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The Personality Traits Of Antigone Essay
Antigone character
Antigone as a strong character
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A True Tragic Hero A tragic hero is a literary character who makes a judgment error that inevitably leads to his or her own destruction. A tragic hero consists of 5 distinguishing traits including, noble stature, tragic flaw, free choice, excessive punishment, and increased awareness. Further explanation of these traits will be available but the choice of who and where this tragic hero is is argued. A great example of a tragic hero is plastered in the tragic play, Antigone, by Sophocles. A debate remains about the main protagonists in the story, Antigone, and Creon, of who the true tragic hero is. Without a doubt, Creon qualifies for the 5 traits of a tragic hero, furthermore making him the true tragic hero in the play, Antigone. `Starting …show more content…
off with the first trait of a tragic hero which is, noble stature. “The tragic hero is a man of noble stature. He is not an ordinary man, but a man with outstanding quality and greatness about him. His own destruction is for a greater cause or principle” (bookbuilder). Creon is the king of Thebes, as explained above from a text found he is just that, having great noble stature. His status affects everyone because of the power invested in him to those of Thebes, any choice made by Creon affects his people. “But here comes Creon, new king of our land, son of Menoikeos. Thanks to the gods, who've about our new good fortune. What plan of action does he have in mind? What's made him hold this special meeting, with elders summoned by a general call” (Sophocles 5). In this quote seen, what is said is by the Chorus leader in the play indicating the people of thebes and how they wonder what Creon will do in the situation he is put in. This does not only determine his destiny but theirs as well because of the fact that his noble stature has an effect on them. “For I’ve come here clinging to the hope that I'll not suffer anything that's not part of my destiny” (Sophocles 6). This text from the play came from the guard, regarding the news he received. Being timid of Creon, the guard discusses that he greatly hopes his life will not be interfered with because of the news he brings, knowing it will anger Creon. This is another example showing that the guard is scared of Creon signifying he is an authority to him because of his noble stature. As mentioned before Creon is angered easily but also has immense pride and stubbornness. This brings the next trait to the plate being, tragic flaw. “Tragic flaw is a literary device that can be defined as a trait in a character leading to his downfall and the character is often the hero of the literary piece” (literarydevices). Found in the web above, is a point seen in Creon having tragic flaw that affect his choices. This is because, Creon is stubborn and has too much pride making him not easy to approach nor willingly open to those of different mentality and suggestions. “...No woman’s going to govern me--no, no--not while I'm still alive” (Sophocles 13). In this situation, Creon is arguing with Antigone over burying her brother, Polyneices. He refuses to allow the burial of her brother and does not consider what she has to say because she is a woman, making him not only stubborn but a sexist. “So the city now will instruct me how I am to govern?...According to our laws, does not the ruler own the city?” (Sophocles 17). Creon shows much pride in himself while talking to his son, Haemon. His pride is a tragic flaw because, of the fact that his son's opinion is not what so ever addressed in Creon's viewpoint and leads him to bad choices for not listening to his son. This bad choice is the next trait in a tragic hero which is, free choice. Self explanatory, this trait is a choice made by the tragic hero that is from his or her free will. That choice causes gruesome things to be present in their lives and horrible consequences for their choice awaits for them. “I'll take her on a path no people use, and hide her in a cavern in the rocks, while still alive. I'll set out provisions, as much piety requires… Then she can speak her prayers to Hades” (Sophocles 20). In this case, Creon’s free choice is to lead Antigone to a place by herself giving her ‘freedom’ to pray to the gods to save her out of her own piety from dying. Later that day Antigone was put to her death in the place by herself, Creon heard a prophecy given by a prophet named, Teiresias that was from the gods revealing that a series of unfortunate events will happen to him for not being on time to free Antigone from her misery. "Alas--it's difficult. But I'll give up. I'll not do what I'd set my heart upon. It's not right to fight against necessity" (Sophocles 26). This text is from Creon discussing with the chorus leader about the leader's point of view about Creon obeying the prophecy or not. Creon eventually obeys the prophecy but, unfortunately, is too late to save Antigone from her death. The prophecy is fulfilled and Creon exceeds to excessive punishment from the gods. As briefly mentioned, excessive punishment is indeed the next trait that qualifies Creon as a tragic hero.
“Part of what makes the action "tragic" is to witness the injustice of what has occurred to the tragic hero” (Pepperdine). As well as the previous trait it is self-explanatory, excessive punishment is an exaggeration of punishment given to the tragic hero for making a poor choice as seen previously. “They're dead and those alive bear the responsibility for those who've died” (Sophocles 27). Said by the messenger, he discussed with the chorus leader giving him the unfortunate news about the death of Antigone leading to the death of Haemon, both being suicides. Also mentioning that Creon is responsible for their lives lost. “She killed herself, with her own hands she stabbed her belly, once she heard her son’s unhappy fate” (Sophocles 30). Already losing his son, Creon’s wife was now lost as well. Although Creon did cause the death of Antigone he did not deserve to lose his whole family, but the wrath of the gods was pursued with extreme punishment. This excessive punishment took an emotional toll on Creon realizing what he has …show more content…
done. This next trait is the only trait Antigone did not have in the play, the reason being that she is already dead.
The final trait is increased awareness that Creon encounters in the play after realizing what has occurred. “An understanding of what went wrong or of what was really going on before he comes to his end” (Pepperdine). Which is exactly what Creon encounters in the next scene. “Alas for me… the guilt for all of this is mine it can never be removed from me or passed to any other mortal man. I alone.. I murdered you… I speak the truth. Servants hurry and lead me off, get me away from here, for now what I am in life is nothing” (Sophocles 30). Creon is speaking to the messenger and the chorus leader about the tragic things that happened to direct his speech to his now dead family. He feels extremely guilty and disgusted by himself telling the servants to take him away because he is not worthy of having a life either because he is nothing. “I killed you, my son, without intending to, and you, as well, my wife. How useless I am now” (Sophocles 31). This is the last thing Creon says putting an end to the story again stating how worthless he is. Showing signs of grief from the death of his loved ones, he states he killed them taking full blame and feeling quite guilty. As unfortunate as this story is, this is what makes Creon, the very misled king to be the Tragic hero of the
play. These five traits provided and thoroughly explained, are what makes a true tragic hero in a story, in this play being Creon. This story is a lesson to show that true success has to follow with being wise and always to consider what others have to say. Pride or stubbornness gets no positive outcome, even if this play is over exaggerated, it comes to proves good lessons that could be interpreted for good in every day. Consequences are given when poor choices made seen from day to day and also in this play. Why go through tragic things when just being a hero, successful, or just a good example in life only comes with making wise choices. Even though Creon wasn’t so successful and did not make smart choices, let him be an example of what not to be. Even if a poor choice has occurred the least to do is to accept what has been done. Be a hero within and always make the best possible choice there is.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Antigone is a great Greek tragedy by Sophocles. The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. There are many arguments about who is the tragic hero in Sophocles’ Antigone. Some believe that it is Creon because he also has the characteristics of a tragic hero. Others believe that it is Antigone because the play bears her name. Antigone is the perfect hero, to exemplify the meaning of a tragic hero. In order to determine whether Antigone is the tragic hero, one will have to answer the question, what is a tragic hero? According to Aristotle, “The tragic hero is a character of noble stature and has greatness, he/she is not perfect, the hero's downfall and it is partially his/her own fault, and the hero's misfortunate is not wholly deserved.” (Aristotle) Antigone is a tragic hero because she has a high social standing in Thebes, she neither good nor bad, and her suffering appears to be unjust and unfair to the audience.
Antigone, which was written by Sophocles, is possibly the first written play that still exists today (www.imagi... 1). There is much controversy between who the 'tragic hero' is in the play. Some people say Antigone, some say Creon, others even say Heamon. I believe Creon displays all of the characteristics of a 'tragic hero'. He receives compassion through the audience, yet recognizes his weaknesses, and his downfalls from his own self-pride, stubbornness, and controlling demands. He is the true protagonist.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
The Deaths of Antigone and Creon Antigone and Creon are the main characters of the play Antigone written by Sophocles. Antigone is the daughter of Oedipus, who was a major figure in ancient Greek myth. Oedipus accidentally killed his father and married his mother. Because of that act, Oedipus ended up cursing his family and died a horrible death. After his death, his sons inherited his kingdom and in a power struggle ended up killing each other.
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
As once said by Aristotle, "A man doesn't become a hero until he can see the root of his own downfall". A tragic hero is often seen as someone with great stature who is noble yet imperfect, and experiences suffering due a moral flaw. In Sophocles’ Ancient Greek play The Oedipus Cycle, Creon represents the true tragic hero when his flawed actions and excessive pride create the path towards his demise.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
A tragic hero is supposed to either have a character flaw or an error of judgment. In the play, Creon has two flaws. He has the character flaw of willful arrogance and his unyielding behavior and he has the flaw of making and error of judgment when he passes the proclamation. Along with a character flaw, a tragic hero must realize the fall. Creon truly realizes his fall when he states “Alas, how miserable I feel to look upon this second horror.” (line 1430-1440) The mistakes that he made are exemplified when Creon states, “Alas, my son, you died so young a death before your time.”(line 1410) He is feeling so much regret and disappointment in himself. This is the first part in the play where he realizes his mistake in passing an unjust proclamation and accepts responsibility for all that has happened. It is the first time that he has woken up to the realities of what he has done to his family. He had already taken the first step towards repentance of his wrong doing when he personally sees to it that the body of Polynices received a proper burial. However, he was too late to rescue Haemon, Antigone, or his wife. Creon is truly paying the consequences of being inflexible and
Since Creon has a tragic flaw of hubris and comes to an increased awareness about his wrongdoings, it is clear that he perfectly fits the characteristics of a tragic hero. Many readers may not be able to visualize how difficult it is for someone who loses something very important to them, unless they have experienced it firsthand. Creon's choices in the story are an example that signifies the use of the brain instead of emotions that could interfere with the decision. When given the choice of different paths, one should make compromises to satisfy not only themselves, but others around them when needed. Without doing this, it can lead to several disputes and severe devastation in life.
Aristotle's view on a tragic hero is someone that would have to be held in high standards (royalty) in order to evoke compassion and anxiety in the audience. Creon and Antigone are royalty and share the most important aspect of a tragic hero, each have a tragic flaw. Both of the two characters have an inability to compromise or even reason with. Antigone's tragic flaw was amplified by her loyalty for her brother; she acted irrational, in not taking preparation or thoroughness into consideration when burying her brother. Further more when confronted by Creon, himself she disrespected and basically told him to silence himself because his words were "distasteful" to her. So then sealing her death by becoming an immediate martyr for the wrong cause... anything against Creon's will.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
The origin of the Sophocles’ Greek tragedy “Antigone” has created much controversy about the definition of a tragic hero, as defined by Aristotle. A literary character that makes a judgment error that leads to his/her own downfall. Both Creon and Antigone challenge each other’s conception of the divine and civic law while each has lawfulness in their argument. It is evidently noted that Antigone is the hero of the tragedy; she was a romantic idealist whose beliefs on family loyalty and religious values could not be condemned by civil laws.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.