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What happened in Antigone
Antigone role in the story
What happened in Antigone
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Politics is an extremely divisive topic, and the opposing sides rarely can see things from the other’s point of view. In Antigone, Sophocles perfectly creates a scenario where both characters in a conflict are right in their own way but refuse to see it from the other’s point of view. Ismene, Antigone’s sister, is the living embodiment of this conflict. Ismene, being pulled in both the direction of helping Antigone (religion) and obeying Creon (law), illuminates the foolishness of acting rashly without fully considering both sides and views.
Sophocles first shows Ismene’s smart opposition to stubbornly sticking to certain beliefs through Antigone’s actions towards and conversation with Ismene. In Ismene’s conversation with Antigone in the opening scene, Antigone’s unrelenting belief that her
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In the final act of the play, Antigone commits suicide while Ismene remains completely unscathed. This is Sophocles’s most direct evidence that Ismene’s conflict allows her to survive the horrors surrounding her. Her conflict has made it so she did not act rash and commit a crime and also made it so that she had to take time to think about what she was to do, which ultimately saves her. Also, Creon eventually realizes that he has been stubborn in his incessant use of law and tries to right his wrongs, but both his wife and son die because he was too late. Creon’s realization parallels Ismene’s conflicted nature throughout the whole story. While Antigone never sees Creon’s point of view, Creon finally understands hers, exactly like Ismene’s opinions of both sides, but due to his actions before he cannot fix what he has done. Ultimately, Ismene is the only character left untouched by the tragedies at the end of the story (at least untouched by fault), as opposed to Creon and Antigone, which shows that considering two conflicting ideas can result in a more rational or successful
Antigone, The Brave Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development. Kohlberg’s Theory of Moral Development is three levels consisting of two stages in each. Kohlberg’s Theory explains how a human’s mind morally develops.
In the play Antigone by Sophocles, Ismene and the Chorus can be seen as the well meaning but silent people who don't take action in the story. Ismene is initially afraid of the punishment she could face if she is caught and she claims that she cannot disobey King Creon because “Women? Defying Creon? It’s not a womans place. We are weak where they are strong (10).” In this conversation Ismene states that women don’t have the right or power to defy the law or men, and women “must do what we [they] are told (10)” which is why she refuses to help Antigone. Ismene does not stand against authority to do what is morally right, which leads Antigone to bury her brother alone and doesn’t allow Ismene to take part in the punishment since Ismene wasn’t brave enough and doesn’t deserve the same fate as Antigone. Like Ismene, the Chorus is fearful of King Creon’s punishment and they do not speak against him because they respect him. The Chorus also sees Antigone as rash and disrespectful towards the king which is why they mostly side with the king. However, it can be seen that the Chorus sides with Antigone in part of the play because they see King Creon’s punish...
Eventually both Creon and Antigone are destroyed by the gods (and by each other) through their own actions. Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family.
The character must decide whether or not to allow the employee’s cousin to work in their restaurant. The cousin must provide for his family through the cold winter or they will become homeless. The character also knows that the law requires him to check the citizenship of all employees and forbids him to hire anyone who is in the country illegally.
“Being sister and brother means being there for each other” (thefreshquotes.com). Siblings are one’s most important relative because they’re basically an irreplaceable friend that will love and care for one another forever. People’s relationship with their siblings is emotionally powerful and critically important for their everyday life. Antigone believes that her siblings are her most significant relatives because they can’t be replaced, unlike a husband or children, because her parents are deceased; she will do anything for them, even go against the rules and put her own life in danger. In the play Antigone by Sophocles, the character Antigone can be seen as immoral because of her defying Creon’s laws, however, she receives sympathy for the injustices that were done to her brother, Polyneices, of him not being provided with a proper burial.
(346) Once again Ismene's words clearly state her weak, feminine character and helplessness within her own dimensions. Antigone, not happy with her sisters response chides her sister for not participating in her crime and for her passivity, saying, " Set your own life in order"(346). For Antigone, no law could stand in the way of her strong consideration of her brother's spirit, not even the punishment of an early death. Ismene is more practical ; knowing the task is impossible, she feels the situation to be hopeless.
...Ismene confronts Creon and tells him she had a part in Polyneices burial. (line 537) She is willing now to join Antigone in her troubles and is not ashamed to admit it. (line 539) She is willing to join Antigone in death. In the case of Ismene, her character is able to resolve the conflict on her own. She realizes she is nothing without her family and Creon's laws have taken her family away.
Ismene believes that women are “underlings” (76) and not “contend[ing] with men” (76) because she knows that men will always control society. This viewpoint of men’s domination of women depicts Ismene to be submissive to males while being fearful of men’s authority. Ismene is unable to have control over her destiny and decisions because she is fearful of men’s power over women, which leads to her refusing to bury Polynices. Later in the play, Ismene questions Creon’s judgment by saying “you’d kill your own son’s bride?” (641) which indicates that she is now aware that woman should have a voice and power in society. Her new understanding of Antigone’s message gives her the strength to query Creon, while additionally highlighting his cruelty. Ismene’s original belief of “submit[ing] to this” (77) and being a proper Greek girl, eventually transforms into becoming an advocate for Antigone. Her transformation defies men’s authority, the opposite of what she used to believe in.
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
When one examines the virtues and beliefs of the characters in Sophocles’ Oedipus Trilogy one thing immediately comes to mind - all of them are conflicted at some point in the play (and some at multiple points). Ismene is torn between wanting to help her sister and wanting to obey the decrees of Creon. Haemon is told by his father to avoid women - especially Antigone - but he is in love with her and ends up dying because of this conflict. Even the guard, who only has a minor part, does not know whether he should ever return to Creon and nearly does not. These conflicts drive the play throughout, and none of them ever more than the multiple
In meeting Ismene, the reader is introduced to a wiser and obedient woman in terms of her understanding where she stands socially and realizing the consequences of rebellious actions. Ismene, throughout the play, serves as a tool by helping Antigone to become more resolute in her actions. Ismene has suffered just as much as Antigone, "no joy or pain has come my way" (16) Ismene says. Yet although she concedes that the sisters "were robbed of our two brothers" (17), she still accepts the will of the King "I must obey the ones who stand in power"(18).
In Antigone, by Sophocles, which centers around themes such as bravery in the face of death, civil unrest, and unyielding dedication to divine justice, it is easy to understand why Ismene’s character is often called cowardly, docile, and indecisive. However, this view of her undercuts the most basic facet of her personality, the one which is absent in Antigone — a will to live. With this in mind, Ismene’s personality is far one-dimensional, as there are certain traits she needs to embody in order to survive. She endured her tragic upbringing through rational thought and an optimism that others will do the same, all the while keeping her love for her unfortunate family intact. Though not fearless in the face of death, Ismene is a sympathetic character whose rationality, optimism, and loyalty are not to be underrated.
Ismene's duty to the State (Creon) is greater than her duty to her family (Polynices), this is assumed to be out of fear of losing Antigone as she is the only family Antigone has that remains. However, with Antigone's actions, Ismene is captured as per Creon's orders and is sentenced to death, Ismene accepts this fate. This maddens Antigone, not out of her losing "family" but maddens her out of Ismene's wishes against Antigone's doings. Antigone has "no love for a friend who loves in words alone", suggesting that she no longer has "love" for Ismene as her sister, let alone a friend. Yet, even though Ismene's wishes to be the sister that dies, Antigone ultimately has her tragic death, leaving Ismene alone. It can also be noted that Haemon is Antigone's fiancé, which shows how Antigone's actions were selfish even if she treated the act as devotion to the Gods. The acts are to be considered as selfish as although she did consider herself as a martyr at the beginning of the play during her discussion with Ismene, she did not consider the consequences of her actions on other characters, including Haemon's death and Ismene's
Antigone’s own excessive pride drives her to her defeat. Her arrogance and strive for self-importance blinds her to the consequences of her actions. Ismene, Antigone’s sister, rejects to take part in the crime leaving Antigone all on her own. Ismeme declares “why rush to extremes? Its madness, madness” (Sophocles 80). Ismene fails to comprehend the logic behind her siste...
In the beginning Ismene shows that she will conform to Creon’s law when she says “They mean a great deal to me; but I have no strength/ To break laws that were made for the public good” (Sophocles 774). She loves her family, but she doesn’t want to break Creon’s law that she thinks is made for the good of the people, and thus, she is conforming. Ismene then decides to not conform to Creon’s law when she says “Yes if she will let me say so. I am guilty” (Sophocles 785). While she didn’t really break Creon’s law, she wanted to take the blame with Antigone. That brings up a different point of view on Ismene conforming/non-conforming. If she decides to take her share of the blame of breaking Creon’s law, then Ismene is technically conforming to the Gods like Antigone. Ismene does show that she’s conforming with Antigone when she says “ But now I know what you meant; and I am here/To join you, to take my share of the punishment” (Sophocles 785). So, while she isn’t conforming to Creon’s law, she is conforming to the Gods, like