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The power of story
Essay on Importance of stories
The power of stories essay
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Despite Frank McCourt's horrid poverty, tiresome starvation and devastating losses, Angela's Ashes is not a tragic memoir. It is in fact up lifting, funny and at times triumphant. How does Frank McCourt as a writer accomplish this? "When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable child hood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood Is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood", writes Frank McCourt of his early life. Although Frank McCourt's autobiography, Angela's Ashes, paints a picture of both terrible poverty and struggles, this text is appealing and up lifting because of its focus on both humor and hope. McCourt's text shows the determination people living in dreadful conditions must have in order to rise above their situations and make better lives for themselves and their families. The effect of the story, although often distressing and sad, is not depressing. Frank as the young narrator describes his life events without bitterness, anger, or blame. Poverty and hardship are treated simply as if they are a fact of life, and in spite of the hard circumstances, many episodes during the novel are hilarious. Frank McCourt was born in Brooklyn in 1930, just after the beginning of the Great Depression. During this time, millions of people around the world were unemployed and struggling to survive. Franks father, Malachy McCourt, struggled to obtain work and lost it easily due to his alcoholism. His mother, Angela McCourt, being a good catholic wife produced five babies in four years, leaving her unable to provide the most basic care for her children. When the baby, Margaret, died due to the shocking living conditions in Brooklyn, Angela subsided into clinical depression, which went untreated. Other women in the building where the McCourt's lived looked after the children until Angela's cousins arranged for the family to return to Ireland. The picture of Brooklyn presented by McCourt is almost cruelly miserable. In the first few chapters of the text there are moments of gentle humor and irony. For example, franks full immersion baptism when his mother dropped him into the font seemed to be a protestant symbol to the family. McCourt's humor has two main sources: childish innocence, including school boy humor, and the funny situations to which poverty can reduce people.
Judging a book by its cover is like judging a person by the words that describe him or her. Some of them are accurate, but the physical being of a person can tell you a story untold. In Frank McCourt’s memoir Angela’s Ashes, the reader witnesses what the description of a single character can do to the voice of a piece. Frank’s use of pathos and characterization when it came to Angela, his mother, spoke volumes in his memoir, but when applied to the big screen, her character was amplified. It was then the reader realized that Angela’s true effect and purpose in Frank’s life was to be his main influence.
In Angela's Ashes, a similar theme is struggling through life's obstacles. We are made aware of this theme by using character. In paragraph 4, McCourt writes, "You can look in people's windows and see how cozy it is in their kitchens with fires glowing or
..., the use of literary techniques including irony, characterization and theme convey the author’s purpose and enhance Into The Wild. The author accomplished his purpose of telling the true story of Chris McCandless. He was an eccentric, unpredictable man that led a very interesting life. His life deserved a tribute as truthful and respectful as Jon Krakauer’s. Through his use of literary techniques, the author creates an intense, and emotional piece of literature that captures the hearts of most of its readers. Irony, characterization, and theme all play a vital role in the creation of such a renowned work of art. “Sensational…[Krakauer] is such a good reporter that we come as close as we probably ever can to another person’s heart and soul” (Men’s Journal).
First and formost, Frank McCourt's, "Angela's Ashes" ,shows the development of poverty and perseverance through the mian characters struggles of starvation. For example, the main character shows perseverance through him needing to become the "caretaker" of the family from such a young age. "Grandma
Angela’s Ashes - Frank McCourt's Love/Hate Relationship with his Father. Angela’s Ashes is a memoir of Frank McCourt’s childhood and the difficulties he faced whilst growing up. His family were very poor and moved from America to Limerick to try and live an easier life. Frank’s father was constantly out of a job and never had enough money to support his family and friends.
In William Faulkner’s As I Lay Dying, Faulkner portrays the death of Addie Bundren and her family's quest to honor her dying wish to bury her in the town of Jefferson. Faulkner utilizes humor in the novel to lighten the mood of death and as an act of transgression against the orthodox Christian views of death as it relates to good souls dying and becoming angels. Addie Bundren’s son, Vardaman, relates to the orthodox Christian views of death, and the synonymous use of humor with these views ultimately creates an idea about humanity’s perception of death and how they should live, which is enhanced through John Morreal’s “Humor in the Holocaust: Its Coping, Criticizing, and Superiority” and “‘The Abject’- A Brief Definition.”
The Theme of Religion in Angela’s Ashes Throughout the novel, religion is presented as being of extreme importance in Irish society, influencing the beliefs and actions of the characters. I will attempt to highlight the several factors which I believe make up the presentation of religion in “Angela’s Ashes”. From the beginning of the book, religion is said to make up a large part of the unhappy childhood Frank suffered. The following quote shows the extent of Frank’s sentiments: “Worse than the ordinary miserable childhood, is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood” The quote above portrays the crescendo of negative emotion, describing the worse possible scenario of a childhood, adding finally “Catholic” to signify the most terrible part of the childhood Frank suffered.
Black Humor in Vonnegut's Cat's Cradle The phrase Black Humor has the broad meaning of poking "fun at subjects considered deadly serious or even taboo by some"2. This definition is simple, and yet embodies an important idea that is often lost in more complex definitions: the idea that Black Humor can actually be "fun", and provoke laughter. This is not, of course, the only important aspect of the term, and I shall explore some of the other important defining features of Black Humor before moving on to discuss its use in Kurt Vonnegut's Cat's Cradle3. Many critics have attempted definitions of Black Humor, none of them entirely successfully. The most significant recurring features of these definitions are that Black Humor works with: absurdity, ironic detachment4; opposing moral views held in equipoise, humanity's lack of a sense of purpose in the unpredictable nuclear age, the realization of the complexity of moral and aesthetic experience which affects the individual's ability to choose a course of action5; and a playing with the reader's ideas of reality6.
Humor can come in many different forms. Many people are aware of the blatant humor of slapstick, but it takes a keener mind to notice the subtle detail in sarcasm or satire. In A Modest Proposal, Jonathan Swift was able to create a piece of literature addressing the faults of the Irish culture while embedding in a humorous essay. Swift’s satire allows for the gravity of the Irish standings to be exploited under the disguise of a proposal for economic benefit.
... immensity of its horror finally makes him drop the pretense of knowing detachment he has held for so long. As he drunkenly sobs, “What’s funny? What’s so goddamned funny? I don’t get it” (Ch. 2, 23) his lurking humanity becomes evident. The subtly of interplay between The Comedian’s persona, his humanity, and even his hypocrisy strongly support his status as a living person alongside Dr. Manhattan.
The two pieces, "Angela´s Ashes" by Frank McCourt, and "The Street" by Ann Petry, share one common theme upon reading both sources, that being the relationship between the characters and setting. In "Angela´s Ashes", the narrator lives with hunger and her starving family struggle contributed by abnegation of food in their household. In summary, "The Street¨ tells about a woman, Lutie Johnson, who passes in a wind through the setting where it is merely established by the use of personification, imagery, and characterization. To corroborate, both authors establish a relationship between the two main characters from the excerpts and the setting, creating a theme that our protagonists go through a struggle to get what they need and have a hinderance that deters them.
Poverty and struggle are both things that majority of the world's population have been forced to come face-to-face with. The story Angela's Ashes by Frank McCourt allows readers to learn about his struggles as a child, where he was forced to become the "man" of the family due to his father's absence. Ann Petry's, The Street, describes her life after being abandoned by her lover and forced to live on the streets as a single mother. After reading excerpts from both Angela's Ashes by Frank McCourt and The Street by Ann Petry, I am able to recognize two of the main themes illustrated by each author. By understanding both authors' use of characters, setting, and events, I am able to understand a few of the main themes depicted in these stories. The two main themes illustrated by this story are poverty and struggle.
On the first page of Angela's Ashes, Frank McCourt says, “ When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.” He is saying that his childhood was Irish, Catholic, and miserable and that was worse than any miserable childhood you could have.
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own” (Swift). Such beholders, as Jonathan Swift astutely emphasizes, are intended, through guidance of satiric narrative, to recognize social or political plights. In some satires, as in Swift’s own A Modest Proposal, the use of absurd, blatant exaggeration is intended to capture an indolent audience’s attention regarding the social state of the poor. Yet even in such a direct satire, there exists another layer of meaning. In regards to A Modest Proposal, the interchange between the voice of the proposer and Swift’s voice introduces another medium of criticism, as well as the opportunity for readers to reflect on how well they may fit the proposer’s persona. In such as case, the satire exists on multiple levels of meaning—not only offering conclusions about moral problems, but also allowing the audience to an interpretation of their place among the criticism.
... takes to write: “When you had the material stacked up, right there beside you, a pile of notes and facts, there was absolutely no reason for being unable to proceed with the next step.” Eventually though, he quits his writing career, which was based on these principles because it made him unhappy, and this, perhaps, can be interpreted as Clark’s commentary on her own job as an author, a cautionary tale of sorts, teaching that writing ought to always be based on creativity and inspiration and not the mere mechanical stroke of a pen, much like we as individuals need creativity and inspiration in our lives if we are to be truly content. In short, to produce his best work, an author, of both life and works of literature, needs to fuel his creation by his own honest feelings and experiences and fill the blank pages with all the ‘blue elephants’ he can possibly muster.