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America had gone through a depression and a world war; Warhol had lived through this and saw the changes of development and manufacture. During the war production changed to mass production, and when the war was over they related this technique to modern advertising. What Warhol did was take this change in production and turned it into art.
Warhol used silkscreen technique (the Use of silkscreen technique was originally used for commercial printing process) on Marilyn Diptych, which creates commercial and impersonal process. Andy Warhol would transfer an existing image- Marilyn (from mass media) directly on to the silk-screen and print it on to the canvas. From, Warhol was able to achieve a process, which involved minimal interference of the artist’s hand. Warhol’s work forced the public to re-examine their everyday surroundings and made a point about ‘loss of identity’ in an industrial society- the exposure of the private lives of celebrity figures.
He wanted the viewer to see up rise of American mass media and the huge impact it had to American people.
The technique of repeating the images allowed Andy to created more mechanically detached images, which gave sense of equalness and made loss of ‘Marilyn’s’ individuality.
The repeated images- ‘Marilyn’ would become bland which showed his ideas on society.
“I want to be a MACHINE” Andy (http://www.theartstory.org/artist-warhol-andy.htm) wanted to be perfect rather than creating his own art. Moreover, the repetition of the image evokes Marilyn’s widespread presence in the media.
Celebrity-Marilyn holds a powerful influence over the public and wanted to show the real life tragedies portrayed by media. Tales of her marriage, drug dependency and having the title of ‘sex symbol...
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...ting process from painting. His use of media of silkscreen was produced by stencil, which was used for other artist for printmaking. This was usually printed by hand, but since Warhol used photography of celebrity icon; Marilyn Monroe, he could put the screen photographically. Therefore he could produce this artwork mechanically. Warhol had to make at least 23 silkscreen prints of Marilyn Monroe. He kept the printing of the silkscreen on his canvas and continuously assorted his images by the amount of paint added through the screen. The right hand side of the artwork, Warhol formed the technique of blotching and blurring the images. He also, gave a contrast of the right hand side of the colourful panel on the left hand side. This gave an idea of Marilyn’s fame has ended and the repetition of the same images gave an effect of highlighting the influence of Celebrity.
This essay will focus on political and social printmaking in the 1960s onwards and it will show how these artists used printmaking to express political views of their times. Pop Art had emerged five years prior to the 1960’s; the Pop Art movement presented a challenge to traditions of fine art by including imagery from popular culture. It was the visual art movement that characterised a sense of optimism during the post war consumer boom of the 1950's and 1960's. Warhol was the leader of the Pop art movement; he was a major influence for socially conscious art work in the 1960s. Warhol was also a postmodernist artist; he broke down the barrier of high art and low art, much of Warhol’s work went onto address many social/political issues in the 1960s which were produced using the medium of silk screening, although he denied any interest in politics, Warhol did create silkscreen prints Red Race Riots, of 1963 (fig 9), which were based on photographs of the civil rights protesters in Birmingham, and he also created The electric chair, of 1971 (fig 10) which is a haunting image of the execution chamber at Sing Sing. Over the next decade, he repeatedly returned to the subject of the chair, reflecting on the political controversy surrounding the death penalty in America in the 1960s. Warhol presented the chair as a brutal reduction of a life to nothingness, the image of an unoccupied electric chair in an empty execution chamber became a poignant metaphor for death. Warhol strived to communicate the true feeling which is aroused by this terrifying instrument of death.
Marilyn Monroe, Norma Jeane Mortenson. A devious soul but a pure heart, a black past, but a bright future; she became one of the most idolized figures in society. Norma was definitely not born with a silver spoon in her mouth, and she never sugar coated her life to the media. She was straight forward which made her heavily known for her quotes such as “I learned to walk as a baby and I haven’t had a lesson since.” (Marilyn Monroe). This was the beginning to her life story as a hero. This may not seem inspiring or heroic to many by the lack of knowledge a person may have on Norma. In the depths of her quotes lay a deep, heartfelt life though. For this quote may seem sensational and comical to the ear, but Marilyn was transferred to many foster homes not really having a parent that would show her the way. What a good role model would do though, and what Norma courageously has shown society, is that when life knocks you down, get up and hit life back twice as hard. Norma Jeane Mortenson, married Jim Dougherty, and started working. Soon she created the character Marilyn Monroe, she dyed her hair blonde, wore short dresses, and she became the momentous and inspirational character that everyone saw through television, newspapers, and photos. She was one of the greatest actors, singers, and models of the nineteen forties and fifties. But like every hero they suffer and create their own demise. Jeane, Marilyn Monroe, is a shakespearean tragic hero, because like every hero she must fall.
The image has a huge effect in society. A celebrity’s image can characterize, shape and circulate societal myths in Hollywood. Marilyn Monroe was an American actress, singer, and model. People think her figure and beauty make her become a popular icon and sex symbol in the 1950s. When people talk about the name of Marilyn Monroe, a blonde beautiful sexy female's image will appear in people's minds. What has the beauty standard shown us through Marilyn Monroe in the mid-20th century? Besides the beauty what other things did she need in order for her to be famous at that time? Marilyn Monroe's status as a sex symbol has influenced many artists since her time, even though the beauty standard has been different since then. If we look at the celebrities today, we can find many imitators of Marilyn Monroe: Madonna, Britney Spears, Lindsay Lohan, and even Lady Gaga. They do this not only because of marketing and media needs, but also because people today still “worship” the image Monroe created. A half-century has passed since Marilyn Monroe's death, so why is she still relevant today? As time has passed, Marilyn Monroe's image is becoming even more meaningful and valuable. Think about the image she has created, the main point I want to study is: how does a woman who passed away at thirty-six years old, after starring in only a handful of movies, has such on the impact on women, especially young women, in the 21st century? To find the answer of how she has an impact on young women today will also show how some of the young celebrities today became successful.
By 1962, he had built up a network of people around him, becoming more involved in celebrity culture and founding ‘The Factory’ where he and a multitude of artists, writers, and celebrities gathered and worked (The European Graduate School, n.d.). By the time of his death in 1987, February 22, Warhol’s reputation was remarkable, and was the focus of an eleven page article in the New York Magazine. He was and continues to be an icon of the era and was described as creating “art that defines the glossy superficiality, manic denial of feelings and process, and underlying violence of the sixties” (Kornbluth, 1987). Warhol surpassed his infamous quote “In the future, everyone will be world-famous for fifteen minutes” and continues to capture the interest of people almost thirty years
Marilyn Monroe was more than a blonde, beautiful, and talented actress; she was a bombshell that exploded in feminism and sexuality. After an abusive childhood and a few bottles of hair dye, Monroe found herself in the 1950s Hollywood spotlight during an era of suburbia and housewives. She fought the industry and bred a new type of female standard. Monroe paved the way for the Sexual Revolution of the 1960s and vast future generations of supporters through her ideas on equality, sexuality, and overall feminine strength. Ultimately, she was packed and loaded for the right amount of impact because her legacy lives on to this day. She was just a bombshell that exploded during the wrong era.
There is scarcely a person in America whose life has not been affected—whether or not they know it—by the way Warhol transformed our understanding of our culture. Certainly there is no serious artist working today who has not been influenced by Warhol 's conversion of the banal world of consumer culture into the sacred realm of art. We see ourselves and our world reflected in the mirror of Warhol 's art, but the image has still not come into full focus. By the time he painted this last Self-portrait, Warhol had become the most famous artist in the world; but more than a decade later his art remains enigmatic.
Marilyn was most widely known for her acting and modeling career. She received her nickname, Marilyn Monroe, by accident when she didn’t succeed as a girl-next-door at 20th Century-Fox. (30) Marilyn appeared on her first magazine cover in 1944. (5) Her acting career didn’t take off until the 1950’s. (2) Her first movie was called “The Asphalt Jungle”; she acted in many more movies after that. (2, 6) She got annoyed playing the role of the dumb blonde so she moved to New York City and studied acting with Lee Strasberg. (2) Following this, she signed a seven year contract with 20th Century-Fox. (6) Marilyn’s fame was greater than any entertainer in her time, as a result of this she attracted enormous amounts of media and paparazzi. (6)
Warhol also used repetition of images in his work, and Campbell’s Soup Cans is not the exception. By repeating the same object he was able to saturate the viewer, showing that if you see the same thing enough times it diminishes its meaning. A specific image can be very interesting, but many images that look alike become a bunch of the same thing. If you see many cans of soup at the same time, no matter how elaborated each one of them is, all you will see is a group of cans.
In fact, this single piece transformed Andy Warhol into one of the most famous contemporary artists when it was first exhibited in 1962 in Los Angles. The attention placed on this artwork mainly roots from two things: the subject and the visual qualities of the piece. The subject is an interesting point in this art. Unlike previous artworks which employ subjects such as people or nature, Warhol chose an item which is found right in the pantry shelves and kitchens of millions of Americans and transformed it into high art. This is interesting because people are conditioned to see art as a venue for items or ideas that are “beautiful.” Andy Warhol, on the other hand, featured an item which we encounter every day and yet never gave a second look or thought. The choice of subject is but a challenge to the traditional concept of what art and beauty are. In the same way, Warhol’s decision to use soup cans as his muse may come from the emerging pop art movement. True to the objectives of this movement, pop art embraces the mundane and banal commercialism. And Warhol’s work functions as a subversive critique on consumerism as well as a reassertion of the joy and beauty that is innate in such object (Fallon
Warhol’s Marilyn Diptych, is typical example of Pop Art due to its subject, strong color, and representation. The piece showcases a still of Marilyn Monroe from her 1953 film, Niagara, the use of a still of a influential, popular actress is very typical of the style. With Marilyn Monroe being a symbol of popular culture, Warhol using a still of her from a well known film is a classical choice of subject. The image is a form of hand printing onto the silkscreen onto the canvas which is constantly varied due to the amount of paint put through the screen. Warhol then repeats the still over 50 times in different contrasts, first being with strong color on the left panel contrasting with the black and white which eventually fades. The vividness
According to the powerpoint, postmodernism plays a lot with convention. It is a style of art that has a playful look, blurs between high and low art, is contemporary, and generically blurs objects. I think Andy’s Warhol’s popart of Marilyn Monroe is the best example of postmodernism. Popart was a popular movement during postmodernism. It blurred reality and made eccentric and playful pieces with a flat-like component. So, Andy Warhol’s screenprint of Marilyn Monroe is a great example of postmodernism artwork. The subject is a popular figure in the Hollywood world, but it is done to look flat-like and printed with bright and eye-popping colors. Furthermore, Warhol is blurring the high/low art culture. The high-class subject is printed with low
Moreover, the effect achieved by the current painting technique is often that of a human face behind glass or of a reflection rippling in the water surface: for instance, Shirley (2007), Susan (2011), Self-Portrait (1997) and others. Although these gridded paintings look fragmented from the small distance, they form an easily recognizable and identifiable figurative whole. The tendency towards application of pixelization in painting might be perceived as a skillful allusion to the legacy of Gustav Klimt, for Klimt, an Austrian Secessionist of the early 20th century, often ‘infused’ geometric elements similar to Close’ marks into his paintings. In other words, Close seems to have revived use of geometry in figurative depiction as he entered the third stylistic phase and endowed his photorealistic vision with more complex optical
He likewise transformed his specialty into mass delivered objects. At the time numerous faultfinders were extremely worked up over the dull topic. Conceptual Expressionists were likewise furious at losing their place in the workmanship business sector to a youthful upstart business craftsman. Campbell's soup had an extraordinary hugeness to Warhol since it was his most loved dinner as a kid; his mom encouraged it to him at each lunchtime. Abruptly an insipid article got to be craftsmanship. Warhol's pictures summed up the soul of his general public and times-from Marilyn Monroe to Chairman Zedong. The silk-screened picture turned into a configuration Warhol utilized for a long time. He turned out to be surely understood in the mid sixties for his numerous "Marilyn" silk-screens, of Marilyn Monroe, and for is utilized of the Campbell's soup jars. His silk screened works would frequently utilize rehashed symbolism to render the subjects just another imaginative component. This VIP silk screens and soup jars, straightforward as they may appear turned into the foundation of the pop workmanship world, and are perceived more than any others as a Warhol
Andy Warhol said, “Art is what you can get away with.” In the 60’s, Andy Warhol was one of the most famous artists in America, and lead the way through Pop Art. He believed that art is freedom, that you can do anything with it without disapproval from someone and no rules needed. Pop Art was famous in the 60’s because this draw inspiration from popular advertisement and history, it showed specific reasons and messages, and helped artists to express themselves through art.
His piece “Saturday Disaster”, displayed the shocking fallback of motor vehicles by recreating a car crash. The image works as a series because it was often repeated in a large-scale recreation. Warhol believes this piece to incorporate fears of society becoming ran by machines and even machine-like in it’s own personal sense as well. Even though Warhol attempted to demonstrate this fear, he still contributed to the movement itself. Warhol states, “The process of doing commercial art was machine-like, but the attitude had feeling to it” (Warhol, 107). Warhol thinks the majority of people in the world are obsessed with repetition, and repetition is similar to the function of machines. The multiple recreations of the “Saturday Disaster” image allow the viewer to see an altered perspective on the concept of death in society. The initial fright upon first seeing it is diminished after multiple viewings of the recreated works. This triggers the viewer into an understanding that death is just an event that occurs consecutively and to all people, decreasing the traumatism of such catastrophes. This image is also in black and white, which is interesting to consider the emotionless feel that is emitted from a lack of bright pigments, which are usually used to evoke