Is context one of key elements for generating significant Architecture? It is said that Architecture, to be successful, has to be influential and relevant. Architecture does not exist in isolation but as a part of the environment. Architecture can be influenced by different factors, context being one of it. Context acts as an external elements influencing an object. These elements are physical and non-physical. Physical elements are roads, buildings and site while non-physical elements are weather condition, local culture, client requirements, functions as well as politics and economics. Context can also be described as the different elements that make up a frame of reference from which an architect may begin to work.
Context helps in creating an effective design because it also defines the building material selection, architectural style and site layout. All these promotes continuity between the building and local conditions. "Master planning starts with an assessments of the ecology of the site and its context, we need to know what is there before we can introduce something new." Context is influencing modern architecture design. Building designed for one place, region or country will never fit exactly in another place, region or country because
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This building can be seen as the result of development of culture in Australia. For the establishment of school of music, committee was formed for cultural facility and final design was set up with the large theater, concert hall, art gallery, music school and art school. Then in 1963 site was chosen in Manuka and in 1965 Ernest Llewellyn was announced as the director of school of music. This building offered full time diploma, practical study of piano, violin, voila, flute, guitar, clarinet, brass, percussion, voice and theoretical areas of study. These varieties of instrumental study shows the development in culture in
We often focus on the many different materials and products needed to make that special architectural structure. We tend to undermine and dilute the cost and time it takes to be able to follow through and complete such a task. However, the most important thing when
The main elements of a building are: Region, the space they inhibit; Platform, the space where they built; Compartation, how they cut the space, plan the structure; the walling, the roof and the apertures which are the opening and windows. Some consider that ornament is something additional to a entirely useful entity to make it more outstanding. Others suppose that ornament is intrinsic to an object and the only way to observe the attractiveness of that thing is to apprehend its adornment.
There are seven different design principles, which Olmsted incorporated into his projects that start with the letter S: scenery, suitability, style, subordination, separation, sanitation, and service. The scenery aspect of design is about “the small spaces and areas [that are] intended for active use. [It is the] creation of designs that give an enhanced sense of space: indefinite boundaries [and the] constant opening up of new view.” Olmsted also wanted to avoid the “hard-edge [and] specimen planting” because these make the landscape seem less natural and more manmade. Suitability is the “creation of designs that are in keeping with the natural scenery and topography of the site: respect for, and full utilization of, the ‘genius of the place.’” Style has to do with “designing in specific styles, [because] each [various style will create] a particular effect” on the entire area. Depending on what is done, a calm place can be created that is full of richness or even a place that seems uneasy and full of mystery. Subordination is the overall design and the effect it is intended to achieve. Separation deals with “areas designed in different styles.” Each one needs to be set apart from one another “in order to insure safety of use and reduce distractions for those using the space; separation of conflicting or incompatible uses.” Sanitation is about creating a place that has “adequate drainage and other engineering considerations [that] promote both the physical and mental health of” people who occupy the space. In service, the designs should “service a
This explains why for ‘many directors, commercial and industrial architecture are just a necessary shell for their business processes’ (Susanne-Knittel Ammerschuber (2006) pg10). They consider dimensions for example surfaces, floor levels and converted space to be the stand out feature of this corporate architecture. Through doing this, the architectural ethos is overlooked during design. The architectural potential is therefore limited as it tends to overlook the surrounding context; the urban environment, local identity as well as the surrounding landscape design. Instead it...
are used as the integral components of the architectural design, this reflecting a conceptual cohesion that is missed in previous architecture.
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
Remarkably, unlike in the description of art or music, the notion of atmosphere remains largely unaddressed in architecture. Atmosphere, can be argued, is the very initial and immediate experience of space and can be understood as a notion that addresses architectural quality, but the discussion of atmosphere in architecture will always entail, by definition, a certain ambiguity. After all, atmosphere is something personal, vague, ephemeral and difficult to capture in text or design, impossible to define or analyse. Atmosphere, Mark Wigley says, “evades analysis, it’s not easily defined, constructed or controlled”.
Great architecture cannot exist in a vacuum. Buildings are designed by people and for people and are as much the study of humanity as they are of structure. Great architecture considers function and organizes human use of a space for that function in a compassionate and elegant way. Architects trying to accomplish this goal study human movement and flow and try to accommodate the needs of the present and anticipate the needs of the future. Great architecture belongs to a time and place while simultaneously employing a sense of timelessness.
Being an architect is a very important thing, you have a large amount of responsibility. You control a large aspect of someone’s life whether it is where they walk in a shopping centre or where they sleep and eat, and that is why it is very important to design for yourself and your client. You have to imagine the space as if you were there, you need it to be
As elements of interior design develop, “Interior Designipedia is solution orientated for each of your design projects and in constantly changing” (Yule 1). “Of all the component elements that together form a completed interior, the single most important element is space” (Britannica School High 3). Many parts of design make a big impact on how they make the room feel. “Interior design styles are essentially about building an environment to seduce the emotions” (Yule 1). For example the “Textures can evoke feeling of elegance such as silk or informality such as rough, tweedy materials” (Britannica School High 6). Sculptures are very traditional pieces that add a great element to rooms (6). Another design element is lighting, which is one of the most important parts of design (Yule 3). As stated before, “light, both natural and artificial, is one of the most important design elements” (Britannica School High 4). Many of the interior designs used in the United S...
the client's brief and project goals and the site context are the starting point and inspiration towards architecture. The skill of an architect’s is to ensure that those ideas and objectives are maintained, or developed, as the project progresses through each stage.
Every person with a job, no matter what occupation, makes an impact on society in some way, shape, or form. Some people leave their legacy by defending people in court, some saving lives in a hospital, and others planning and building works of construction. These planners have a large-scale effect on everybody in society and have an eye for detail, as well as enjoy using mathematics to ensure proper construction. That is why I have chosen architecture to be my career. An architect is a person who designs buildings and supervises their construction. A broader view of an architect is a person who is responsible for inventing or realizing a particular idea or project. Architecture varies from the pillars of the Greek Parthenon, to peoples’ homes. I often find myself marveling over the design of large-scale building projects such as the skyscrapers of New York City. Most of these buildings belong to a myriad of well-known companies such as Chase and Toshiba. That is why I have particularly chosen to become a commercial architect.
Constantly judged and evolving, the practice of architecture is forever plagued by the future. The future of people, of culture, technology and its resulting implications on the built environment that more often than not, outlives their creators. Much of the conversation surrounding this future architecture currently hinges itself on the creation of new experiences, forms and spatial relationships brought about by technological innovation.
Times have changed since days of Vitruvius, the inevitable advancement in technology, rapid global population increase and an ever developing awareness of the sustainability of our environment have forced the architect into different positions in the project team Thus it can be said that the external forces that shape the environment that an architect works in does so by manipulating the relationship between the skills required to practice; the scope of expertise and the depth of knowledge. Fig. 3 indicates a diagrammatic timeline representing the changing roles of the architect over the various time periods with respect to the scope and depth of
There are 25 major specialties in engineering that are recognized by professional societies. In any one of those 25 specialties, the goal of the engineer is the same. The goal is to be able to come up with a cost effective design that aids people in the tasks they face each day. Whether it be the coffee machine in the morning or the roads and highways we travel, or even the cars we travel in, it was all an idea that started with an engineer. Someone engineered each idea to make it the best solution to a problem. Even though engineer’s goals are similar, there are many different things that engineers do within their selected field of engineering. This paper will focus on the architectural field of engineering.