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The Road: An Archetypal Criticism A master of abstract, violent stories filled with biblical alliterations, Cormac McCarthy writes about a nameless man and son traversing a barren wasteland of post-apocalyptic America on an idealistic journey on the titular road of the book. Brimming with symbolism and the ancient struggle of good vs. evil, McCarthy’s forte, he questions what would happen if a worldwide catastrophe were to occur. Father and son travel facing the evils that have perpetrated this now “godless” land. McCarthy focused on the human emotions of fear and hope as well as the dynamics of the father son relationship. But what makes his novel special is how he uses biblical allusions to deepen his novel. Turning the boy into a symbol of Christ McCarthy created an almost parable like story filled with abstract yet apparent symbolism and allusions to stories and characters from the Bible. A lifeless, ash-coated America is the setting, the book, is placed in. The two antagonists are faced with brutal weather, cannibals, starvation and the threat of isolation if one were to die. Groups of people are stowed away in hidden places as …show more content…
if they were other people’s food supply. In a book filled with virtual zombies and fixated on the living dead, it turns out that they are (“Road Through Hell” 1). It’s no wonder the father and son lean so heavily on one another for support in this disturbing heartless road on which they travel. At first glance the book’s plot appears to be the classic hero’s journey, our antagonists, stuck in a terrible plight, travel along a dangerous path in the search for the goal at the end. While this is true, The Road, has a bit more to offer than most. The man, a fighter desperate to reach his goal while knowing they will never stop traveling, pushed on solely because of the boy. The selfless and caring child is alone in his feelings in this crass hate-filled world. He is the shining light in the ash covered landscape, a replacement for the fog covered sun. It is no secret that the Man would die if something were to happen to the boy. Before getting to the more glaring Biblical references, the terrain and the apocalyptic cataclysm themselves set the tone for a novel with Theological merit. The world is covered in ash and fire, contrasting closely with the “fire and brimstone” from the Bible. For the most part everything good is gone, criminals and murderers cover the land much like the stories in the book of Revelations, leaving an earth in even more desperate need of a savior. The catastrophe that brought this on could be an allusion to the “Rapture”. Which is the Biblical telling of the end of the world and McCarthy mimics the accounts of this event closely in The Road. This connection once again leads the reader to assume that these Biblical references have a deeper meaning and are the background to the biggest symbol being the boy. Ziolkowski explains in his book, Fictional Transfigurations of Christ, that the symbol of a Christ figure has broadened throughout history and is no longer only used to refer to someone who has an archetypal redemptive death, but can refer to any character that exhibits Christ like behaviors (Ziolkowski 3). Jesus is often alluded to in works of literature from obvious symbolism as with Harry Potter or Aslan, Narnia, to vaguer allusions like Atticus from To Kill a Mockingbird. Nonetheless it is often easy to tell when a character symbolizes Christ even in if it is in an inexplicit way due to the saturation of Christ in our society. In the New Testament epistle, “Revelations”, Jesus will come as a “thief in the night” to save the faithful from the Apocalypse. This is closely akin with, The Road, the boy being the least likely of people to rescue others yet he does. This is one of the most striking similarities between Christ and the boy. Like Jesus he comes as an unassuming character, a boy, with temperance and prudence, and an ordinarily appearing man in the case of the Jesus, but both are obviously special and possess divine qualities. Intertwining the twos meaning to their individual stories together. This adds meaning to McCarthy’s book. Without the boy there is no redemption and therefore everyone in it is already lost, so there is no story to tell. With the boy, however, the story has meaning and hope for humanity. Jesus is necessary to his story, without him there is no one to curate redemption and no reason for human existences. The boy, while not possessing as much power, is also necessary to his book. The Man knew only that his child was his warrant. Saying, “If he is not the word of God, God never spoke” (McCarthy 3). The man may be thought of as the main antagonist as he narrates the story, but his sole purpose in life is derived through the existence of the boy. Without him he is nothing. Much like without Jesus, Christians would be nothing. The boy also possesses Christ like qualities. He is the only person to care about strangers. He wants to take care of the burnt man they come across on the road, he wishes the man would have let the boy he saw in one of the towns come with them, and in an attempt to mitigate someone else’s unfortunate circumstances gives up his own food to an old man they find on the road. “Where men can't live gods fare no better” (McCarthy 237) in the words of the mysterious, Ely, as he gives the man his answer to the question of if the boy is divine. This old man resembles the prophet Elijah from the Old Testament. Returning to the earth in its final days, disguised as an elderly man. Despite his brazen and uncaring demeanor the boy, in true Christ like manner, feeds him regardless and even gives him food for the next few days, whilst dealing with Ely’s vehement treatment of him. Cormac McCarthy writes an intriguing story of a fallen world and its savior disguised as a starving boy.
The end of the novel leaves you questioning the future of his world and him, but it is also full of hope because there is a savior amidst them. You can only expect that once he reaches manhood he will embody a modern Jesus transcending into holiness and save all that still carry the fire. Bringing a meaning to this dark destroyed world the boy gives a reason to live to those in that apocalyptic land. Without his parallel with Christ the boy would be just another nameless face in a sea of tragic pointless lives. Thankfully for those in the story the boy was not a mere man but something more, like Jesus meek yet incredibly powerful in their own ways, give a point and meaning where one lacked before the Christ-like figures
arrival. Works Cited Wielenberg, Erik J. "God, Morality, and Meaning in Cormac McCarthy's The Road." Cormac McCarthy Journal (2010): 1-16. Texas Digital Library, 2010. Web. 10 Dec. 2014. “The Road Through Hell, Paved With Desperation” (n.d.): n. pag. Riverdell. Web. 10 Dec. 2014. Arnold, Edwin T., and Dianne C. Luce. Perspectives on Cormac McCarthy. Jackson: U of Mississippi, 1999. Print. Ziolkowski, Theodore. Fictional Transfigurations of Jesus. Princeton, NJ: Princeton UP, 1972. Print. McCarthy, Cormac. The Road. New York: Vintage, 2006. Print.
Cormac McCarthy's setting in Blood Meridian is a landscape of endless and diverse beauty. McCarthy highlights the surprising beauty of combinations of scrubby plants, jagged rock, and the fused auburn and crimson colors of the fiery wasteland that frame this nightmarish novel. Various descriptions, from the desolate to the scenic, feature McCarthy's highly wrought, lyrical prose. Such descriptions of the divine landscape seem to serve a dual function. While being an isolated highlight to this gruesome novel, McCarthy's beautiful setting also serves as an intricate device in defining the novel's themes and creating the reality in which it is set.
And in the interview, when the host Winfrey asks a question about “where did this apocalyptic dream come from?” And McCarthy responded to her by mentioning his son John, and McCarthy says about one night, he checked in a hotel with his son John, and John fell to sleep. He felt this town is nothing moving, but he could hear the trains going through. And he came up an image of what this town might look like in 50 or 100 years, then he thought a lot about his son John, and 4 years later, he finished the novel “The Road.” In the late of the interview, McCarthy said: My son practically convert to this book and without him, this book would not come
McCarthy’s use of biblical allusions help to create a setting in which all the characters have more complex parts to play than what it seems like at first glance. The allusions also create the tone, which is somber, and almost dream like. The protagonist had his “palms up” while sleeping, which could mean that he fell asleep as he was praying, or in other words pleading. Yet when he woke up “it was still dark”, this creates a hopeless ton because even after all of the begging, the world he woke up to was a dark one. When the wolf dies, the protagonist imagines her “running in the mountains” with different
Albert Hernandez Ms. Bolin CSU Expos Read/Write 1: Period 5 20 September 2016 The Road Lit Circle #2 Discussion Questions: On pages 84 to 86, why did the man decide to ignore the boy that the little boy saw? How does the man’s decision affect the story and the characters? What is the purpose of the red scarfs in the group of armed men?
The concept of what is "individuality" and what is not has plagued and delighted man since the dawn of time. “All the Pretty Horses” by Cormac McCarthy adds 302 more pages to the pile of all the works that have been on the quest to define individualism. In this novel, McCarthy takes us through four faces of the key character’s life, John Grady, to portray the idea of illusory individualism. He contends that John Grady is simply a product of a society in contrast to his (Grady) notion of free will. Simply put: Grady has no alternatives but an obligation to conform to society. McCarthy uses him to create the platform in which to comment on oppression of individuality, expectation of conformity to the values of the society and the fact that the concept of individualism is a myth.
In Cormac McCarthy’s The Road, the boy and his father carry the fire within themselves. This image of fire is the true nature of their courage to continue on the road to the unknown.
Analogies and metaphors are used to compare things in order to help simplify a claim or make it more memorable. McCarthy uses a metaphor when stating, “Ours could have been the honor of being a beacon in the desert of destruction, a shining, living proof that civilization was not yet ready to destroy itself” (para 7). He discusses what the United States could have been at war’s end if this country was not “losing on every front.” In this metaphor he compares the U.S. to a beacon pointing out the horrifying results of Communism as it sits around the World that is Crumbling from World War II. By comparing the country to a beacon in “a desert of destruction,” McCarthy compares the United States to humanity’s last hope at civilization. By using
Altogether, this is a book to be read thoughtfully and more than once. It is about an unusually sensitive and intelligent boy; but, then, are not all boys unusual and worthy of understanding? If they are bewildered at the complexity of modern life, unsure of themselves, shocked by the spectacle of perversity and evil around them - are not adults equally shocked by the knowledge that even children cannot escape this contact and awareness? & nbsp;
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
Losing a phone compared to being raped, starved, killed, and eaten in pieces makes everyday life seem not so excruciating. Cormac McCarthy was born July 20, 1933 and is one of the most influencing writers of this era. McCarthy was once so poor he could not even afford toothpaste. Of course this was before he became famous. His lifestyle was hotel to hotel. One time he got thrown out of a $40 dollar a month hotel and even became homeless. This is a man who from experience knows what should be appreciated. McCarthy published a novel that would give readers just that message called The Road. Placed in a world of poverty the story is about a man and his son. They travel to a warmer place in hopes of finding something more than the scattered decomposing bodies and ashes. The father and son face hunger, death, and distrust on their long journey. 15 year old Lawrence King was shot for being gay. Known as a common hate crime, the murderer obviously thought he was more superior to keep his life and to take someone’s life. Believing ideas in a possible accepting world with no conditions is dangerous thought to that person’s immunity to the facts of reality.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
Decisions separate one’s life from another. Robert Frost proves this to be true in his poem “The Road Not Taken.” The metaphorical twist Frost uses in his words and sentence structure emphasizes the importance of different decisions and how those choices will impact the rest of one’s life.