Have you ever wondered what the end of the world would be like? Sure you may have heard about the zombie apocalypse, but where did strange ideas like these come from. The Walking Dead, Call of Duty, Dawn of the dead ect. Many of our modern day myths as displayed in movies, TV Shows and video games are made famous by pop culture often have deep roots from myths of other cultures before us.
The Christian Apocalypse, also known as the end of the world is described in great detail by the Book of Revelation. Revelations is one of the most famous End of the World stories. The book itself is the last book in the bible, and is described as a scroll with seven wax seals. In the myth as the scroll unravels, a series of events unfolds. This begins with many wars, famines, diseases, and other heavenly signs to alert the world that the apocalypse is here. After series of natural disasters, a political ruler called the Antichrist will appear and will take control over the entire earth.
The Antichrist will be backed up by a great religious ruler, known as the false prophet. Together, the Antichrist and the false prophet will establish a worldwide social, economic and religious system that dominates the whole world. The only thing opposing them are the people of God and two prophets known as the two witnesses, who appear in Jerusalem and begin to speak out against the Antichrist and his rule. This is a passage from the book of Revelations from the 11th chapter starting at verse 3.
3 And I will appoint my two witnesses, and they will prophesy for 1,260 days, clothed in sackcloth. 4 They are “the two olive trees” and the two lampstands, and “they stand before the Lord of the earth.”5 If anyone tries to harm them, fire comes from their mouths and...
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...ir feet in order to keep the dead from being able to walk. Even though the Norse had a different name for their walking dead than we do, the zombie is a concept that has been around for a long time.
Pop culture always puts a spin on things, from modern art to the end of the world. Even though the concept of the zombie has become modernized and is now a large part of our culture, it’s really cool to learn where it all came from and where its roots in mythology actually began. We have all heard the modern day myth of the dead coming back to life and roaming the earth. But when we learn that the modern day concept came from myths created thousands of years ago have shaped the modern day culture that we live in it surprises everyone. The zombie has been a myth that is present in many cultures for thousands of years and will probably shape a modern myth of the future.
LaHaye, Tim, and Ed Hindson. The Popular Encyclopedia of Bible Prophecy. Eugene, OR.: Harvest House Publishers, 2004.
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broke down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men…they are dead bodies!”: From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness,
The books of the Left Behind series offer a fictionalized account of the end of the world, based on the authors’ understanding of the book of Revelation and other Bible prophecies. But Left Behind is much more than a series of books.
In Night of the Living Dead, the zombies were eventually eliminated. Or were they? Theorists argue that the monster’s elusiveness is due to its physical, psychological and social characteristics that cross the lines of classification. Human’s innate fear of the unknown is due to their inability to make a distinction or draw a clear conclusion. This is explained further in Jeffrey Cohen’s second thesis in “Monster Theory” that claims that; “the monster never escapes” (Cohen, 14). The zombie as a monster can never be destroyed completely and if it is, it leaves a remnant the make people feel uncertain of its destruction. Base on Cohen’s theory, the zombie’s different interpretation allows it to emerge in other forms (a faster, smarter zombie?)
In time, they began calling themselves “the Two,” a reference to the “two witnesses” of Christ foretold in the Bible's Book of Revelation. According to the Bible, the two witnesses are prophets who will be slain by a beast from the bottomless pit, then be resurrected and ascend to Heaven.
The Book of Daniel is the only full-blown apocalyptic book in the Protestant recognized version of the Canon. A literary device divides the book into two halves. Chapters 1-6 are a collection of stories that introduces the reader to Daniel and three other Israelites as unwilling guests of the Babylonia Empire ruled by Nebuchadnezzar. The second half, Chapters 7-12 consists of apocalyptic imagery of deformed beasts and the heavenly court. The focus of this paper will be on chapter 7, which serves as a bridge of the two halves. Chapter 7 is the earliest of the visions as it identifies with the genre of 8-12 while through language and content it reverts to Daniel chapter 2. The linguistic break down is not as neat as the literary divide in that Dan. 2:4b-7:28 was written in Aramaic while other portions of the book is written in Hebrew.
Raisaned, Heikki. "Revelation, Violence, and War: Glimpses of a Dark Side." In The Way the World Ends? The Apocalypse of John in Culture and Ideology, edited by William John Lyons and Jorunn Oklund, 151-165. Sheffield: Sheffield Pheonix, 2009.
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
There are many possibilities where a human can be turned into a “zombie”. Disease, disease has been with humans as long as humans have lived on this Earth. When we look throughout history, we can see the evolution of disease. In England during the Middle Ages, the Bubonic Plague is a perfect example. It hit the British pretty hard, taking them absolutely by surprise.
At first glance, modern zombie movie seem to be about the fear of disease. The zombie movies today feature the “infected” type of zombie being used as the most common, but what threat the zombies really show in the movies are not about the zombies infecting everyone, but the sheer numbers of them. Today’s biggest problem is overpopulation, people are reproducing so fast and so much that overcrowding is starting to appear. People are starting to leave the idea that the world is going to look like a desolate wasteland behind. Instead the end of the world is going to look like most zombie movies do, hordes of people mindlessly swarming everywhere. Even in the old zombie movies the fear that zombies represented was fear of the masses or mobs, than they were about disease, though that was part of it. People know that the world is overcrowded and it is almost like everyone is on their tiptoes waiting for a zombie-like disease to break out. The Scariest thing about zombies is that they mob you, when they attack. Again representing this fear of overpopulation for the modern ear, and the mindless mobs of the earlier
Literalist fundamentalists read Revelation’s multivalent visions as predictions of doom and threat, of punishment for the many and salvation for the elect few. Scholarly scientific readings seek to translate the book’s ambiguity into one-to-one meanings and to transpose its language of symbol and myth into description and facts. In Elisabeth Schûssler Fiorenza’s The Book of Revelation: Justice and Judgment, a third way of reading Revelation is depicted. The collection of essays in this book seeks to intervene in scholarly as well as popular discourses on the apocalypse from a liberationist feminist perspective.
The term millennium does not appear anywhere in Scripture. The idea originated from a thousand year period of time that characterizes the reign of the Messiah. In fact, the phrase “thousand years” is stated six times in Revelation 20. There are three main schools of thought based upon one’s view of the thousand-year reign of Christ. These views are: Amillennial, Postmillennial and Premillennial. Over the centuries these prophetic differences have caused conflict within the body of Christ and are still currently widely debated. Instead of the book of Revelation being the basis of comfort (1 Thess. 4:18) among Christians it has become a bone of contention. However, this controversy should not deter Christ’s disciples from receiving the blessings that Revelation has to offer (Rev. 1:3; 14:13; 16:15; 19:9; 20:6; 22:7, 14). Rather, one should study prophecy under the Spirit’s guidance and look at the data provided within the full context of the Word assessing each of the views for correct motives and presuppositions. Therefore, this paper will examine the nature, timing, and duration of the millennium as well as the occupants of the millennial kingdom and the relationship of Israel and the Church to the millennial kingdom. The aim of this paper is to address “The revelation of Jesus Christ, which God gave to him to show to his servants the things that must soon take place” (Rev. 1:1, ESV).
The. Kate, Lauren. Rapture: A Fallen Novel? New York: Delacorte, 2012. Print. The.