Phaedrus once stated, “Things are not always as they seem; the first appearance deceives many.” Appearances can deceive people because humans are so prejudiced against people that do not look, talk, walk, or act like them. Appearances and reality are two very distinct things, with one being a blindfold to one’s judgment and the other being a wake up call. In Mary Shelley’s Frankenstein, Victor, a scientist; The monster, Victor’s creation; and Justine Moritz, who is accused of murder; all appear to be something they are not. Victor, Justine, and the creature are all examples of the struggle between appearances and reality.
Victor Frankenstein is a man who does the impossible and tries to play God. As a child, Victor was surrounded by people
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When the people that first found her, find the picture and assume that she was responsible for the death of William. However, this was not the case because the truth was that the creature had actually killed William and put the picture of his mother inside of Justine’s dress. From the very beginning, Justine was always grateful with the Frankenstein family. The text clearly states, “This benefit was fully repaid; Justine was the most grateful little creature in the world: I do not mean that she made any professions I never heard one pass her lips, but you could see by her eyes that she almost adored her protectress.” Unfortunately no one out of the people against Justine would believe that, so unfortunately she was tried and hanged for murder. Even though Justine pleaded that she was innocent, no one strongly believed her except Elizabeth and Victor because she was always kind to William and looked after him. According to the Victor’s life story, “She is very clever and gentle, and extremely pretty; as I mentioned before, her mien and her expression continually remind me of my dear aunt.” Justine loved the Frankentein family and would never dare to do something cruel to them because they family had done so much for them. Justine’s death is just another consequence of the belief in appearances instead of
The major theme in Frankenstein by Mary Shelley is the great emphasis placed on appearance and acceptance in society. In modern society as well as in the society of Frankenstein, people judge one solely on their appearance. Social prejudice is often founded on looks, whether it is the color of one's skin, the clothes that one wears and even the way a person carries himself or herself. People make instant judgments based on these social prejudices. This perception based on appearance determines the behavior towards the person. In Frankenstein, the society of that time is similar to our own today. It is an appearance-based society, and this topic is brought to the limelight by the hideous figure of Victor Frankenstein's monster to a common human being. Every human in society wants to be accepted in an intellectual way, regardless of his or her physical appearance.
In Lisa Nocks article appropriately titled “Frankenstein, in a better light,” she takes us through a view of the characters in the eyes of the author Mary Shelly. The name Frankenstein conjures up feeling of monsters and horror however, the monster could be a metaphor for the time period of which the book was written according to Nocks. The article implies that the book was geared more towards science because scientific treatises were popular readings among the educated classes, of which Shelley was a member of. Shelley, whose father was wealthy and had an extensive library, was encouraged to self-educate, which gave her knowledge of contemporary science and philosophy, which also influenced Frankenstein as well as circumstances of her life.
Rousseau's ideology of education and nature laid the basic groundwork for many of the Gothic novels. Frankenstein, by Mary Shelley, was able to forge a bridge of thought that was able to span the chasm formed by the age of reason between the supernatural and reason. As a predecessor of the romantic movement, the Gothic novel was a direct reaction against the age of reason. The predominate idea of the age being that the world which is governed by nature is rationally ordered and given man's ability to reason, analyze and understand nature, man possesses the innate ability to use nature to create a rational society based on nature's dominate principles. The Gothic novel allowed the reader to pass from reason and order of the day to a region born of the supernatural which inspired dread and abounds in death and decay as nature's only true end.
It is scientifically proven, that people prefer attractive people. Appearances help millions of good-looking men and women across the country advance in their careers, get free drinks, and receive more opportunities. But, Mary Shelley juxtaposes the physical deterioration of Victor as her novel, Frankenstein, progresses and the creature’s ugly physical appearance and the motif of clouds juxtapose with birds to argue that appearances may be deceptive. She argues through the juxtaposition of Victor and the creation’s death that ultimately it is through death, one of nature’s devices, that allows us to see the character of a person. Shelley juxtaposes the physical deterioration of Victor with the ugly appearance of the creation to prove that time will reveal a person’s character.
Victor Frankenstein is a complex character that we have come to learn more about while reading Mary Shelley’s Frankenstein. He is a man that seems to have this fervent desire to do what suits him best without regard to what others may think. Victor’s brother William has been murdered and a childhood friend is to pay the price of his death. After sighting what is assumed as the creature created by Victor, Victor is panged with guilt that these events are his fault. If he is correct, then he would be justified in feeling this way because Victor is selfish, stubborn, and lacks compassion for others around him. Victors actions all lead up to the demise of William and Justine.
Justine was killed because Victor Frankenstein’s younger brother, William, was murdered. An item that William was wearing during the night of the murder was found on Justine leading everyone to believe that Justine is the murderer. When Victor arrives back to Geneva and hears that Justine has been accused of the murder his reaction was, “Justine Mortiz! Poor, poor girl, is she accused? But it is wrongfully; everyone knows that; no one believes it, surely…”. Victor knew the Monster killed William and probably framed Justine. He knew Justine was innocent, but no one believed him. Justine was also forced to give a false confession, and was hanged. People dislike being insecure, like having a murderer loose among them, so they punish a scapegoat, like Justine, to ease their minds.
In Mary Shelley’s Frankenstein we are introduced early in the story to one of the main characters Victor Frankenstein and subsequently to his creation referred to as the monster. The monster comes to life after being constructed by Victor using body parts from corpses. As gruesome as this sounds initially we are soon caught up in the tale of the living monster. Victor the creator becomes immediately remorseful of his decision to bring the monstrous creation to life and abandons the borne creature. Victor describes his emotions and physical description of his creation as follows:
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
Examine the Concept of Monsters and the Monstrous in Mary Shelley’s Frankenstein Miss Hutton “Frankenstein” has a variety of monsters and monstrous things/incidents within it, however I am jus going to focus on some main aspects of the monsters and monstrous. Shelley got the idea for “Frankenstein” whilst she was on holiday. AS well as being challenged by Lord Byron to produce a horror novel, she was also influenced death many times; she was abandoned and had a literacy upbringing. Shelley relates her story to fears which were carried by many humans at that time.
Throughout every individuals life there are experiences of unfair judgments based on someone’s appearance. While this is never a good thing, it is an action that everyone takes part in, whether it is purposeful or not. In Frankenstein, Mary Shelley’s message is very clear as she illustrates the cruel events that take place in a society focused only on outside beauty. The central message that Shelley communicates with Frankenstein, is that while appearance is just one of an individuals many characteristics; it is always a factor they are judged on regardless of all the other qualities they may possess.
This philosophical analysis focuses on the main character of Mary Shelley’s Frankenstein, the Monster, and how his crime of killing a young boy and framing an innocent bystander is explained through the arguments made by Mengzi concerning evil natures. This parallel will be made by showing the progression of the Monster from good to evil nature and how his motivation to ruin his creator’s life tainted his fundamental heart. I will first briefly address the action as portrayed in Frankenstein and then discuss how Mengzi’s ideas explain the change in the Monster’s nature.
Mary Shelley's book, Frankenstein, deals with the major dilemma of the creation of man. Rousseau deals with the topic of abandonment in Emile, which stemmed the thoughts of creation for Shelley in 1816 upon reading Rousseau's opinions. Rousseau blames the problems that children inhibit solely upon the parents shoulders (Mellor). Mary Shelley is able to relate to this statement on a personal level due to the parenting (or lack of) within her life. This in turn leads to a broader question concerning Shelley's Frankenstein; is the monster really the sole person to blame for his murderous actions? According to Rousseau's theory, the monster is not the sole problem. Victor Frankenstein is his creator or "father" figure thus giving him the responsibility of his monster.
Mary Shelley’s gothic novel Frankenstein is a novel narrated by Robert Walton about Victor Frankenstein and the Monster that he creates. Frankenstein grew up surrounding himself with what he loved most, science. He attended Ingolstadt University where he studied chemistry and natural philosophy, but being involved in academics was not enough for him. Frankenstein wanted to discover things, but did not think about the potential outcomes that could come with this decision. Frankenstein was astonished by the human frame and all living creatures, so he built the Monster out of various human and animal parts (Shelley, 52). At the time Frankenstein thought this creation was a great discovery, but as time went on the Monster turned out to be terrifying to anyone he came in contact with. So, taking his anger out on Frankenstein, the Monster causes chaos in a lot of people’s lives and the continuing battle goes on between the Monster and Frankenstein. Throughout this novel, it is hard to perceive who is pursuing whom as well as who ends up worse off until the book comes to a close.
Mary Shelley book Frankenstein, is a dark romantic novel that was published in the 19th century. Social prejudice based on physical appearance impacts a person's character negatively. Individuals make misjudgments based on physical aspects which affect how they treat the individual. Mary Shelly brings out the theme of appearance and prejudice in the novel Frankenstein. "The monster created by Victor Frankenstein highlights societal prejudice (Russell)."
A major thing that Victor feels guilty about is Justine's death at the trail that is caused by his creation of the Creature (pg 71). After the Creature is ostracized by everyone that sees him, he begins feeling diffident and builds up a hatred towards Victor; he is searching for his creator when he comes across WIlliam, Victor’s brother. As soon as the Creature learns William is related to Frankenstein, he becomes angered and grabs William by the throat, which soon kills him. Realizing what he had done, the Creature takes the necklace William was wearing and puts it on sleeping Justine to frame her. A short time later, Williams family discovers him and Justine is put on trial. Victor comes home as soon as he gets word of what happened to william, but he quickly knows that his anathema of a creation is behind the crime. However, despite knowing that his creature is guilty he does not divulge the information out of fear of sounding crazy. Soon after the trail ends and Justine is put to death, Victor begins feeling guilt. The Creature feels guilt, just like his creator. The thing he feels most guilty about is killing William, Henry, and Elizabeth to get back at Victor. He does not start to show this guilt until the end of the novel after Victor dies and he is talking to captain Walton on the ship, “You hate me, but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed… and long for the moment when… that imagination will haunt my thoughts no more”(197). This quote shows the Creature reflecting on what he has done and reveals how he truly feels about himself after hurting those people, which proves his guilt. Even though they are guilty about different things, both of them did something to hurt other people that they feel bad