order to paint this scene da Vinci used flawless form.
The subject of art conservation and restoration has long been debated in the art world. Experts and historians have never agreed that all art must be salvaged at any cost. This paper will examine what art conservation and restoration is, what is involved in these endeavors, and what has been done over the centuries to many of history’s cherished art pieces.
...mpted to restore the mural. However the project was started in 1978 managed by Pinin Brambilla Barcilon. Finally after twenty-one years the restoration of The Last Supper was complete in 1999. On May 28th, 1999 the mural was taken back to its original display. The painting is now conserved by a high-tech air filtering system, moisture monitoring environment, and dust-filtering compartments. Visitors may visit only if reservations have been made and groups are limited to 25 people for viewing times of only 15 minutes.