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Literary analysis of two kinds
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Imagine existing in a world run by sadistic and insane street gangs who reek havoc on innocent civilians, and there is absolutely nothing you can do about it. Anthony Burgess created this world through his novel, A Clockwork Orange. Anthony Burgess was born in 1917 and died in 1963. A lot of social changes occurred during this period of time, such as: the roaring twenties, prohibition, the Great Depression, World War II, the fall of the Berlin Wall, and many more. Burgess not only lived through those changes, but also helped influences some social changes in literature and music. Anthony Burgess was a jack-of-all-trades throughout his 76-year-old life. He was a novelist, composer, children’s book writer, play writer, essayist, critic, and poet. Burgess is most famously known for his controversial novel, A Clockwork Orange. Anthony Burgess pushed the boundaries of what the “norm” was throughout his lifetime.
John Anthony Burgess was born on February 25, 1917, in Manchester, England. He was born to Catholic parents (mom died early). Anthony’s mother died when he was only two years old from an illness, so he was brought up and raised by his aunt. A few years later when his father remarried, his stepmother primarily raised Burgess. Anthony’s father was not around much and frankly didn’t care much for Anthony. Burgess’s upbringing was rough and somewhat traumatizing, which reflect in some of his works, including the novel, A Clockwork Orange. Burgess married at a young age and had only one child, Paolo Andrea Burgess. In a review article about Anthony Burges, Thomas Horan said, “As Burgess acknowledged, he was a neglectful parent, too preoccupied with his writing and composing to take much notice of the high-spirited urchin who often r...
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...d a lot of things throughout his 76-year-old life, but he is most famously known for his controversial novel, A Clockwork Orange.
Works Cited
Burrow, Colin. "Not Quite Nasty." London Review of Books. LRB Ltd (1997-2004), Nov. 2005. Web. 1 Jan. 2014.
Covert, Colin. "Anthony Burgess." Hutchinson's Biography Datbase 2011: 1. Ebscohost.com. Web. 8 Jan. 2014.
Criticism, Contemporary Literary, and Carolyn Riley. Contemporary Literary Criticism. Detroit: Gale Research, 1973. Print.
Horan, Thomas. "A Clockwork Counterpoint: The Music and Literature of Anthony Burgess." Academic Search Premier. Studies in the Novel, Apr. 2011. Web. 8 Jan. 2014. .
Liukkonen, Petri. "Anthony Burgess." Anthony Burgess. Ari Pesonen, 2008. Web. 22 Jan. 2014.
"Movie Spotlight: "A Clockwork Orange"" Review. Newspaper Source Plus (2013): 1-2. Ebscohost.com. Web. 8 Jan. 2014.
As popular author Nicole Yatsonsky says, “Your truest friends are the ones who will stand by you in your darkest moments – Because they're willing to brave the shadows with you – and in your greatest moments – because they're not afraid to let you shine.” Similarly, in the heroic, romantic comedy, Cyrano de Bergerac by Edmond Rostand, Cyrano, a passionate and talented poet cursed with an exceedingly long nose, helps Christian, a handsome yet dim-witted man, win the love of Roxane, the girl both have pined after for years. Through a series of correspondences between Cyrano (posing as Christian), and Roxane, Roxane falls deeply in love with Christian. In turn, Cyrano falls for Roxane. Despite his feelings for Roxane, Cyrano backs off and allows, even helps, the two lovers get married. In Cyrano de Bergerac, playwright Edmond Rostand uses Cyrano’s relationship with Roxane as well as his friendship with Christian to prove the theme that loyalty forms a bond stronger than love.
There are many books that have been banned or challenged, but the one that is being presented in this paper is Anthony Burgess’ A Clockwork Orange. The topic of this paper is to inform you of many things and when you have finished it will have you leaving asking yourself one question. First, a summary of A Clockwork Orange will be shared with you, so that you can have an insight as to how the rest of the paper relates to the book. Second, you will find out where, why and when the book was banned and/or challenged and you will discover what the book contains that would “offend” people. Finally, you will discover the literary merit of this book, which means you will discover if is a work of quality.
John Moss, Sexuality and Violence in the Canadian Novel. p. 103 Robertson Davies. The Fifth Business. p. 217.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Barnet, Sylvan, William Burto, and William E. Cain. An Introduction to Literature. New York: Pearson Longman, 2006.
settled in Monaco, where Burgess remained a prolific writer through 1980. Burgess’ writing career was at its peak while Llewela was in the hospital. Durring this emotional time he was able to write such books as A Clockwork O...
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
The Yellow Walpaper. " The Norton Introduction to Literature, Shorter Eleventh Edition. New York: W.W. Norton & Co., 2013. 478-489. Print.
Anthony Burgess’s experiences in life are a basis for the novel. Anthony claims the most traumatic scene in the novel, when F. Alexander’s wife was raped and died because of it, was supposedly inspired by the event that happened during the London 1944 wartime blackout. During the blackout his w...
A Clockwork Orange, written by Anthony Burgess, is experienced differently as a novel than it is as the movie directed by Stanley Kubrick. The heart of the difference between the two forms is expressed by Bakhtin: "The potential for [‘double-voiced discourse’ between the author and narrator] is one of the most fundamental privileges of novelistic prose, a privilege available neither to dramatic nor to purely poetic genres" (Bakhtin, 320).1 An entire dimension of the novel’s story is lost in the movie when Alex’s role is reduced from narrator to commentator. The ability of Burgess to speak indirectly to the audience through Alex is removed, and the perspective on the Clockwork world revealed through Nadsat, the language Alex speaks, is lost. However, this does not mean that the movie is less effective than, or an inferior medium to the novel. The main drive of the story remains in the movie form: Kubrick utilizes the means, such as a musical score and the visual dimension, unique to the dramatic genre to find ways around the loss of Nadsat and first person narration. He also tries to maintain the twisted sense of humor found in the book while working to promote the audience’s understanding of Alex’s universe. Kubrick preserves the unusual opportunity A Clockwork Orange offers the audience—a chance to immerse itself in Alex’s character and actions, and have its "nastier propensities titillated" (Burgess ix)2 by Alex’s "ultra-violence", instead of being frightened away.
SparkNotes Editors. “SparkNote on A Clockwork Orange.” SparkNotes.com. SparkNotes LLC. 2005. Web. 19 Apr. 2012.
Piper, Jim. Get the Picture? The Movie Lover’s Guide to Watching Films. 2nd ed. New York, New York: Allworth, 2008. Print.
A Clockwork Orange’s twenty-first chapter is an important symbolic representation; however, it was not published in the American edition. Although, the twenty-first chapter was available in the British and international versions. The original version
John Anthony Burgess was born February 25, 1917, to Joseph and Elizabeth Wilson in Manchester, England (“Anthony Burgess’s Biography” 1). In 1918, his sister and his mother dies. As a result, he was sent to be raised by his maternal aunt, which led to a strained father-son relationship. Burgess was raised a faithful Catholic and influences of this can be seen in his later works. In addition, he graduated with a Bachelor of Arts in English language and literature from Victoria University of Manchester (“Anthony Burgess’s Biography” 3).