Angry Black Men: The Image Of Black Women

262 Words1 Page
bulb-icon

Recommended: The impacts of the gender stereotype

Corporate hip hop not only portrays black women negatively but black men as well. Corporations, with the aid of other popular media, have successfully created the idea of the “angry black man”. This image shows black men to be angry, violent, and crime driven. Hip hop culture has furthered this image by showing rappers to be vulgar and degrading to women in their music. This stigma against black men has not only been internalized by many male black youths but has also damaged the image of the black man in both professional and unprofessional settings. As Grewal and Kaplan wrote in their article “Representations, Cultures, Media, and Markets”, gender, race, class and nationality have significant impact on the way one is perceived and the work

Show More
Related

  • Analysis Of Joan Morgan's 'From Fly-Girls To Bites And Hoes'

    701 Words  | 2 Pages

    In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.

    Read More

  • Analysis Of Joan Morgan From Fly Girls To Bits And Hos

    945 Words  | 2 Pages

    In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.

    Read More

  • Annotated Bibliography On Black Masculinity In The South

    1006 Words  | 3 Pages

    Richardson, Riche. Black Masculinity and the U.S. South: From Uncle Tom to Gangsta. University of Georgia Press, 2010. Print.

    Read More

  • Black Women’s Role in Popular Culture: An Analysis of The Venus Hip Hop and the Pink Ghetto

    1165 Words  | 3 Pages

    In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.

    Read More

  • Masculinity In Hip Hop

    1594 Words  | 4 Pages

    When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists

    Read More

  • The Negative Impact of the Depiction of Black Male Stereotypes in Media

    3152 Words  | 7 Pages

    The usage of media is huge in nowadays. People rely on different kinds of media to receive information in their everyday life because they are thirsty for the diverse and informative content. However, inaccurate portrayals of people from different races always appear in the media and audience will exaggerate those portrayals by their inflexible beliefs and expectations about the characteristics or behaviors of the portrayals’ cultural groups without considering individual variation (Ting-Toomey and Chung, 2012); in fact, it is also called as stereotypes. According to a study by the Center for Integration and Improvement of Journalism at San Francisco State University (Stein, 2012), racial stereotyping continues to occur in media and the mainstream media's coverage of different cultural groups is full of biased reporting, offensive terminology and old stereotypes of American society. It specifically emphasizes that majority of the stereotyped characters in media will only bring out the dark side of their cultural groups which many of them might not be true, especially for the portrayals of black community: African American.

    Read More

  • Prejudice and Discrimination in America Today

    1648 Words  | 4 Pages

    Across the nation, millions of Americans of all races turn on the television or open a newspaper and are bombarded with images of well dressed, articulate, attractive black people advertising different products and representing respected companies. The population of black professionals in all arenas of work has risen to the point where seeing a black physician, attorney, or a college professor are becoming more a common sight. More and more black people are holding positions of respect and authority throughout America today, such as Barack Obama, Colin Powell, Condelezza Rice and many other prominent black executives. As a result of their apparent success, these black people are seen as role models for many Americans, despite their race. However, these groups of black people are exceptions to the rule and consist of only a tiny fraction of all black Americans. These black people in turn actually help to reinforce the inequality of black Americans by allowing Americans of other races to focus on their success. A common thought is, "They made it, why can't you do the same?" The direct and truthful answer to that question is Racism.

    Read More

  • Masculinity In Hip Hop Culture

    956 Words  | 2 Pages

    In black media today the hip hop culture is often referred to when defining what it means to be a black person in society. In particular the

    Read More

  • Critical Analysis Of The Fear Of Black Women

    1207 Words  | 3 Pages

    In 2014, Dr. Wallace Best wrote a candid article for the Huffington Post discussing what he deemed as the irrational fear of black bodies. The context surrounding this critique stemmed from the surge of black men dying by white police officers. In the article, Dr. Best provided historical insight into this deeply rooted, unwarranted anxiety that white Americans have used as probable cause to commit violent acts against blacks, as well as systemic control over black men as a means of protection to maintain societal order. With this assertion, Dr. Best offered a critical analysis in understanding the fanatical need to preserve ownership over black movement due to this ubiquitous threat of black skin and the African American male. However, what

    Read More

  • Stereotypes And Stereotypes Of Black Males

    753 Words  | 2 Pages

    In today’s society there are many stereotypes surrounding the black community, specifically young black males. Stereotypes are not always blatantly expressed; it tends to happen subconsciously. Being born as a black male puts a target on your back before you can even make an impact on the world. Majority of these negative stereotypes come from the media, which does not always portray black males in the best light. Around the country black males are stereotyped to be violent, mischievous, disrespectful, lazy and more. Black males are seen as a threat to people of different ethnicities whether it is in the business world, interactions with law enforcement or even being in the general public. The misperceptions of black males the make it extremely difficult for us to thrive and live in modern society. Ultimately, giving us an unfair advantage simply due to the color of our skin; something of which we have no control.

    Read More

  • Gender and Race: Influencing Factors in Business Consultancy

    1041 Words  | 3 Pages

    There are many reasons why Stereotypes exist but the main reason is there are so few historical accounts written about modern African American professional women (Bell, 2004). Literature on slavery and considering the culture today, the media, and rap music, African American professional women are left with only dramatized accounts of their life experiences (Bell, 2004). The fact is there is a nation of people that only know a very small chapter of their lives. Therefore, combating stereotypes, biases, racism, and hatred, is a never ending battle,

    Read More

  • The Exploitation and Objectification of Women in Rap

    1182 Words  | 3 Pages

    Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.

    Read More

  • Hip Hop's Effect on American Culture

    3349 Words  | 7 Pages

    Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.

    Read More

  • Radical Feminism and Hip Hop

    1536 Words  | 4 Pages

    Since its emergence in the South Bronx in the 1970’s, hip hop has spread to both urban and suburban communities throughout the world. Once an underground genre of music, it is seen in commercials, movies, television shows, etc. It has transformed from music and expanded into a full culture. It has even made its way into fashion and art. Men have always been on the front line of Hip Hop. However, the lyrics and images have changed tremendously. Lyrics and images that once spoke upon the injustices and empowerment for the African American people is now filled with money, cars, jewelry, and of course women.

    Read More

  • Lecrae's Heroic Analysis

    497 Words  | 1 Pages

    On April 10, I watched the TED Talk of the Christian and social justice rapper, Lecrae. He claimed that good and bad isn’t always black and white. Specifically, he claimed that heroes and villains are subjective terms. As he said, “heroes are sometimes more villainous than we think and sometimes our villains are more heroic than we give them credit for.” Lecrae relates this to hip-hop music when he introduces its timeline. He stated that beginning in the ‘70s and ‘80s, hip-hop was a narration of a struggle, but the ‘90s began a new type of story within the music that seemed to glorify the stigmas created by the media. He elaborates on his theory using the timeline that shows drug trafficking into American neighborhoods increasing as unemployment

    Read More

More about Angry Black Men: The Image Of Black Women

Open Document