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The link between consumption and self identity
The link between consumption and self identity
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*Baudrillard
1) Baudrillard discusses the topic of hyper-realities created by a consumer-driven society and questions the impact that a powerful enterprise such as Disney has on a culture driven by consumerism. Baudrillard argues that the Disney Company constructs a simulated reality that lacks authentic representations of culture, history, and the physical world.
2) Case Study/Theory; Ethnography/Exegesis.
3) Baudrillard contends that Disney, through the channel of consumerism, has transformed true reality into a depthless virtual reality that synchronizes time periods and cultures. This hyper-reality represents the absence of the real world.
4) The research design was effective because Baudrillard provided a case study to support his theory. However the article could have been more effective had Baudrillard expanded the arguments in the last paragraph to focused further attention on the impact that
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Fjellman questions the credibility of Disney’s mix education and entertainment model and Disney claim to historical and factual legitimacy. Fjellman argues that by claiming to be authentic and extensive with visual details, powerful corporations like Disney can erase the boundary between real and fake, and true and false.
2) Theory/Case Study/Primary and Secondary Sources; Exegesis/Ethnography/Archival Research.
3) Fjellman concludes that the spaces and images manufactured by Disney in the EPCOT center are fantastical and carry no relation to reality, and American historical narrative.
4) Fjellman’s research design was effective because he interacted with his work (ethnography), and organized the chapter by exhibits, which he related back to this main thesis.
5) This article relates back to discussions on the influence of commodification on cultural practices, and a political economy that encourages consumption through tactics of mass marketing.
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In chapter two of Be Our Guest, the system of guestology is addressed and dissected in more detail, with examples of success when correctly done. The book tells us how Disney would aim to please the audience, regardless of the rejection they received from distributors.
This book is very good at analyzing almost each aspect of the Disney company such as the history, the Disney Universe, and the world’s response. Understanding the company’s intentions helps to define the culture. Looking deeper into the company itself, the article “The Psychology of Disney”, written by Collide magazine, goes into detail about the four parts of Disney movies. This includes the formula, the animation, the music and any other patterns. This source also explains how the audience mind is affected by each of these different aspects mentioned. When looking deeper into the movies, the darker parts-- including the original stories these movies are based off of--can show you that looking just at the surface of Disney movies provides the wrong impression. While the last source looks at the culture from a creator's point of view, this next source looks at the culture in a consumer's point of view. In the article “Does More Money Mean More Happiness?” written by Susie Poppick, it addresses if spending money really brings happiness. While the article questions if the money being spent by the consumer is really bringing the consumer happiness. The book brings up an example that Disneyland parks are actually built for guests to spend tons of money when they first enter the park. When first entering a Disney park there are food places and gift shops which draws people in,
almost every aspect of our lives” (19). However, does Disney stand for pure and innocent
Presently, Disney known for its mass media entertainment and amusement parks technically bring warm feelings to many children and some adults. Personally, Disney elicits magical fantasies that children enjoy and further encourages imagination and creativity. For decades Disney has exist as an unavoidable entity with its famous global sensation and reach. Furthermore, Disney is a multibillion dollar empire with an unlimited grasp on individuals and territories. An empire per se, since they own many media outlets, markets, shops, etc., you name it they got it. However, the film Mickey Mouse Monopoly presents an entirely new perspective on the presumed innocence projected in Disney films. This film exposes certain traits Disney employs and exclusively portrays through its media productions, specifically cartoons for directing and nurturing influence beginning with children. Mickey Mouse Monopoly points out camouflaged messages of class, race, and gender issues in Disney films that occur behind the scenes intended to sway viewers towards adopting Disney values.
There are many people who are driven by consumerism and many people who wish they can get in touch with that type of world. Consumers are often promoted to advertise more of the products that they are buying to get more people to buy more products. Hari Kunzru, author of “Raj, Bohemian,” creates a narrator who is obsessed with maintaining his individuality and free will in a world that is overcome with consumerism. Believes that the world takes away individuality when consumerism comes into play and how hard it is to maintain their true self. In her LA Times article “Teen Haulers Create a Fashion Force,” Andrea Chang writes about the phenomenon of teenage Youtube users who make videos that publicize their latest shopping binges. She expresses
Walt Disney, creator of all things “happily ever after”, renowned for his work in movies and tv, is not only a famous animator and film producer, he is also a pioneer in American history by changing the lives of many through his encouraging work in movies. Walt Disney is important to the study of American history because he created movies and tv shows that taught happiness and heartbreak to children. He taught them that being small cannot hold you back from being mighty and doing the right thing. He revealed different cultures to children, and broadened their views on the world around them. In doing this, he widened global communication and the understanding of varieties of cultures and ethnicities (4).
The massive amount of consumerism and materalistic ideology came from the decade of the 1980s and proved to be the time of wanting to have luxrious items throughout the daily routine of being an American citizen. The American culture of massive consumerism of the 1980s was influenced by the elements of the American Dream, the iconic pop stars and events, the deep recession troubling the lives of many, and the nationalistic pride that was shown through the actions of recreations and sports. Not only was the 1980s influenced by the culture of consumerism, but it impacted the future generations to only want to become a bigger and better version of the 1980s.
When putting the three articles together, you can see exactly how Disney is able to control popular culture and the media. Disney controls the media and uses propaganda in order to influence beliefs that shape society’s culture. Part 2. After going through the first semester of First Year Seminar Deconstructing Disney, my viewpoints on many things have changed and how I watch and perceive films has also changed. However, the way I perceive the film Wall-E has not changed much.
This book report is on the society of the spectacle by guy Debord. It is a theory that our society is dominated by images and characterizes and drives our consumer society. The images we see are seen through various methods such as Advertisements, television and other media outlets along with banners and signs. People in consumerism see images of things for them to buy and they go and but things and the reality that the world makes becomes what they are about. Regardless if the people have the money or not they can get credit and pay for it with money they don’t have. This idea of credit for everyone helps the people with power to attain more money and power. The more technology progresses the easier it becomes to enhance the consumer society and move into new market areas and continue to move forward with the new way of life in American and the world.
As capitalism takes control over people's minds, the culture industry is turned into a commodity to be mass-produced and sold to the masses. These causes can lead to many socio-psychological effects on society. People are becoming internalized and not being able to form judgments for themselves as mass media is forcing opinions upon them by not giving the consumer time to reflect before reacting to information. The formation of mass media leads to consumers being manipulated and deceived by the media as information is standardized and a false sense of individualism created. The first part of Adorno and Horkheimer’s argument is around the use and exchange of values of objects.
Many theorists suggest that consumption is correlated to the identity of an individual, that by purchasing goods from the mass market, it enables us to visibly establish our position within society. This differs from previous times in which a range of factors such as family histories, character and personal achievements played a significant role (Gabriel and Lang, 2006). Instead, there is the idea that the consumer has the ability to gain pleasure over objects, not just solely by the manipulation of objects, but through the degree of control over their meaning. The degree of control is developed and achieved through imagination and provides greater possibilities of pleasure experiences. This suggests that modern consumption can be seen as device that enables individuals to ‘dream’ about the desires they wish to fulfill. (Campbell, 1989: 79) (Cited in Gabirel & Lang, 2006)
In Jean Baudrillard’s “The Precession of Simulacra”, Baudrillard discusses the idea that people don’t differentiate between reality and a simulacrum. A simulacrum is an image or representation of someone or something. Baudrillard suggests that we are being persuaded into believing the simulacra is actually real. Disneyland was a given example. Baudrillard tells us that it is “presented as imaginary in order to make us believe that the rest is real”.
The second I stepped foot onto the amusement park’s property, I could feel the magic swirling all around me. As I walked through the crowds of people young and old wearing Disney apparel and Mickey Mouse ears, everything seemed so enchanting: the cheerful music, the twinkly lights on all of the buildings, and the stores that could have been from my favorite Disney movies. Walking along the streets, I took pictures of everything around me because I did not want to forget a single detail; I took pictures of the vibrant yellow, red, and pink flowers that lined the streets, the buildings with intricate details and designs, and the massive roller coasters that glided so swiftly on their tracks. The air was filled with heavenly scents of sweet churros, and I had to get one; it was delectable. Everything at Disneyland seemed perfect and like it was out of a movie. Even as I was about to leave, I got drawn back in; spectacular, bright, colorful fireworks started bursting right over my head, and I could not bring myself to go. My first visit to Disneyland was truly enchanting and magical. At the time I thought no other vacation could
According to Slater (1997), Consumer Culture is the culture of market societies and is defined though market relations. It predominantly is the product of capitalism. He believes that this new culture is a pecuniary culture based on money. The central claim is that the values from the realm of consumption will spill over into other domains of social action. He further argues that Consumer Culture is in principle, universal and impersonal. He simultaneously agues, that there is an ultior claim towards this definition, as although it seems universal and is depicted as a land of freedom, in which everyone can be a consumer, it is also felt to be universal because everybody must be a consumer. ...
The purpose of this essay is to firstly explain what John Fiske means by ‘popular culture lies not in the production of commodities so much as the productive use of industrial commodities’ (Fiske, J. 1990 p.28). Secondly this essay will go on to compare Fiske’s interpretation of popular culture to MacDonald’s theory of mass culture.