The Tragic Beauty of Antigone and Hester Prynne
When Antigone meets her demise, it symbolizes something beautiful because she finally gets what she has desired, making her the epitome of tragic beauty. Looking at Antigone’s actions, a direct correlation surfaces to Hester Prynne in Nathaniel Hawthorne’s The Scarlet Letter. Ultimately, Antigone and Hester are both tragically beautiful characters due to their sins. Their beauty resonates from within because they stick to what they value, making both of them exalted by society.
What makes Sophocles’ and Nathaniel Hawthorne’s protagonists both tragically beautiful is that Antigone and The Scarlet Letter follow Aristotle’s guide to tragedy. Both works have tragedy within the family. Hester wrongs her husband Roger Chillingworth by cheating, and Antigone, no matter how hard she tries, cannot justify her brother’s death or rid herself from her parent’s incestuous shame.
Even Hester’s physical appearance is dark, yet beautiful. She has dark hair which is “so glossy that it threw off the sunshine with a gleam” and Hester’s “ beauty is shone out” while simultaneously giving her a “halo of misfortune” (Hawthorne 50). Hester’s beauty is established from the first time she appears from the prison, but the “A” she is forced to wear on her chest has
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Samuelson 2 tarnished her beauty. Hester is publicly humiliated for cheating on her husband, and the scarlet A that is displayed on her chest is a reminder of the shame she should feel. However, once Hester removes the A, she also removes the harsh, unbending Puritan social structure, showing that she dispels her sin. While Hester’s beauty is shown through her physical appearance, it also shines through in her ability to redefine the mea...
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... value their good, Hester and Antigone saw it within first, making for strong female protagonists.
While both characters were isolated from the public and put on “the scaffold...for public shame” their courage is what prevailed, ultimately making themselves prevail as well (Hawthorne, 130). Their beauty also prevails, although it was tested. While neither character is considered beautiful by typical standards, their tragic beauty remains intact through trial,
Samuelson 4 ultimately making Hester and Antigone beautiful externally as well as internally. Antigone and
Hester both show us that your sin is not the label on you that defines you, but rather how you do once that label is placed. As The Scarlet Letter and Antigone progress, we see that Antigone and Hester are tragically beautiful, and the darkness within their beauty becomes a way to communicate the ineffable.
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
The letter "A," worn on Hester's bodice, is a symbol of her adultery against Roger Chillingworth. This letter is meant to be worn in shame, and to make Hester feel unwanted. "Here, she said to herself, had been the scene of her guilt, and here should be the scene of her earthly punishment . . ." Hester is ashamed of her sin, but she chooses not to show it. She committed this sin in the heat of passion, and fully admits it because, though she is ashamed, she also received her greatest treasure, Pearl, out of it. She is a very strong woman to be able to hold up so well, against what she must face. Many would have fled Boston, and sought a place where no one knew of her great sin. Hester chose to stay though, which showed a lot of strength and integrity. Any woman with enough nerve to hold up against a town which despised her very existence, and to stay in a place where her daughter is referred to as a "devil child” is a very tough woman.
The central theme in The Scarlet Letter is that manifested sin will ostracize one from society and un-confessed sin will lead to the destruction of the inner spirit. Hawthorne uses the symbol of the scarlet letter to bring out this idea. In the novel, Hester is forced to wear the scarlet letter A (the symbol of her sin) because she committed adultery with the clergyman, Dimmesdale. Because the public's knowledge of her sin, Hester is excluded physically, mentally, and socially from the normal society of the Puritan settlement. She lives on the outskirts of town in a small cottage where she makes her living as a seamstress. Though she is known to be a great sewer amongst the people, Hester is still not able to sew certain items, such as a new bride's veil. Hester also has no interaction with others; instead she is taunted, if not completely ignored, by all that pass her by. Despite the ill treatment of the society, Hester's soul is not corrupted. Instead, she flourishes and improves herself in spite of the burden of wearing the scarlet letter and she repeatedly defies the conventional Puritan thoughts and values by showing what appears to us as strength of character. Her good works, such as helping the less fortunate, strengthen her inner spirit, and eventually partially welcome her back to the society that once shunned her.
Three gossips present at Hester’s public shaming moan at Hester’s “merciful” punishment, one even going as far as declaring “This woman has brought shame upon us all, and ought to die.” (Hawthorne 36). As time passes, however, and Hester dutifully lives out her penance, the people start to see the piety of her everyday actions. After seven years, they go from crying for her death to exclaiming “None so ready as she to give of her little substance to every demand of poverty…None so self-devoted as Hester, when pestilence stalked through the town.” (Hawthorne 110). They also declared her “a self-ordained Sister of Mercy…Such helpfulness was found in her,—so much power to do, and power to sympathize,—that many people refused to interpret the scarlet A by its original signification. They said that it meant Able.” (111). When the people of Hester’s town managed to stop gawking at Hester, they easily saw her true nature and changed their ideas to
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
Although Hester and Pearl are isolated for a while after their punishment (85), the Puritan society’s view of her changes in chapter 13. In chapter 13, Hester is shown to have become a servant of the community, and, rather than scorning her, the community praises her as holy (134). Even the symbol that embodies her punishment, the scarlet letter A, transforms into a symbol of her holiness, being interpreted by the people as meaning “Able” (134). In chapter 24, the story’s conclusion, Hester mentors young women, furthering the idea that she brings redemption from her sin by using her lessons to help others
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
As Hester wears the scarlet letter, the reader can feel how much of an outcast Hester becomes. When walking through town, “…she never raised her head to receive their greeting. If they were resolute to accost her, she laid her finger on the scarlet letter and passed on” (Hawthorne, 127).She believes that she is not worthy of the towns acknowledgments and chooses to ignore them. The guilt that now rests in Hester is overwhelming to her and is a reason of her change in personality.
Through the use of numerous symbols, Nathanial Hawthorne’s The Scarlet Letter serves as an allegory for the story of Adam and Eve and its relation to sin, knowledge, and the human condition that is present in human society. Curious for the knowledge of good and evil, Adam and Eve sinned in the Garden of Eden, which resulted in the revelation of their “humanness” and expulsion from the “divine garden” as they then suffered the pain and joy of being humans. Just as Adam and Eve were expelled from their society and suffered in their own being, so were Hester Prynne and Arthur Dimmesdale in The Scarlet Letter. Hester was out casted and shunned, while Dimmesdale suffered under his own guilt. After knowledge of her affair is made known, Hester is forced to wear a scarlet letter “A” on her chest to symbolize her crime of adultery, and is separated from the Puritan society. Another “A” appears in the story, and is not embroidered, but instead scarred on Dimmesdale’s chest as a symbol of guilt and suffering. Hester’s symbol of guilt comes in the form of her daughter, Pearl, who is the manifestation of her adultery, and also the living version of her scarlet letter. Each of these symbols come together to represent that with sin comes personal growth and advancement of oneself in society as the sinner endures the good and bad consequences.
Hester could not escape her evil husband nor her liability in augmenting Authur's anguish. Secondly, Hester's adultery was the most prominent sin in the eyes of ...
In the first chapters of the novel, Hester was punished to wear an "A" on her chest at all times. The "A" is a punishment for the adultery she committed with the towns own Reverend Arthur Dimmesdale. Instead of making it into something that people looked down upon, as something horrific and disgusting on her chest, she made it look like a beautiful, gleaming gem. She made it out of the most gorgeous sparkling gold threads that caught everyone's eye. A quote in chapter two described the scarlet letter as "so fantastically embroidered and illuminated upon her bosom. It had the effect of a spell, taking her out of the ordinary relations with humanity, and enclosing her in a sphere by herself." That shows how she is a confident and very individual person. No other woman would have as much courage as she did to make a punishment into an attraction.
A subject of debate in Sophocles’ play Antigone is which character complies with the characteristics of a tragic hero. The qualities that constitute a tragic hero are, in no particular order, having a high social position, not being overly good or bad, isolation, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Creon possesses some of these qualities but, does not completely fulfill them all. Antigone does, however, conform to the persona of a tragic hero.
“Antigone” is a great Greek tragedy by Sophocles. The story is about a young woman who has brother by breaking king’s decree, and now she is punished for obeying God’s law. In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist, and the other is the antagonist. The protagonist is a “good guy” and the antagonist is the “bad guy”. In Sophocles’ play Antigone , the lines between protagonist and antagonist are blurred. In the Greek tradition , the title character is the protagonist, but in this play the supposed antagonist, Creon also displays characteristics of protagonist.
...a and Antigone in this doltish way to show the members of their society and our society today that a woman can be smart. Ibsen and Sophocles were way ahead of their time. Most women even back in the 1800’s went from the hand of one man to the next. They listened and obeyed everything that their fathers said then when they were old enough to get married they listened and obeyed to everything their husband said, and that was how there life was. Antigone and Nora show women, in particular, in 440 B.C. and in the 1800’s that it was a good thing to be independent and stand up for what you believe in. They show the whole audience and the world even today that they are strong and courageous and have great motivation that helps them get through their life whether that means they end their own life or they move away from the men holding them back from their full potential.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.