FRQ #2: The Street (Rewrite) Throughout life, many find themselves in difficult situations that cause them to become discouraged and doubtful of the future. The 1940s is an excellent example of when many Americans were facing uncertainty in their lives. Although the events of the Stock Market crashing and the Great Depression had come to a halt, many of the affected Americans were still dealing with the destruction they caused. Many other events like this, small or large, have affected a multitude of people throughout time. Ann Petry, author of the 1946 novel The Street, metaphorically explains the impact of these difficult times and how different people react to them. She evaluates the effect of negative events occurring through the object
The bully wind “rattled the tops of garbage cans,” “drove most of the people off the street,” “found every scrap of paper along the street,” and “even took time to rush into doorways and areaways.” Petry is specific with her subtle detail of the wind to illustrate how harsh events impact a person’s life. These events do not just simply pass over an area in one’s life, they go deep into each crevice in each area with the intention of discouraging that person into giving up. For Lutie Johnson, the wind wanted to discourage her from reading the sign above her. Every time she thought the sign would hold still, the wind blew it from her focus. In life, it seems that every time something seems good, every time positive things happen, there is a negative event to follow. But Lutie Johnson does not mind the negative events life brings her. She is determined to read the sign even though the wind does not want to let her. Through Lutie’s battle with the wind over the sign, we learn that no matter what life throws in our direction, we must stick it out until we get exactly what we are fighting for. Ann Petry does an excellent job of symbolizing life’s difficulties and how one should react to them through the relationship of Lutie Johnson and a “cold November wind.” She utilizes important devices such as imagery, personification, and selection of detail to walk us through Lutie’s journey of finding a home. As readers, we learn how one should handle the negative effects of unfortunate events, and we learn to remain gracious as we walk through
“Winter lies too long in country towns; hangs on until it is stale and shabby, old and sullen” (“Brainy Quotes” 1). In Edith Wharton’s framed novel, Ethan Frome, the main protagonist encounters “lost opportunity, failed romance, and disappointed dreams” with a regretful ending (Lilburn 1). Ethan Frome lives in the isolated fictional town of Starkfield, Massachusetts with his irritable spouse, Zenobia Frome. Ever since marriage, Zenobia, also referred to as Zeena, revolves around her illness. Furthermore, she is prone to silence, rage, and querulously shouting.
The desire for “home,” or identity, within Lily is the driving force that led her to find the pink house and the Calendar Sisters. This new physical and spiritual “home” that Lily finds illuminates the larger meaning of the novel, which is acceptance and identity, and displays where she truly belongs.
When individuals face obstacles in life, there is often two ways to respond to those hardships: some people choose to escape from the reality and live in an illusive world. Others choose to fight against the adversities and find a solution to solve the problems. These two ways may lead the individuals to a whole new perception. Those people who decide to escape may find themselves trapped into a worse or even disastrous situation and eventually lose all of their perceptions and hops to the world, and those who choose to fight against the obstacles may find themselves a good solution to the tragic world and turn their hopelessness into hopes. Margaret Laurence in her short story Horses of the Night discusses the idea of how individual’s responses
As a child you do many things that are horrible but you do them because you either do not care or do not know the consequences to their actions. Percy was a teen who lived in Bend, Oregon and he was happy to live there. He started to see people from California, Seattle, and Portland come to his town which he felt they were invading his territory. Percy and his friends would do many bad things to the rich people because they hated them and wanted them out. Bend was a place where there was a lot of empty land usually grass field. “ When I go back to Bend now, I don't recognize it. I get lost driving around. There are roads where there were none before. There are roundabouts where there were once intersections. Acres of sagebrush have given way to big box stores”. Percy left Oregon for a long time, but when he came back he saw something he had never expected to occur. As he drove around Percy got lost because this was a new...
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Life is a struggle. All through their life meet an obstacle that they struggle to overcome, no matter what walk of life you will face struggle. Some struggles are ongoing and can only be overcome by the perseverance of those willing to fight to better themselves, and those they fight for. We see this in "The Street" by Ann Petry and "Angela's Ashes" by Frank McCourt. Wherein the characters presented struggled to overcome the obstacle of poverty, poor living condition, and malnutrition, and ultimately persevered. When met with an overwhelming obstacle to succeed and overcome it, one must persevere and only then through their actions and strength of character will they overcome the obstacle at hand.
As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter.
people's lives. What Winnie didn't know was that her wish of being left alone was going to come true sooner than she thought. The firs...
The 1946 novel, “The Street” by Ann Petry establishes a struggling relationship between the main character; Lutie Johnson, and her new surroundings. Lutie seeks, her overall objective in finding a safe refuge to live, however; the description of 116th street seems less than an ideal home. Petry uses decrepit imagery and forceful personification showing a battle between Lutie, the town, and the wind. The combination of the destructive town, and the winds haunting figure creates an overall feeling of caution within this gloomy road, making the goal seem near impossible.
In Jack Kerouac’s novel On the Road, the narrator, Sal Paradise offers up to us what seems to be a very optimistic view on life. He is forever singing the praises of how wonderful his adventures will be and his high expectations for the future. To Sal, the novel is defined by youthful exuberance and unabashed optimism for the new experiences that he sets out to find. A deeper look into the novel, as well as a look at some of the critics who have written on it, reveals a much darker side, a more pessimistic and sad aspect that Sal simply fails to realize until the very close of the action. Whether Sal is hopped up on the optimism of jazz music, secure in his belief that he is off to find ‘IT,’ or just excited about the promises of a night out in a new city, he is consistently selling the reader on the positive nature of the situations. To be more honest though, On the Road is a novel in which Sal, and the people with whom he surrounds himself, find themselves steeped into a near constant cycle of enthusiastic optimism for the future, which is then followed by a disparaging pessimism for the situation’s reality. While Sal might note that he desires the freedom and happiness of the open road, Ann Douglas says that "this is the saddest book that I’ve ever read" (Douglas, 9). While Sal attempts to show a exuberant and triumphant story of youthful optimism, critics and the actual events of the novel alike seem to point towards the fact that this same optimism turns the novel into a pessimistic story showing the actualities of life.
The coldness felt in the house as the sheriff and court attorney entered the house symbolized the same coldness brought about by Mr. Wright. For the house to be cold and gloomy and everything else outside the total opposite, was much more than just coincidence. It was as if when you entered the house a cadaver, cold and clammy, had embraced you in its arms. “ I don’t think a place’d be any cheerfuller for John Wright’s being in it”, Mrs. Hale told the court attorney (11). Mrs. Hale knew perfectly well what kind of personality Mr. Wright had, which is why she specified that she wished that she had gone to visit Mrs. Wright when only she was there. “There’s a great deal of work to be done on a farm”, says Mrs. Hale, yet they are seen as mere trifles because it is the women who take on these tasks.
Ann Petry’s The Street In our society today, there are many images that are portrayed through media and through personal experience that speak to the issues of black motherhood, marriage and the black family. Wherever one turns, there is the image of the black woman in the projects and very rarely the image of successful black women. Even when these positive images are portrayed, it is almost in a manner that speaks to the supposed inferiority of black women.
Although the end of World War II brought immense joy to the world, it was a turning point for American literature. Though the war was over, it was like starting over for America as it donned a new post war era. Authors and poets used their stories and characters to portray the grim era of that time and many of them reflected a guilt and disillusionment in the American dream. Though various writers had their own ideas of what the new post war America would shape out to be, not all had positive outlooks. It was a time of change as the United States was beginning its foray to the forefront of being the new cultural center and world power. Not only did a new generation come out of the war, but its ethnic, regional, and social character was
Jack Kerouac’s “On the Road” encompasses ideas of the beat generation, takes you along, and allows you to see the people and the situations of America at a time immediately following World War II; how people lived, and how, at least in Sal’s case, people changed. Kerouac exemplifies one’s dissatisfaction with the responsibilities that the society ties an individual down with, opting to always be on the road avoiding commitment, therefore antagonizing themselves from the mainstream views of the post-world war II American society.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...