In A Sicilian Romance, Ann Radcliffe makes full use of the Gothic Literature and its creepy atmosphere. With character’s personalities and the setting, Radcliffe has fully instilled deception and fear throughout the story. With the use of settings, Radcliffe introduces the reader to a complete immersion of the Gothic Literature ideals.
Throughout the novel the Mazzini castle comes into light and becomes a focal part of the story. Nothing can stay away from the world that is the Gothic world. This is shown as the castle fully embodies that with Radcliffe’s use of mystery and the supernatural. It is seen with many parts of the building are dedicated to the darkness. Also, barely anyone lives in the shadows of the castle, but the castle is covered
in a blanket of darkness. The supernatural is fully shown with the mysterious lights appear in the deserted wing. No one knows what it is or why it keeps appearing. There is a mystery to the castle that appears suddenly and stays constant throughout the novel. Setting can also reveal a character’s true self. This is exemplified in the castle which shows the hidden masks of the characters. This is emphasized in the Mazzini castle. Within the castle many characters plotted which ultimately reveals their true character. This is especially for the Marquis and the second Marchioness, Maria. For the Marquis, he hid the first marchioness from the whole family and locked her away in the depths of the castle. Also, for Maria, no knew that she was having affairs in the castle and was scheming for the end the main character, Julia. The castle was the protective wall that covers and holds all of the secrets of the family. There is also the protective wall that showers the people with tranquility and peace. This is seen in the monasteries and religions structures mentioned through the novel. Radcliffe use of these architectures is a safety and sanctuary. With Julia’s escape from an arrange marriage came forward her father wrath. The monastery was where Julia and Hippolytus hide during their escape. The mentions of the religion as a protective sphere are another Romantic idealism that emphasized the beauty of the past which was the complete opposite of the Enlightenment idealisms. Rather the settings that Radcliffe illustrated fully shown the whole aspect of the Gothic elements of the gloomy world. Each setting enhances not only the supernatural and haunting presence of the novel but also reveals the characters themselves without their disguises. This forces the readers to fully immerse themselves in the ranging atmospheres of fear, darkness, and deception.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
It is also in the same space across the river that an old castle resides in, which can be seen from Danillo’s home – this is the castle where the Sorcerer lives.
Due to the conventions included in the novel, this is a perfect example of a gothic novel. The novel evokes in the audience fear and anticipation of the novels plot. The 19th century audience would have been overwhelmed with terror whilst reading the novel as the atmosphere creates suspense and the pace of the novel is fast.
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Le Fanu uses gothic elements to intrigue and shock readers. This is clearly represented through vivid descriptions of isolated castles, abandoned churches, and mysterious woods. “… In the thick of the forest, overlooks the silent ruins of the town” (Le Faun Chapter I), “The castle is a ruin; the very village is deserted…” (Le Faun Chapter X). Le Faun uses this to create an eerie atmosphere. Through this, he manages to build suspense, forcing the readers to always be suspicious something is going to happen, but unable to determine how and when. This keeps the readers captivated. Similarly, by exploring the literature typified by ruin and mystery, Stoker explicitly exposes gothic tropes from Harker’s very first impression of the dilapidated castle. “The closed gates are of heavy old oak and iron, all eaten with rust” (Stoker Chapter II). As a result of this, Stoker is able to effectively convey the feelings of gloom, mystery and suspense. These are presented through the castle as it holds a lot of history, thus allowing Stoker to build up a haunting and ghostly atmosphere. This atmosphere is exaggerated through a sense of decaying which adds to the gothic convention in this context. “Hinges had fallen somewhat”, “wealth of dust’ and “dusty with age”, all indicating that the place is old, rusty and rather run-down (Stoker Chapter
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
All five elements of purity in the Gothic genre have been deceived and destroyed in more ways than one. So whatever ideas of purity that anybody had before reading Ann Radcliffe's "The Italian," they are now completely altered and set in an entirely different genre. Do not always believe what you hear or see because you never know what deceptive or destructive element might be lurking around the corner.
In conclusion to this essay, having examined these 19th century gothic texts, it is fair to say that normative gender behaviour and sexuality pervades them. This element gives the reader a deep insight into the culture context of the time in which these stories are situated. It enables the reader to delve into the darker sides of humanity at that time, that they would not have been able to do otherwise.
The definition of the Horror genre differs completely to the Gothic genre. This idea of how the Gothic novel transformed from various architectures based around impending castles and morality tales, to the idea of monsters, fear, and repugnance. Therefore, it is interesting to notice the change from how the genre has developed from arguably the 17th century to the 20th century, where vampires, werewolf’s, and other monsters are very popular with teen audiences especially.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
In the Harlequin romance Time of the Temptress, by Violet Winspear, the author seems to be trying to write an intelligent story of romance, bettered by its literary self-awareness. She fails on both counts. Winspear appears to recognize that more valued literature tends to involve symbolism and allusions to other works. It seems she is trying to use archetypes and allusions in her own novel, but her references to alternate literature and culture are embarrassingly obvious and awkward. Another inter-literary connection, though, is more difficult to notice unless the book is pondered -- something the typical romance reader is not likely to do. Although Winspear attempts to give her book literary value by tying it to Gone With the Wind, because of the limitations of her chosen genre, and her own apparent inabilities as a writer, she cannot grasp the depth that makes Gone With the Wind a highly regarded romance work.
William Faulkner’s “A Rose for Emily” has many gothic themes such as, when Emily buys the arsenic and the tomb that lay buried in her house. These themes show that gothic literature consists of cryptic and dark settings and tones. This mysterious story is filled with violent events and creates suspense and terror.
The term ‘Gothic’ is highly amorphous and open to diverse interpretations; it is suggestive of an uncanny atmosphere of wilderness gloom and horror based on the supernatural. The weird and eerie atmosphere of the Gothic fiction was derived from the Gothic architecture: castles, cathedrals, forts and monasteries with labyrinths of dark corridors, cellars and tunnels which evoked the feelings of horror, wildness, suspense and gloom.