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Literary analysis of antigone
Essay about antigone
Antigone character analysis
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Even though I draw like a four-year-old. In my first picture I drew Antigone and Ismene’s bedroom for the first scene. The rectangle is the window Antigone climbs through when she is about to go and bury her brother. The brown vanity is where Ismene was when Antigone asks her to come and help. In front of the Vanity is a chair and I used brown, because I feel like these things would be wooden. On the vanity there is a hair brush, and I tried to make it look like old copper. Because the ancient Greeks and Egyptians used copper, silver and wood for hair brushes. The bed is the color it is because of a picture I used in my scenic imagery. The bed is made from red wood, and if I could draw better, it would have rounded pillows that surround the whole bed. …show more content…
The water is a pond or a fountain. It is in another one of my pictures for scenic imagery. It is a picture of Greece. In most places the town square has a fountain or a small pond. The square at the bottom is Creon’s soap box he would stand on the give his orders. In the back is the castle because I feel like everything in the town would be facing the castle since the King was the ruler. The castle is gray, because I think it would be made of gray stones. I put in a noose because he threatened to hang Antigone for her crimes.
In my next picture, I have the cave that Antigone was sentenced to death in. Beside it is the giant rock put in front of it to keep her in. I added in a couple of trees since it was in the forest. I think that this same scene could be used but with a couple my trees in front of it too cover up the cave. For example, it could be used for when Creon talks to the prophet. Also, this can be used for when Haemon finds Antigone and tries to battle his father. But, he ultimately kills
Antigone, The Brave Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development. Kohlberg’s Theory of Moral Development is three levels consisting of two stages in each. Kohlberg’s Theory explains how a human’s mind morally develops.
The film adaptation of Sophocles’ Antigone portrays the text substantially well in several ways. The filmmaker’s interpretation encourages the audience to be discerning as their perception of the Greek tragedy is enhanced. The play becomes profound and reverberant because of the many interesting elements of production. These include musical score, set design, and the strategic costuming – all of which advocates an improved comprehension of Antigone.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
The character must decide whether or not to allow the employee’s cousin to work in their restaurant. The cousin must provide for his family through the cold winter or they will become homeless. The character also knows that the law requires him to check the citizenship of all employees and forbids him to hire anyone who is in the country illegally.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
The play Antigone by Sophocles is about reason and opinion and reveals how people use their voice to be heard. Antigone uses reasoning and opinions to express their moral beliefs and state laws in the play. People manipulate each other by using these terms to get their way by speaking out and standing up for themselves.
Antigone has defied the king's edict. However, the edict says that her brother, Polynices, cannot be given a proper burial. The reason given for this is that Polynices is a traitor. Antigone's uncle, Creon, the king, makes this edict after many events happen. Antigone says herself that she has experienced "no private shame, no public disgrace, nothing" that cannot be experienced (Antigone, p. 658).
One could surely consider Antigone as a highly noble character as she is unwilling to compromise on her own ideals. On line 523 Antigone states, "My nature joins in friendship, not in enmity." Antigone's statement means more when considering the Greek idea of friendship as s fact of life between kin irregardless of personal sentiment. Antigone's quote highlights that she is willing to follow the rules set forth by the Gods even if she may have disagreed with Polynices' actions against Thebes. Antigone's unwillingness to compromise her beliefs toward what the gods require of her can again be seen in her statements in line 453-455 where she states, "nor did I think your proclamations had such strength that, mortal as you are, you could outrun those laws that
Antigone utilizes her moral foundations, her religious roots, and the events of her past to form a sophisticated argument. Despite being unable to convince Creon to reverse her punishment, Antigone is able to convince the people of Thebes that she was right in her actions. After Antigone’s death, and the deaths of several others, Creon reflects on this monologue and realizes the honest truth behind Antigone’s actions and words.
...the gods, through fear of any man's temper"(178). Antigone not only commits the crime, but also publicizes her actions to denounce Creon's actions as unjust in an endeavor to elicit a reaction from the civilians who succumb to Creon's tyranny in silence. Towards the conclusion, the chorus states "Here I too am borne out of the course of lawfulness when I see things, and I cannot control the springs of my tears when I see Antigone making her way to her bed-but the bed that is rest for everyone"(193). Sophocles uses the symbol of the bed to illustrate how the chorus' sympathy for Antigone originates from their common desire to pursue their personal morals; however, their fear of Creon suppresses their inclination to support Antigone. Overall, Sophocles uses the characterization of Antigone and Ismene to demonstrate the conflict between societal and personal morals.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
When Antigone meets her demise, it symbolizes something beautiful because she finally gets what she has desired, making her the epitome of tragic beauty. Looking at Antigone’s actions, a direct correlation surfaces to Hester Prynne in Nathaniel Hawthorne’s The Scarlet Letter. Ultimately, Antigone and Hester are both tragically beautiful characters due to their sins. Their beauty resonates from within because they stick to what they value, making both of them exalted by society.
I was in Group Four for the Antigone short play we performed in class. Through