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Gothic themes in literature
Gothic themes in literature
Gothic themes in literature
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Perhaps more than any other writer, Ann Radcliffe strengthened, enriched, and ultimately developed the Gothic novel form in British fiction during the late eighteenth and early nineteenth centuries. Through the creative use of innovative ideas and theories, Radcliffe established a unique writing style which has earned her critical attention and respect throughout previous and future generations. Thus, Radcliffe is considered to be the pioneer of the Gothic novel, despite the fact that she was not the first author to publish a book of this style. As the Gothic Period progressed and Radcliffe’s writing evolved, distinctive features of her style were established. Radcliffe began perfecting the use of landscape in order to produce different moods of terror, mystery, and suspense. She also put a focus on individual psychology, which has become synonymous with the Gothic literary era. These traits, combined with her exploration of the sublime and strong female roles, come together to help distinguish her from eighteenth-century predecessors and nineteenth-century successors.
Despite her literary fame and recognition, little is known about the life of Ann Radcliffe. Ann Radcliffe was born as Ann Ward in Holborn, London on July 9th, 1764 (“Ann Radcliffe”). In 1787, Ward married an Oxford graduate and journalist named William Radcliffe (“Ann Radcliffe”). He was also the part-owner and editor of the English Chronicle. He often came home from work late so Radcliffe began writing and reading in order to occupy her time while her husband was at work (“Ann Radcliffe”). Throughout her lifetime, Radcliffe published six novels: The Castles of Athlin and Dunbayne, Gaston de Blondeville, The Italian, The Mysteries of Udolpho, The Romance of the For...
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Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
I offer by way of introduction to the Gothic literary world an extract taken from Ann. B Tracy’s book The Gothic Novel 1790-1830: Plot Summaries and Index Motifs:
Gothic writing is a style of literature that relies upon the evocation of moods, feelings and imagery for impact. This style of writing was developed during an age of great scientific discovery – such literature marked a reaction against the prevailing ‘Age of Enlightenment’. Many Gothic authors opposed the new-found faith and enthusiasm placed in these discoveries, believing that they restricted freedom of imagination. Consequently, Gothic writers inhabited areas where no answers are provided – exploiting people’s fears and offering answers that are in stark contrast to the otherwise scientific explanations.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Literary Reference Center. Web. The Web. The Web. 24 Feb. 2016.
Due to the conventions included in the novel, this is a perfect example of a gothic novel. The novel evokes in the audience fear and anticipation of the novels plot. The 19th century audience would have been overwhelmed with terror whilst reading the novel as the atmosphere creates suspense and the pace of the novel is fast.
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
The. Unknown author/ Electronic Database." Edmund Burke-Quotation on "Society".
In conclusion to this essay, having examined these 19th century gothic texts, it is fair to say that normative gender behaviour and sexuality pervades them. This element gives the reader a deep insight into the culture context of the time in which these stories are situated. It enables the reader to delve into the darker sides of humanity at that time, that they would not have been able to do otherwise.
Literary Reference Center. Web. The Web. The Web. 17 Jan. 2014.
Margaret Atwood is an acclaimed poet, novelist, and short story writer. With such a variety of works in different types of writing, it is difficult to grasp every aspect of Atwood's purpose of writing. A comparative analysis of Rape Fantasies reveals the Atwood's writing is varied in many ways yet soundly consistent especially when comparing a particular set of writing such as a group of her other short stories. Atwood's background plays a large part in her writing. Atwood was born in Ottawa, Canada in 1913. Her father was an entomologist, so she spent much of her childhood in the wilderness and other various urban places around Canada. Throughout her life, she lived in numerous Canadian residences as well as several towns in the United States. She has also lived in England, France, Italy and Germany. With this extensive background, Atwood displays a vast knowledge of the world around her, although large portions of her writing are based on Canadian settings. As a young girl, she started reading many books and even writing poems and comics. After deciding that she wanted to become a writer, Atwood attended the University of Toronto and earned her bachelor's degree in 1961. Following this, she went on to receiver her master's degree from Harvard University.
Jane Austen wrote Northanger Abbey as a satire and when the reader turns every page, it is clear that Jane Austen was making fun of the society she was living in. It’s the satire of the Gothic novel that was surrounding her at the time. What Northanger Abbey does so well in terms of satire is subvert the system of Western patriarchy by the gothic genre and questions the structure of women and nature. Like many of the tales in England of the heroine, Northanger Abbey tells the story of the daughter, who heroic acts are modesty and submission. This essay will focus on what gothic heroine meant at the time, while analyzing why Jane Austen was making fun of the meaning.
It takes a creative mind to be able to write books for children who already have incredible imaginations. Helen Beatrix Potter was one of these people. She wrote and illustrated twenty-eight books that have been translated into more than thirty-five languages and sold over 100 million copies. She is still one of the world’s best-selling and most loved children’s authors. She also had a major influence on the protection of the Lake District from development. Potter was a naturalist and incredible author with many accomplishments throughout her life.